Scott Smith - The Ruins

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In 1993, Scott Smith wowed readers with A Simple Plan, his stunning debut thriller about what happens when three men find a wrecked plane and bag stuffed with over 4 million dollars-a book that Stephen King called "Simply the best suspense novel of the year!" Now, thirteen years after writing a novel that turned into a pretty great movie featuring Bill Paxton and Billy Bob Thornton, Smith is back, with The Ruins, a horror-thriller about four Americans traveling in Mexico who stumble across a nightmare in the jungle. Who better to tell readers if Smith has done it again than the undisputed King of Horror (and champion of Smith's first book)? We asked Stephen King to read The Ruins and give us his take. Check out his review below.

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They'd have to use something thin, he thought, but strong, like fishing line. He was too tired, though, to think beyond this point. It didn't matter; they had plenty of time. All he needed to do now was get back to the tent, drop into sleep. In the morning, when it grew light, he was certain that everything would be clearer: the many things that still had to be done, and the ways in which he ought to do them.

Stacy had the third shift. Amy roused her, jostling her shoulder, whispering that it was time. Stacy was thirsty, open-eyed but still not quite awake; it was too dark inside the tent to see. She could tell that Eric was still lying there, with his back to her, and then there was Amy crouching over her, shaking her, and then Jeff and Mathias. The boys were all asleep. Mathias was snoring softly.

Amy kept whispering the same thing: "It's time." Stacy struggled first to grasp the words, then their meaning, then suddenly she understood. She was awake; she was getting up and leaving the tent, zippering it shut behind her.

Awake, but still dazed. She had to go back for Amy's watch, stepping carefully over Jeff, Amy already slipping into sleep, mumbling something, holding out her hand. It took Stacy several fumbling tries before she managed to unbuckle the watch's strap. Then she was back outside, alone with Pablo, sitting beside him, growing more and more awake with each passing moment. She slid Amy's watch onto her own wrist, and it felt warm against her skin, a little damp.

Pablo was asleep. She could hear him breathing, and it didn't sound right. There was too much fluid in it, a raggedness, and Stacy thought of his lungs, wondered what was happening inside him, the crises that were building, the systems failing. She stared at him dreamily, not really focusing, and several minutes passed before she noticed his legs in the darkness, his crotch, exposed. She had the momentary impulse-absurd and inappropriate and quickly repressed-to reach forward and touch his penis. The sleeping bag was lying on the ground beside the backboard, and she stood up to drape it across him, lowering it stealthily, gently, trying not to wake him.

He stirred, shifted his head, but his eyes remained shut.

This ought to have been the time for Stacy to attempt some appraisal of her situation-to glance back over the day or reach forward into the coming hours-and though she was conscious of this, though she understood the wisdom of such a course, she couldn't bring herself to attempt it. She sat listening to the liquid sound of Pablo's breathing, and her mind remained empty, not asleep, but not fully awake yet, either. Her eyes were open-she was aware of her surroundings, would've known if Pablo had stopped breathing suddenly, or called out for her-but she didn't quite feel as if she were present. She thought of a mannequin, propped in a store window, staring out at the street; that was how she felt.

She kept checking Amy's watch, squinting to read its numbers in the darkness. Seven minutes passed, then three, then six, then two, and then she forced herself to stop looking, knowing it was only going to stretch out her time here, eating it in such little bites.

She tried singing inside her head to help speed things along, but the only things she could think of were Christmas carols. "Jingle Bells," "O Tannenbaum," "Frosty the Snowman." She didn't know all the lines, and even silently, the words rising and falling in her mind, she didn't like the sound of her voice. So she stopped, stared vacantly down at Pablo.

Against her will, she checked the time again. She'd been awake for twenty-nine minutes; she had an hour and a half to go. For a moment, she panicked, wondering whom she was supposed to rouse when she was through, but then she figured it out, feeling proud of herself for her cleverness. Amy had been the one to shake her shoulder, pulling her from sleep, and Jeff had gone first, so that must mean Mathias was next. She glanced at the watch and another minute had passed.

I just hope Pablo doesn't wake up, she thought, and, at that very instant-as if these words inside her head had roused him-he did.

He lay perfectly still for a long moment, peering up at Stacy. Then he coughed, rolling his head away from her. He lifted his hand, as if to cover his mouth, but didn't seem to have the strength; he only made it to his throat. His hand hung in the air for a few seconds, hovering over his Adam's apple, then dropped slowly back to his chest. He licked his lips, turned toward her again, said something in Greek; it sounded like a question. Stacy smiled at him, but she felt false doing it, a liar, and she thought he must know it, must guess everything the smile was trying to hide, how hopeless things were. She couldn't stop herself, though; the smile was there and it wouldn't go away. "It's okay," she said, but that wasn't enough, of course, and Pablo spoke again, asking the same question. He paused, then repeated it once more, and his arms began to move, both of them, emphasizing his words, his hands patting the air. This made the stillness of his legs beneath the sleeping bag that much more difficult to ignore, and Stacy felt a rising sense of panic. She didn't know what she was supposed to do.

He kept speaking: the same question, over and over again, his hands cutting the air above his chest.

Stacy tried nodding, but then stopped, worried suddenly that he might be asking "Am I going to die?" She tried shaking her head then, only to realize that this was equally perilous, because couldn't he also be asking "Am I going to recover?" She was still smiling-she couldn't stop herself-and she sat staring down at him, feeling each moment closer and closer to tears, but not wanting to cry, desperately not wanting it, wanting to be strong, to make him feel safe, if only because she was with him, because she was his friend, and would've helped him if she could. She wondered how much Pablo understood of his situation. Did he realize that his back was broken? That he'd almost certainly never walk again? And that he very well might die here before they could get him to help?

He kept waving his arms at her, kept asking that same question over and over, his voice rising now, as if in impatience or frustration. There were six or seven words to the question, Stacy guessed, though it was hard to tell because they sounded enjambed, each flowing into the next, and there was that watery fricativeness lurking behind them, rounding their edges. She tried to guess what the words might mean, but her mind wouldn't help. It kept offering her "Am I going to die?" "Am I going to recover?" And she sat beside him, alternately feeling as if she ought to shake her head, or nod, but doing neither, not moving at all, while her liar's smile slowly stiffened on her face. She wanted to check her watch again, wanted someone to emerge from the tent and help her, wanted Pablo to slip back into silence, into sleep, for his eyes to drift shut, his arms to go still. She took his hand, gripped it tightly, and this seemed to help some, to calm him. And then, without thinking, Stacy started to sing her Christmas carols, very softly, humming the lines she didn't know. She did "Silent Night," "Deck the Halls," "Here Comes Santa Claus." Pablo fell quiet. He smiled up at her, as if he recognized the songs; he even seemed to join her for "Rudolph the Red-Nosed Reindeer," mumbling along with her in Greek. Then his eyes drifted shut and his hand went slack in hers; he fell back asleep, his breathing going deep, that watery sound rising from his chest.

Stacy stopped singing. She felt stiff; she wanted to stand up and stretch, but she was afraid to let go of Pablo's hand, worried that she might wake him. She shut her eyes- just resting, she told herself-and listened to his breathing, wishing it didn't sound like that, counting his inhalations, matching them with her own: one , two, three, four

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