Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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Amanda started pressing buttons on the console again, obviously trying to work the GPS. The radio came on and she quickly turned it off again, but not before Will caught the opening notes of a swing band. She muttered something under her breath and pressed another button, which caused Will's window to slide down. He felt a blast of hot air like someone had opened an oven door. In the side mirror, he saw a jogger at the top of the hill, the leaves on the dogwoods stirring in the breeze.

Amanda gave up on the electronics. "This is ridiculous. We're the top investigatory arm in the state and we can't even find the God damn crime scene."

Will turned around, his seat belt straining against his shoulder as he looked up the hill.

Amanda asked, "What are you doing?"

"That way," he said, pointing behind them. The limbs of the trees overhead were intertwined, casting the street in a dusklike darkness. There was no breeze this time of year, just relentless heat. What he had seen was not rustling leaves but the blue lights of a police cruiser bouncing off the shadows.

Amanda gave another heavy sigh as she put the car into gear and started a U-turn. Without warning, she slammed on the brakes, her arm shooting out in front of Will as if she could stop him from going through the windshield. A large white van blared its horn as it sped by, the driver shaking his fist, mouthing obscenities.

"Channel Five," Will said, recognizing the local news station's logo on the side of the van.

"They're almost as late as we are," Amanda commented, following the news van up the hill. She took a right, coming on a lone police cruiser blocking the next left. A smattering of reporters was already at the scene, representing all the local stations as well as CNN, which had their world headquarters a few miles up the road. A woman strangling the man who had killed her daughter would be big news in any part of the world, but the fact that the daughter was white, that the parents were wealthy and the family was one of the city's most influential gave it an almost giddy, scandalous tinge. Somewhere in New York City, a Lifetime Movie executive was drooling into her BlackBerry.

Amanda pulled out her badge and waved it at the cop as she rolled past the blockade. There were more police cruisers up ahead along with a couple of ambulances. The doors were open, the beds empty. Paramedics stood around smoking. The hunter green BMW X5 parked in front of the house seemed out of place among the emergency vehicles, but the gigantic SUV made Will wonder where the coroner's van was. He wouldn't be surprised if the medical examiner had gotten lost, too. Ansley was not a neighborhood well-known to someone earning a civil servant's salary.

Amanda put the car into reverse to parallel park between two of the cruisers. The park sensor controls started beeping as she tapped on the gas. "Don't dawdle in there, Will. We're not working this case unless we're taking it over."

Will had heard some variation on this same theme at least twice since they had left city hall. The dead girl's grandfather, Hoyt Bentley, was a billionaire developer who had made his share of enemies over the years. Depending on who you talked to, Bentley was either a scion of the city or a crony from way back, the sort of moneyed crook who made things happen behind the scenes without ever getting his hands dirty. Whichever version of the man's story was true, he had deep enough pockets to buy his share of political friends. Bentley had made one phone call to the governor, who had reached out to the director of the Georgia Bureau of Investigation, who had in turn assigned Amanda the task of looking into the murder.

If the killing had any markings of a professional hit or hinted at something deeper than a simple assault and burglary gone wrong, then Amanda would make a phone call and snatch the case away from the Atlanta Police Department faster than a toddler taking back a favorite toy. If this was just a random, everyday tragedy, then she would probably leave the explanations to Will while she toodled back to city hall in her fancy car.

Amanda put the gear into drive and inched forward. The gap between the beeps got furiously short as she edged closer to the police car. "If Bentley's got someone mad enough to kill his granddaughter, this case goes to a whole new level."

She sounded almost hopeful at the prospect. Will understood her excitement-breaking this kind of case would be yet another feather in Amanda's cap-but Will hoped he never got to the point where he saw the death of a teenage girl as a career stepping-stone. Though he wasn't sure what he should think of the dead man, either. He was a murderer, but he was also a victim. Considering Georgia's pro-death penalty stance, did it really matter that he had been strangled here in Ansley Park rather than strapped to a gurney and given a lethal injection at Coastal State Prison?

Will opened the door before Amanda put the car into park. The hot air hit him like a punch to the gut, his lungs temporarily straining in his chest. Then the humidity took over, and he wondered if this was what it felt like to have tuberculosis. Still, he put on his suit jacket, covering the paddle holster clipped to the back of his belt. Not for the first time, Will questioned the sanity of wearing a three-piece suit in the middle of August.

Amanda seemed untouched by the heat as she joined Will. A group of uniformed policemen stood clustered at the bottom of the driveway, watching them walk across the street. Recognition dawned in their eyes, and Amanda warned Will, "I don't have to tell you that you're not exactly welcome by the Atlanta Police Department right now."

"No," Will agreed. One of the cops in the circle made a point of spitting on the ground as they passed by. Another one settled on a more subtle raised middle finger. Will plastered a smile on his face and gave the officers a big thumbs-up to let them all know there were no hard feelings.

From her first day in office, Atlanta's mayor had pledged to weed out the corruption that ran unchecked during her predecessor's reign. Over the last few years, she had been working closely with the GBI to open cases against the most blatant offenders. Amanda had graciously volunteered Will to go into the lions' den. Six months ago, he had closed an investigation that had resulted in the firing of six Atlanta police detectives and forced the early retirement of one of the city's highest-ranking officers. The cases were good-the cops were skimming cash off of narcotics busts- but nobody liked a stranger cleaning their house, and Will had not exactly made friends during the course of his investigation.

Amanda had gotten a promotion out of it. Will had been turned into a pariah.

He ignored the hissed "asshole" aimed at his back, trying to focus on the crime at hand as they walked up the curving driveway.

The yard was brimming with all kinds of exotic-looking flowers that Will was hard-pressed to name. The house itself was enormous, stately columns holding up a second floor balcony, a winding set of granite stairs leading to the front doors. Except for the smattering of surly cops marring the scene, it was an impressive estate.

"Trent," someone called, and he saw Detective Leo Donnelly making his way down the front steps. Leo was a short man, at least a full foot less than Will's six-three. His gait had taken on an almost Columbo-like shuffle since they'd last worked together. The effect was that of an agitated monkey. "What the fuck are you doing here?"

Will indicated the cameras, offering Leo the most believable explanation. Everybody knew the GBI would throw a baby into the Chattahoochee if it meant getting on the nightly news. He told the detective, "This is my boss, Dr. Wagner."

"Hey," Leo said, tossing her a nod before turning back to Will. "How's Angie doing?"

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