Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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"Did Clark's alibi for yesterday check out?"

"She was in class all day." Faith continued, "Ruth Donner, the girl who was archenemies with Kayla last year, was out of the state. There aren't any other girls in particular at the school who were Kayla's sworn enemies. I mean, not any one who stands out from the crowd."

"What about Gabe Cohen?"

She pressed her lips together, not answering for a moment. "There's no evidence that links him to either of the girls." She added, "I think he's told us everything he knows."

"What about the gun?"

"He mentioned it for a reason, but I checked his book bag and his dorm top to bottom. If Adam bought a gun, he didn't give it to Gabe. Maybe he kept it in his car."

"Which means our abductor probably has it," Will pointed out. "Where was Gabe yesterday when this was all going down?"

"In a class, but it was in one of those huge lecture halls. He didn't have to sign in, the teacher doesn't take attendance. It's a shaky alibi." She paused. "Listen, if you think I made a bad call, we can go pick him up right now. Maybe sitting in a jail cell will jog his memory."

Will did not relish the prospect of sweating an eighteen-year-old kid based on a hunch, especially considering Gabe Cohen's suicidal ideation. He listed the points in Gabe's favor. "He doesn't have a car on campus. He doesn't have a place to hide Emma. We have no connection between him and either girl. No motive, no opportunity, no means."

"I think he's troubled," she said. "But I don't think he's capable of this sort of thing." Faith laughed. "Of course, if I was good at spotting the ones who had murder in their hearts, I'd be running the world."

It was a sentiment Will had often thought himself. "What's the school doing with him?"

"Victor says it's a delicate situation," she said. "They're really caught in the middle."

"How so?"

"Do you remember the dozen or so suicides at MIT back in the nineties?"

Will nodded. The stories of parents suing the university had made national news.

"The schools have a legal obligation- in loco parentis, " she cited, the phrase that basically said the school acted as parents to the students while they were enrolled. "Victor's going to recommend to the father that Gabe be committed for psychiatric evaluation."

Will couldn't help but notice that she kept using the dean's name. "Have him committed?" he asked. "That seems kind of drastic."

"They have to be careful. Even if Gabe's just blowing smoke, they have to take him seriously. I doubt Tech will allow him back in without a doctor's assurance that he's okay." She shrugged. "Even then, they'll probably make him check in with counselors every day."

Will liked the idea of Gabe Cohen being on psychiatric lock-down instead of left out in the world to his own devices. At least this way, he knew how to get his hands on the kid if he wanted to.

He said, "Let's go back to the murders."

"All right."

"Kayla was killed by someone who hated her. I can't believe the killer would take that much time with her otherwise. All those stab wounds, pulling down the underwear, pushing up the shirt. Classic debasement and overkill. You don't punch somebody's face off unless you know who they are and despise them for it." He suggested, "Maybe you're right. Maybe Emma snapped."

"She would have to kill her best friend-beat her, stab her, possibly rape her with something that, according to Pete, had a condom on it- then hit Adam over the head and stab him, then create this hoax for her parents to fall for." She added, "And that still doesn't explain the sperm found in Kayla Alexander's vagina."

"Or maybe Emma just stood by while it was all happening." He reminded her, "Charlie says there were four people in that house."

"True," Faith conceded. "But I have to put this in there somewhere: for a girl like Emma Campano, living where she lives, having the father and grandfather that she has, a million dollars isn't a lot of money."

Will hadn't considered that, but she was right. Ten million would be more on par with Paul's lifestyle. Then again, one million would be a lot easier to hide.

He said, "Bernard, Emma's teacher, said that she was highly organized. This took a lot of planning."

Faith shook her head. "I don't understand kids anymore. I really don't." She stared out the window at the apartments next door. "I hope I did the right thing with Gabe."

Will gave her one of Amanda's more solid pieces of advice. "You can only make decisions with the information you have at the time."

She was still looking out the window. "I've never been up to this floor before."

"We try to keep out the hoi polloi."

She smiled weakly. "How did it go with the Humphreys?"

"As bad as you would expect."

Faith chewed her lip, still staring out the window. "When I first saw Adam yesterday, all I could do was think about my son. Maybe that's why I missed so many things. We lost hours when we could have been looking for her."

It was the most personal thing she had ever shared. Will had said so many wrong things to her lately that he knew better than to try to comfort her.

"I feel like we should be doing something," she said, her frustration obvious.

He told her the same things he had been telling himself. "It's a waiting game now. We're waiting on Charlie to process the evidence. We're waiting on the fingerprint guy. We're waiting on-"

"Everything," she said. "I'm half tempted to follow up nutjobs from the tip line."

"That wouldn't be the most productive use of your time."

Faith sighed in response. She looked bone-tired. Will imagined that getting some sleep was probably the only productive thing they could do tonight. Being fresh tomorrow morning when some of the evidence came in was key.

Will told her as much. "We'll have more to go on tomorrow morning." He checked the time. It was almost nine o'clock. "They're going to turn off the air-conditioning to the top floors in ten minutes. You should go home and try to get some sleep."

"Empty house," she told him. "Jeremy is enjoying his independence a little too much. I thought at least he'd miss me a little."

"I guess children can be stubborn sometimes."

"I bet you were a real handful for your mother."

Will shrugged. He supposed that was true enough. You didn't stick a baby in a trashcan because he was easy. "Maybe I could…" Will hesitated, but decided he might as well. "Would you like to go get a drink or something?"

She startled. "Oh, my God."

He realized two seconds too late that he'd put his foot in his mouth again. "I have a girlfriend. I mean, a fiancée. We're engaged." The details rushed out. "Angie Polaski. She used to work vice. I've known her since I was eight."

She seemed even more startled. "Eight?"

Will realized he should close his mouth and think about what he was saying before he let it out. "It sounds more romantic than it actually is." He paused. "I just… you said you didn't want to go to an empty house. I was just trying to…I don't know." He laughed nervously. "I guess my feral monkey is acting up again."

She was nice about it. "We've both had a long day."

"I don't even drink." Will stood as Faith did. He put his hand in his pocket and felt something unfamiliar mixed in with the change. He pulled out the vial with the gray powder in it, surprised the plastic hadn't broken during his scuffle with Paul.

"Will?"

He realized that his initial impression of the vial was probably hers, that he was holding an ounce of cocaine. "It's dirt," he told her. "Or some kind of powder. I found it at the Campano house."

"You found it?" she asked, taking the vial from him. "Since when do you work collection?"

"Since, uh…" Will held out his hand for the sample. "You really shouldn't be touching that."

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