Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Will kept his pace slow so that Abigail would not have to struggle to keep up. Paul bounded ahead of them toward the elevator, as if he knew where to go.

Will kept his voice low, telling the woman, "This won't take long."

She looked at him, her red-rimmed eyes filling with tears. "I don't know what to do."

"We'll get you back home as soon-"

"I've got a statement to make," Paul told Will, his loud voice an intrusion in the small space. "You're not going to stop me."

Will tried to temper his anger, but the other man's smug certainty was grating. "What exactly do you want to say?"

"I'm going to offer a bonus."

Will felt sucker punched-again. "A bonus for what?"

"I'm going to tell the kidnapper we'll double the ransom money if Emma isn't harmed."

"That's not how these things-"

"Let me talk to your boss," he interrupted, pressing the call button for the elevator just as the doors opened. "I don't have time to fuck with you."

A crowd of cops filled the ancient elevator. They all recognized the Campanos and gave them a wide berth, vacating the car as quickly as possible.

Paul got on. Will pressed his hand to Abigail's back, gently persuading her to move. He entered his code on the grimy keypad, then pressed the button for the third floor. There was a rumbling somewhere in the bowels of the building, then the doors creaked closed and the car jerked as it slowly started upward.

Among other things, Will had discussed the press conference with Amanda last night. The Campanos were not going to talk to the media because Abigail was too vulnerable and Paul was too volatile. Once they opened their mouths, the press would attack. Even the most innocuous statement could be spun into a damning indictment.

Will told Paul as much now. "This isn't like what you see on television. We don't need you to make a statement. We just need you to be there to remind the kidnappers that Emma has parents who love her."

"Fuck you," Paul barked back, his fists clenching. "You can't stop me from talking to the press."

Will's nose still ached from yesterday. He wondered if he was about to get punched again and how much it would bleed. "I can stop you talking at this particular press conference."

"We'll see what your boss says," Paul told him, crossing his arms. Maybe he wasn't ready to get hit again, either. "I told you yesterday, I'm not fucking around. This guy wants money and we'll give it to him. Whatever he wants. I'm not going to let my baby get hurt."

"It's too late," Abigail said. Her voice was barely more than a whisper, but she still managed to be heard. She told her husband, "Don't you know that the worst has already happened?"

Paul looked as if he'd been sucker punched. "Don't say that."

"The only reason he's giving her back is because he's finished with her."

Paul jabbed his finger in her face. "Don't you talk like that, God dammit!"

"It's true," she said, unfazed by the sudden flash of fury. "You know it's true, Paul. You know he's used her every way-"

"Stop it!" he screamed, grabbing her by the arms, shaking her. "You shut up, do you hear me? Just shut up!"

The doors slid open, the bell dinging to indicate they had reached the third floor. A tall man with steel gray hair and bronzed skin stood in front of the open doors. He looked like something out of Garden amp; Gun, and his face was familiar to Will from the newspaper reports: Hoyt Bentley, Emma Campano's wealthy grandfather. Amanda was beside the man. If she was surprised to find Paul Campano threatening his wife, she didn't show it. She took in Will, her eyes traveling over his bruised face. Her eyebrow lifted, and he instantly understood that they would be having a conversation about how he'd gotten his face punched at a more convenient time.

Hoyt spoke like a man used to being obeyed. "Let go of her, Paul."

"Not until she says it's not true," Paul insisted, as if this was some kind of pissing contest he knew he could win by bullying his wife.

Abigail had obviously dealt with this before. Even in her grief, a hint of sarcasm crept into her tone. "Okay, Paul. It's not true. Emma's fine. I'm sure whoever took her hasn't hurt her or abused her or-"

"Enough," Amanda said. "This is why you're not talking to the press-both of you." She held out her hand, stopping the elevator doors from closing. She directed her words to Paul. "Unless you want your wife to take questions about killing Adam Humphrey?

Or perhaps you'd like to talk about your extramarital affairs?" She gave one of her icy smiles. "This is how it's going to work: you're both going to sit there on the dais and let the cameras roll. I am going to read from a prepared statement, while the press takes photographs, then you are both going to go home and wait for the second call from the kidnapper. Is that clear?"

Paul dropped his hands, fists tight. "Emma's okay," he told his wife, unable to let her have the last word. "This is a ransom, not a kidnapping. Kidnappers don't hurt the victims. They just want money."

Will glanced at Amanda, guessing she was thinking the same thing that he was, which was that Paul's words pretty much confirmed he had hired an outside expert to advise him-and possibly more. The offer of extra money was a calculated risk, but men who were paid by the hour tended to be good at coming up with a scattershot of ideas that justified their large paychecks.

Hoyt spoke in a deep, resonant voice that perfectly matched his zillion-dollar suit and handmade loafers. "The only thing we're going to do by waving around more money is convince the kidnapper that he should hold out for more."

Paul shook his head. His lips were moving, no words coming out. It was as if his anger had a stranglehold on him. For Will's part, he was surprised to find that Paul wasn't more cowed by the father-in-law. He sensed a camaraderie between Hoyt and Amanda that Paul seemed to be missing. They had already decided how to approach this, the best way to get things done. Will was not surprised that the two would see eye-to-eye. In her own way, Amanda Wagner was a captain of her own industry. Hoyt Bentley would appreciate that.

Amanda suggested, "Why don't we talk about this?" She indicated the long hallway before them, the skanky set of windows overlooking the railroad trellis.

Paul looked back and forth between his father-in-law and Amanda. He nodded once, then walked down the hallway with them. No one talked until they were far away enough not to be heard.

Will tried not to feel completely emasculated as he watched them-the child who wasn't allowed to sit at the adult table. As if to put a fine point on it, he noticed that he was standing right by the women's restroom. Will made himself look away, leaning his shoulder against the wall. Before he turned, he noticed that Paul's opening tactic was the usual one-he jabbed his finger in Amanda's face. Even from twenty feet away, Will could feel the tension his bluster created. There were just some people in the world who had to be the center of attention at all times. Paul was king of them.

Abigail said, "He's not all bad."

Will raised his eyebrows, his nose throbbing from the gesture. He realized he should stop feeling sorry for himself and take the opportunity to talk to Abigail Campano, whom he'd yet to find alone.

"I said some horrible things to him yesterday. Today. This morning." She gave a faint smile. "In the bathroom. In the driveway. In the car."

"You're under a lot of pressure."

"I've never been the type of person to strike out," she said, though, to Will, yesterday's performance in the carriage house had seemed pretty natural. "I think maybe I used to be. Maybe some time ago. It's all coming back to me now."

She wasn't making much sense, but Will preferred talking to her rather than straining to hear the exchange between the adults. "You just need to do what you can do to hold on. The press conference won't take long, and Amanda will handle everything."

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