Karin Slaughter - Fractured

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‘No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' – The Times
‘Without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' – Daily Express
‘Slaughter deftly turns all assumptions on their head… Her ability to make you buy into one reality, then another, means that the surprises – and the violent scenes – keep coming' – Time Out
‘A great read… crime fiction at its finest' – MICHAEL CONNELLY
‘A fast-paced and unsettling story… A compelling and fluid read' – Daily Telegraph
‘Criminally spectacular' – OK!
‘Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' – Daily Mirror
‘Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' – Guardian
‘The writing is lean and mean, and the climax will blow you away' – Independent
‘Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go… one of the boldest thriller writers working today' – Tess Gerritsen
‘Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' – The Times
‘Brilliantly chilling' – heat
‘A salutary reminder that Slaughter is one of the most riveting writers in the field today' – Sunday Express
‘Don't read this alone. Don't read this after dark. But do read it' – Daily Mirror
‘With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' – JOHN CONNOLLY
‘Brilliant plotting and subtle characterisation make for a gruesomely gripping read' – Woman Home
‘Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' – Literary Review
‘Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' – Manchester Evening News
‘It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' – Kirkus Reviews
‘Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' – DENISE MINA
‘Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified…deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' – Washington Post
‘Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' – STELLA DUFFY

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He couldn't even think about what he'd do if that happened.

Will put the basket on the floor, rubbing Betty's chin to let her know he hadn't forgotten about her. He looked back at the shelf. Will had thought it would be easier than this, but there were at least ten different brands to choose from. All the boxes were the same except for varying shades of pink or blue. He recognized some of the logos from television commercials, but he hadn't seen the box among the trash strewn across the yard, he had only seen the little stick you pee on. Whatever dog had gotten into the garbage had destroyed the packaging, so this morning, all Will could do was stand in the middle of the driveway holding up what was obviously a home pregnancy test.

There were two lines on it, but what did that mean? Some of the commercials on TV showed smiley faces. Some of them showed pluses. Wouldn't it follow that some would have a minus? Had his eyes blurred and he'd seen two lines instead of a single minus? Or was he so freaked out that he'd read a word as a symbol? Did the test actually say something as simple as "no" and Will couldn't read it?

He would get one of each type, he decided. When the Campano case resolved, he would lock his office door and go through each kit, comparing it to the wand from the trash, until he found the right brand, then he would take however many hours he needed to figure out the directions so he'd know one way or the other what exactly was going on.

Betty had jumped into the basket, so Will loaded the boxes in around her. He carried it against his chest to keep her from spilling out. Betty's tongue lolled again as he headed to the front checkout, her little paws on the edge of the basket so she looked more like a hood ornament. People stared, though Will doubted this was the first time this Midtown store had seen a grown man in a business suit carrying a Chihuahua with a pink leash. On the other hand, he could pretty much guarantee that he was the first one to be carrying a basket full of home pregnancy tests.

More stares came as he waited in line. Will scanned the images on the newspapers. The Atlanta Journal had already printed the early edition. As with just about every other paper in the nation this morning, Emma Campano's face was above the fold. Will had plenty of time waiting in line to decipher the bold, block letters over the photograph. MISSING.

He tried to breathe through the tightness in his chest as he thought about all the bad things that people could do to each other. The Doors, the kids who came back from foster care or couldn't make it with their adopted family, told that story. Time and time again, they would be sent out, only to come back with a deadness in their eyes. Abuse, neglect, assault. The only thing harder to look at was the mirror when you came back yourself.

Betty licked his face. The line moved up. The clock over the register said two-fifteen.

Amanda was right. If she was lucky, Emma Campano was dead.

CHAPTER FIVE ABIGAIL CAMPANO FELT like her daughter was still alive Was that - фото 9

CHAPTER FIVE

ABIGAIL CAMPANO FELT like her daughter was still alive Was that possible Or - фото 10

ABIGAIL CAMPANO FELT like her daughter was still alive. Was that possible? Or was she making a connection that wasn't there, like an amputee who still feels a missing arm or leg long after it's gone? If Emma was dead, it was Abigail's fault. She had taken a life-not just any life, but that of a man who had tried to save her daughter. Adam Humphrey, a stranger to Abigail and Paul, a boy they had never seen or heard of until yesterday, was dead by her own hands. There had to be a price for that. There had to be some sort of justice. If only Abigail could offer herself up to the altar. She would gladly switch places with Emma right now. The torture, the pain, the terror-even the cold embrace of a shallow grave would be better than this constant state of unknowing.

Or would it? What were Kayla's parents thinking right now? Abigail couldn't stand the couple, hated their permissiveness and the mouthy daughter it had produced. Emma was certainly no saint, but she had been different before she met Kayla. She had never failed a class or missed a homework assignment or skipped school. And yet, what would Abigail say to the girl's parents? "Your daughter would still be alive if you had kept her away from mine?"

Or-daughter s .

" Our daughters would be alive if you had listened to me."

Abigail forced herself to move, to try to get out of bed. Except for going to the bathroom, she had lain here for the last eighteen hours. She felt foolish for having to be sedated-some latter-day Aunt Pittypat who felt the vapors coming on. Everyone was being so careful around her. Abigail had not felt so handled in ages. Even her mother had been gentle on the telephone. Beatrice Bentley had lived in Italy since she'd divorced Abigail's father ten years ago. She was on a plane somewhere over the North Atlantic right now, her beautiful mother rushing to her side.

Adam Humphrey's parents would be coming, too. What awaited them was not a bedside, but a graveside. What would it feel like to bury your child? How would you feel as the coffin lowered into the earth, the earth covered your baby in darkness?

Abigail often wondered what it would have been like to have a son. Granted, she was an outsider, but mothers and sons seemed to have such uncomplicated relationships. Boys were easy to read. With one glance, you could tell whether they were angry or sad or happy. They appreciated simple things, like pizza and video games, and when they fought with their friends, it was never for blood, or worse, for sport. You never heard about boys writing slam notes or spreading rumors about each other at school. A boy never came home crying because someone called him fat. Well, maybe he did, but his mother could make everything better by stroking his head, baking some cookies. He would not sulk for weeks over the slightest perceived insult.

In Abigail's experience, women certainly loved their mothers, but there was always some kind of thing that lived between them. Envy? History? Hate? This thing, whatever it was, made girls gravitate toward their fathers. For his part, Hoyt Bentley had relished spoiling his only child. Beatrice, Abigail's mother, had resented the lost attention. Beautiful women did not like competition, even if it was from their own daughters. To Abigail's recollection, she was the only thing her parents ever fought about.

"You've spoiled her rotten," Beatrice would scream at Hoyt, her milk-white complexion seeming to take on the green pallor of envy.

In college, Abigail had met a fellow student named Stewart Bradley who, from all appearances, was just the type of man she was meant to marry. He was of the old money stock that her father approved of, and had enough new money to please her mother in the process. Stewart was smart, easygoing and about as interesting as a jar of pickled beets.

Abigail had been ripe for stealing the day she took her BMW into the dealership for servicing. Paul Campano wore a cheap suit that was too tight in the shoulders. He was loud and unpolished and even days later, just thinking about him would bring on a rush of heat straight between her legs. Three weeks later, she gave up the life of Mrs. Pickled Beets and moved in with Paul Campano, an adopted Jew with Italian parents and a chip on his shoulder the size of Rhode Island.

Beatrice didn't approve, which sealed the deal. Her mother claimed that Paul's lack of money and family name were not the problem. She saw that there was something deep in Paul that would never be satisfied. Even on Abigail's wedding day, Beatrice had told her daughter to be careful, that men were selfish creatures at their core, and there were only a handful of them who managed to overcome that natural inclination. Paul Campano, with his pinky ring and hundred-dollar haircut, was not one of them. Hoyt had for all intents and purposes moved in with his mistress by then, and Abigail had assumed that her mother's warning was the result of her own miserably isolated life.

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