Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Faith asked, "What does he bring home every month?"

"Around twenty-three hundred."

Faith stared at the computer screen. She could hear policemen outside the window, laughing about something. Traffic noise from the street filled the air with a low hum. This was the sort of place you rented when you were fresh out of college, not heading toward your fifties and looking to retire. She said, "Evan Bernard's been teaching for how many years and he doesn't own his own house?"

"Could be divorced," Charlie suggested. "An ex-wife could have bled him dry."

"We'll check court records," Will said. "If he's got an ex, maybe she found out what he was doing and left him. If we can corroborate that Kayla was a pattern, we might be able to get a judge to deny bail."

"We already tried the neighbors. Most of them were gone- probably at work. There's a stay-at-home mom in the unit across the garden. She says she's never met Bernard, never seen anything suspicious going on."

"Send a couple of units back around seven tonight. More people should be home by then." Will went to the closet and checked the top shelves. "Maybe he's got a photo album or something."

"We won't find anything he doesn't want us to."

Will kept searching the closet, taking down boxes, checking their contents. "We know he was gone from the school for two hours." He pulled out a stack of yearbooks and dropped them on the bed. There were almost twenty in all, their cheerful covers screaming school spirit. He picked up the top one, which was emblazoned with the Westfield Academy crest, and started thumbing through the pages. "That's not enough time to do the murders, hide Emma and get back to school. The accomplice must have done the heavy lifting. Bernard would have known Emma came from a wealthy family."

"Kayla's parents were well-off. Why not take her, too? Why kill her if she represents money?"

Will closed the yearbook and held it in his hand. "Are we sure Kayla wasn't involved?"

Faith glanced at Charlie, who was still checking out the computer files.

Will didn't seem to mind talking in front of the man. "Kayla Alexander was a nasty piece of work." He dropped the yearbook and picked up the next one. "We haven't found one person who's said otherwise."

"She'd have to be pretty sick to be screwing Bernard in her car while she knew that her best friend was about to be kidnapped." Faith considered something. "Maybe Kayla felt threatened by Emma's affair with Adam."

Will picked up on her train of thought. "Kayla might know that Adam and Emma were parking in the garage. The nosey neighbor told on the girls last year. They had to find somewhere else to park."

"I've been wondering why Kayla parked her white Prius in the driveway of the Campano house when she knew that the last time they were caught skipping, it was because the neighbor saw a car in the driveway."

He stopped searching the pages. "Something's bothered me since I saw the Prius in the parking lot. Everything the killer touched had blood smeared on it: the trunk, the door handles, the steering wheel. Everything except for the duct tape and the rope in the trunk."

"Do you think Kayla brought them for the killer to use?"

"Maybe."

"Hold on," Faith said, trying to process all of this. "If Kayla was involved, why did she get killed?"

"She had a reputation for being nasty."

"You've said all along that the killer must have known her."

His phone started ringing, and he slid it out of his pocket. The thing was pathetic, the pieces held together with Scotch tape. "Hello?"

Faith picked up one of the yearbooks and thumbed through it so she wasn't standing there doing nothing. She glanced up once at Will, trying to read his expression as he listened to the call. Impassive as usual.

"Thank you," he said, then ended the call. "Bernard's fingerprints don't match the thumbprint on the letter."

Faith held the yearbook to her chest. It felt heavy in her hands. "So his accomplice handled the threatening notes."

"Why send the notes? Why show their hand?"

Faith shrugged. "Could be they were trying to scare away Adam so Emma would be alone in the house." She contradicted herself. "In that case, why didn't Kayla just drive Emma to the house? It had to be that they weren't getting along."

Will opened the Westfield yearbook from last year and flipped through the pages. "We need to go back to the beginning. There's a second man out there." He traced his finger across the rows of student photographs. "Bernard's not the kind of guy who gets his hands dirty."

"My friend at Tech said he would probably have news today," Faith told him, hoping she wouldn't have to be more specific about the vial of gray powder she had asked Victor to have tested. Will might have been okay speaking freely around Charlie Reed, but Faith didn't know the man well enough to trust him with her career.

Will said, "Go to Tech. See if there are any results." He found Kayla Alexander's class picture and tore out the page from the yearbook. He handed it to Faith. "While you're there, ask Tommy Albertson if he's ever seen this girl hanging around either Adam or Gabe Cohen. Ask everybody in the dorm if you have to." He flipped to another page and found Bernard's faculty photograph. He tore it out, saying, "Show this one, too."

Faith took the photographs.

Will opened another yearbook, searching for his own copies of the photos. "I'm going to go to the Copy Right and do the same."

Faith looked at the bedside clock. "You said the next ransom call is supposed to come at four?"

Carefully, he tore out the right pages. "The killer is probably with Emma right now, getting the second proof of life."

Faith put the yearbook on the bed. She started to walk away, but stopped, knowing something was different. She fanned out the yearbooks, finding the three that did not belong. They were thicker, their colors not as vibrant. "Why does Bernard have yearbooks from Crim?" Faith asked. The Alonzo A. Crim High School was located in Reynoldstown, a transitional area in east Atlanta. It was probably one of the seedier schools in the system.

Will told her, "At least we know where Bernard taught before he moved to Westfield."

Faith was silent as she thumbed through the pages. She had never been one to believe in fate or spirits or angels sitting on your shoulder, but she had long trusted what she thought of as her cop's instinct. Carefully, she skimmed the index in the back for Evan Bernard's name. She found his photo in the faculty section, but he also sponsored the newspaper staff.

Faith found the appropriate page for the staff photo. The kids were in the usual silly poses. Some of them wearing fedoras that had "press" tags sticking out of them. Some had pencils to their mouths or were eyeballing the camera over folded newspapers. A pretty young blonde stood out, not because she wasn't hamming for the camera, but because she stood very close to a much younger-looking Evan Bernard. The photo was black and white, but Faith could imagine the color of her strawberry blond hair, the freckles scattered across her nose.

She told Will, "That's Mary Clark."

*

ACCORDING TO A very angry Olivia McFaden, within half an hour of Evan Bernard's arrest, Mary Clark had abandoned her classroom. The teacher had simply taken her purse out of the desk, told her students to read the next section in their textbooks, then left the building.

Faith found the woman easily enough. Mary's beat-up Honda Civic was parked outside her family's home on Waddell Street in Grant Park. People took good care of their homes here, but it was nothing like the richer climes of Ansley Park, where professionally manicured lawns and expensive gray-water reclamation tanks made sure the lawns stayed green, flowers kept blooming, all through the summer. Trashcans lined the road, and Faith had to idle the Mini while the garbage truck slowly made its way up the hill, emptying the cans and crawling along to the next house.

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