Kelley Armstrong - Bitten

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Bitten: краткое содержание, описание и аннотация

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It's not easy to find a fresh angle for the werewolf theme, but this debut novel from a Canadian writer proves that solid storytelling and confident craftsmanship can rejuvenate one of the hoariest of all horror clich‚s. Elena Michaels is a self-described "mutt," a werewolf who left her secretive pack in upstate New York for a life among humans. In the year since she relocated to Toronto, she's embarked on a career as a journalist and begun a pleasingly mundane relationship with a decent man. All this is jeopardized when she agrees to help her old packmates hunt some troublesome mutts who are converting common criminals to werewolves and leaving a trail of conspicuous carnage. Reunited with her former lycanthrope lover and forced into brutally predatory confrontations, Elena finds the call of the wild subtly reasserting itself. Armstrong prepares readers for her tale's twists with several key revisions of werewolf lore the werewolf taint is mostly hereditary, and werewolves can be killed as easily as any human or wolf. Her true achievement, though, is her depiction of werewolf nature in believably human context. Elena's feral sensibility, like her psychological vulnerabilities, seems a natural outgrowth of her abusive childhood, and her relationship with the pack is that of any prodigal child to a close-knit family. The sensuality of Elena's transformations and the viciousness of her kills mesh perfectly with her tough personality. Filled with romance and supernatural intrigue, this book will surely remind readers of Anne Rice's sophisticated refurbishings of the vampire story.

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"This is really great. We don't get pancakes very often. Elena's not much of a breakfast person. Cold cereal and toast usually. I'm not sure she'll eat this, but I know I will."

I bolted upright. That was not Clay's voice.

"What do they call these in the South?" Philip continued. "Flapjacks? Johnnycakes? I can never keep it straight. That is where you're from, right? Originally, I mean. With that accent, I'm guessing Georgia, maybe Tennessee."

Clay grunted. I leapt out of bed and ran for the door. Then I caught a glimpse of my nightgown in the mirror. A housecoat. I needed a housecoat.

"Your brother Jeremy doesn't have an accent," Philip said. "At least, I didn't notice it when I spoke to him on the phone."

Shit! I rummaged through the closet. Where was that housecoat? Did I own a housecoat?

"My stepbrother," Clay said.

"Oh? Oh, I see. That makes sense."

I grabbed clothing and yanked it on, wheeling out of the bedroom and through the kitchen door. I skidded to a halt between Clay and Philip.

"Hungry?" Clay asked, still facing the stove.

Philip leaned over, kissed my cheek, and tried to smooth my tangled hair. "Make sure you call Mom this morning, hon. She didn't want to go ahead with Betsy's shower plans without you." He looked over at Clay. "My family is crazy about Elena. If I don't marry her soon, they're liable to adopt her."

His gaze lingered on Clay. Clay flipped three pancakes onto a growing stack, turned, and carried them to the table, face expressionless. A frown flickered across Philip's lips. Probably tired of making small talk and not getting any response.

"The butter's in the-" Philip started, but Clay already had the fridge open. "Oh, and the syrup is over the stove in the cup-"

Clay pulled from the refrigerator a fancy glass bottle of maple syrup, the kind sold in tourist shops for the price of liquid gold.

"That's new," I said, smiling over at Philip. "When did you pick it up?"

"I-uh-didn't.''

I glanced at Clay.

"Grabbed it yesterday," he said.

"Oh, I'm not sure Elena likes-" Philip stopped, eyes going from me to Clay and back again. "Yes, well, that was very nice."

The phone rang, rescuing me from a fruitless struggle for something to say.

"I'll get it," Philip said, and vanished into the living room.

"Thank you," I hissed at Clay, keeping my voice low. "You just had to do that, didn't you? First breakfast, then the syrup. Make a big deal out of knowing what I like and embarrass him."

"Make a big deal? I didn't say a word. You brought up the syrup."

"You wouldn't have?"

"'Course not. Why would I? I'm not competing here, Elena. I noticed when I made French toast yesterday that you didn't have real syrup. I know how you complain about the fake stuff, so I figured you were out and bought you some."

"And breakfast? Tell me you weren't saying something by making me breakfast."

"Sure, I was saying something. I was saying that I'm concerned you're not eating right and wanted to make sure you got at least one decent meal. As your guest, I'm sure he only thinks I was trying to be helpful. I made enough for him."

"You made enough for the whole build-" I stopped, looking around and realizing there was only enough food out to feed three normal people.

"The rest is in the oven," Clay said. "I hid it when I heard him wake up. I'll pack it for you to take to work. If anyone comments, you can say you missed breakfast."

I struggled for something to say and, again, was saved by an interruption, this time by Philip coming back into the kitchen.

"Work," he said, pulling a face. "What else? Plan to come in late one morning and they call looking for me. Don't worry, hon. I said I'm having breakfast with you and I'll be in afterward." He pulled out a chair, sat down, and turned to Clay. "So, how's that job search going?"

***

I'd agreed to meet Clay for lunch. He bought a picnic box from a nearby deli and we went to the university grounds to eat. Going to the university wasn't my choice. I didn't even realize that was where we were headed until we got there. Although I worked only a few blocks away from the U of T, I hadn't visited the campus in all the months I'd been at the magazine. Nor had I gone there in all the times I'd visited Toronto in the past ten years. The university was where I'd met Clay, where I'd fallen in love. It was also the place where I'd been deceived, lied to, and ultimately betrayed. When I realized where Clay was headed for lunch that day, I balked. I thought up a dozen excuses and a dozen alternate places to eat. But none of them reached my mouth. Remembering what he'd said about Stonehaven, I was too embarrassed to admit I didn't want to go to the university. It was only a place, a "pile of bricks and mortar." Maybe there was more to it than embarrassment, though. Maybe I didn't want to admit how much emotional resonance that particular brick and mortar pile held for me. Maybe I didn't want him to know how much I remembered and how much I cared. So I said nothing.

We sat on benches beside University College. Exams were finishing up and only a handful of students sauntered around King's College Circle, the rush of classes a fading memory. A group of young men played touch football inside the circle, spring jackets and knapsacks abandoned in a heap near the goalpost. As we ate, Clay talked about his paper on jaguar cults in South America and my mind floated backward, remembering past conversations under these trees, between these buildings. I could picture Clay all those years before, sitting at a picnic table across the road in Queen's Park, eating lunch and talking, his focus so completely on the two of us that Frisbees could whiz over his head and he'd never notice. He always sat in the same pose, legs stretched out until his feet hooked behind mine beneath the table, hands moving constantly, flexing and emphasizing, as if some part of him always had to be moving. His voice sounded the same, now so familiar that I could follow the beat in my head, predicting each change of tone, each note of accentuation.

Even back then, he'd wanted to know my thoughts and opinions on everything. No flitting of my young mind was too trivial or boring for him. In time, I'd told him about my past, my aspirations, my fears, my hopes, and my insecurities, all the things I'd never imagined sharing with anyone. I'd always been afraid of opening up to anyone. I'd wanted to be a strong, independent woman, not some damaged waif with a background straight out of the worst Dickensian melodrama. I hid my background or, if someone found out, pretended it hadn't made a difference, hadn't affected me. With Clay, all that had changed. I'd wanted him to know everything about me, so I could be sure he knew what I was and that he loved me anyway. He'd listened and he'd stayed. More than that, he'd reciprocated. He'd told me about his childhood, losing his parents in some trauma he couldn't remember, being adopted, not fitting in at school, being ridiculed and shunned, getting into trouble and being expelled so often he seemed to go through schools the way I'd gone through foster parents. He'd told me so much that I'd been sure I knew him completely. Then I'd found out how wrong I'd been. Sometimes that deception hurt worse than being bitten.

Turbulence

When Philip returned from work, it was past midnight. Clay and I were watching a late movie. I was stretched out on the couch. Clay was on the recliner, hogging the popcorn. Philip walked in, stood behind the sofa, and watched the screen for a few minutes.

"Horror?" he said. "You know, I haven't seen a horror flick since I was in university." He walked around the couch and sat beside me. "What's this one?"

"Evil Dead II." I said, reaching for the remote. "I'm sure there's something else on."

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