Kelley Armstrong - Bitten

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Bitten: краткое содержание, описание и аннотация

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It's not easy to find a fresh angle for the werewolf theme, but this debut novel from a Canadian writer proves that solid storytelling and confident craftsmanship can rejuvenate one of the hoariest of all horror clich‚s. Elena Michaels is a self-described "mutt," a werewolf who left her secretive pack in upstate New York for a life among humans. In the year since she relocated to Toronto, she's embarked on a career as a journalist and begun a pleasingly mundane relationship with a decent man. All this is jeopardized when she agrees to help her old packmates hunt some troublesome mutts who are converting common criminals to werewolves and leaving a trail of conspicuous carnage. Reunited with her former lycanthrope lover and forced into brutally predatory confrontations, Elena finds the call of the wild subtly reasserting itself. Armstrong prepares readers for her tale's twists with several key revisions of werewolf lore the werewolf taint is mostly hereditary, and werewolves can be killed as easily as any human or wolf. Her true achievement, though, is her depiction of werewolf nature in believably human context. Elena's feral sensibility, like her psychological vulnerabilities, seems a natural outgrowth of her abusive childhood, and her relationship with the pack is that of any prodigal child to a close-knit family. The sensuality of Elena's transformations and the viciousness of her kills mesh perfectly with her tough personality. Filled with romance and supernatural intrigue, this book will surely remind readers of Anne Rice's sophisticated refurbishings of the vampire story.

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Near the end of the third week, I came back from my shower to find Jeremy in my post by Clay's bed, in the exact same vigilant pose I'd left him in twenty minutes before. I stood in the door, watching him, taking in the circles under his eyes, the gaunt prominence of his cheekbones. I knew then that I had to stop, get a grip, and admit to myself that Clay was doing fine and would continue to do fine-if not better-without constant surveillance. If I didn't, I'd run myself into the ground and Jeremy would follow without a word of protest.

"Feeling better?" he asked without turning.

"Much."

He reached back as I approached, took my hand, and squeezed it. "He'll be awake soon. His stomach's growling."

"God forbid he should miss dinner."

"Speaking of which, we're going out tonight. You and I. Someplace requiring a suit and tie and a shave-at least for me. Antonio is driving in with Nick. They'll look after Clay."

"That's not nee-"

"It's very necessary. You need to get out, get your mind off this. Clay will be fine. We'll take your cell phone in case anything happens."

As I nodded and sat in the chair beside Jeremy, the answer to Clay's puzzle hit me with such force I had to gasp. Then I had to beat myself over the head for not having seen it earlier. Why had I chosen Philip? The answer had been staring me in the face since I'd returned to Stonehaven. Who did he remind me of? Jeremy, of course.

In my defense, Jeremy and Philip did not, outwardly at least, have much in common. They looked nothing alike. They didn't share the same gestures. They didn't even act the same way. Philip didn't have Jeremy's emotional control, his authoritarianism, his quiet reserve. But these weren't the qualities I most admired in Jeremy. What I saw in Philip was a shallower reflection of what I valued in Jeremy, his endless patience, his consideration, his innate goodness. Why did I subconsciously seek out someone who reminded me of Jeremy? Because in Jeremy I saw some girlish vision of Prince Charming, someone who would bring me flowers and care for me no matter how badly I screwed up. The problem with this fantasy was that I had absolutely no romantic feelings for Jeremy. I loved him as a friend, a leader, and a father figure. Nothing more. So in finding a human version of my ideal, I'd found a man I was certain to love, but never with the passion I'd feel for a lover.

Did that make me feel better? Of course not. In excusing my inability to fall in love with Philip, I wanted to be able to say that it was because of some problem in him, something he lacked. The truth was that the fault was entirely mine. I'd made a mistake and, as good and as decent as Philip was, he had to suffer for it.

***

After five weeks of postponing my return to Toronto, I decided to do it. Clay was taking an afternoon nap. I was lying beside him, half dozing, when I realized I had to leave right then, before I changed my mind. I got up and scribbled a note for Clay. Jeremy was out back fixing the stone wall. I didn't tell him where I was going. I was afraid he'd want me to eat dinner first or wait until he could drive me to the airport or some other delay that would give my resolve time to weaken.

***

I didn't call to tell Philip I was coming. Hearing his voice was one more thing that might make me change my mind. I went straight to the apartment and let myself in. He wasn't there. I settled onto the couch to wait. An hour later, he returned, panting from a run in the early July heat. He swung through the door, saw me, and stopped.

"Hi," I said, managing a weak smile.

I saw the fear in his eyes then and knew it never would have worked between us. No matter how close I got to any human, if they ever learned the truth about me, there would always be fear. You couldn't get past that.

"Hello," he said at last. He hesitated, then closed the apartment door, and mopped off his face. After giving himself time to recover, he laid his towel on the hall table and stepped into the room. "When did you get back?"

"Just now. How are you feeling?"

"Fine. I got your flowers. Thank you."

I inhaled. God, this was awkward. Had it always been this way? I couldn't even remember how we used to talk. Any sense of familiarity had flitted away.

"Your-uh-side must be better," I said. "If you're out jogging."

"Walking. Not jogging. Not yet."

He sat in the recliner opposite me. I inhaled again. This wasn't working. There was no easy way to do this.

"About what you saw that day…" I began.

He said nothing.

"About what you-uh-saw me do."

"I didn't see anything." His voice was soft, barely audible.

"I know you did and we need to talk about it."

He met my eyes. "I didn't see anything."

"Philip, I know-"

"No." He spat the word, then pulled back and shook his head. "I don't remember anything about that day, Elena. You went to work. Your cousin came up looking for you. Two other men came up looking for you. Someone stabbed me. Then it's all a blank."

I knew he was lying. For the safety of the Pack, I should pursue it, get him to admit what he'd seen, and find a way to explain it away. Yet something told me that this was better for Philip. Let him explain it his own way. I owed him that much.

"I should go now."

I got to my feet. He said nothing. I saw my bags stacked in the hall, next to a few boxes of his own stuff.

"I've subletted the apartment," he said. "I-" He rubbed the bridge of his nose. "I would have called you, your cell phone. I was… working my way up to it."

"I'm sorry."

"I know." He met my eyes for the first time since I'd arrived and managed the barest ghost of a smile. "It was good, still. A mistake, but a good one. If you come back to Toronto someday, maybe you can look me up. Have a drink together or something."

I nodded. As I lifted my bags, my gaze flitted to the hall table.

"It's in the drawer," Philip said softly.

I turned to say something, but he was heading into the bedroom, his back to me. He closed the door.

"I'm sorry," I whispered.

***

I pushed open the lobby doors and walked out carrying two small pieces of luggage. I'd left a note for Philip to give the rest to charity or throw it in the garbage. There was nothing there I needed. I only took the two bags so he wouldn't think I was abandoning my things in anger. There was only one item in that apartment I'd really wanted back, the item I'd retrieved from the hall table drawer. I still had it in my hand. As I stood in the building vestibule, I put down the luggage, and opened my fist. Clay's wedding band gleamed in the streetlights.

Clay.

What was I going to do about Clay?

Despite all we'd been through, I still couldn't give him what he wanted. I couldn't promise my life to him, swear I'd be by his side every waking and sleeping minute, 'til death do us part. But I loved him. Loved him completely. There would be no other men in my life, no other lovers. I could promise him that. As for the rest, well, I'd have to offer what I could and hope it would be enough.

"You're here."

I looked up sharply. Clay stood in the wavering yellow light of a street-lamp. For a moment, I thought I was imagining things. Then he stepped forward, his left leg dragging, not completely healed after his ordeal.

"Didn't you get my note?" I asked.

"Note?"

I shook my head. "You shouldn't be here. You're supposed to be in bed."

"I couldn't let you leave. Not until I talked to you."

I glanced at the luggage by my feet and realized he must have thought I was waiting to get inside the apartment building, instead of leaving it. Hmmm. Never let it be said I passed up the opportunity to milk something for all it's worth. Yes, I can be cruel, even sadistic on occasion.

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