John Saul - The Right Hand of Evil

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John Saul has been giving readers the jitters since the publication of Suffer the Children in 1977. His 22nd twisted tale, The Right Hand of Evil is another nerve shaker.
The Conway family is in deep financial trouble. Ted Conway would rather knock back bourbon than support his family, and Janet Conway's career as an artist is going nowhere. Happily, the three Conway children-toddler Molly and 15-year-old twins Jared and Kimberley-seem well adjusted. Of course happy children to not make for good horror material, so dark times are just around the corner.
Ted receives an unexpected call from a Louisiana sanatorium, where his aged Aunt Cora is dying. Cora wants to convey a final message to her only surviving family members. She rasps out the ominous words, "I can see it. Stay away! Stay away from here!" Her words are futile-the financially strapped Ted moves his family into Cora's old house, a house deeded to them in a family trust.
Young Kimberley instantly feels a dark presence in the dilapidated Victorian house: "Suddenly her skin was crawling, as if a large insect were creeping across her neck." Tragedy upon tragedy strikes the family. Kim's beloved cat disappears and is sacrificed in a black-magic ceremony; an evil presence takes over Jared's mind-transforming him into the most rotten of bad seeds; the wails of a dead infant fill Kim's head, driving her to the edge of insanity. The family has fallen victim to a centuries-old curse-a curse that threatens to wipe out the Conway name.
Although there is nothing particularly original or earth shattering about this haunted-house story, The Right Hand of Evil is still a welcome piece of escapism. Read it at your peril.

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"Just tell us," Father MacNeill told her. "Don't worry if none of it makes sense. But you have to tell us everything."

Kim's voice choked as a sob rose in her throat. "Mommy says it's just dreams, and-" She broke off again, remembering the terrible scene of Sandy and Luke making love in front of the candlelit altar. "I can't," she whispered. "It's… it's…"

"I know," Father MacNeill said. He reached out and laid his fingers on her forehead, as if baptizing her. "But no matter how terrible it seems to you, you can tell us. You can tell us. You can trust us."

As the priest's cool fingers continued to stroke her brow, Kim felt the terror inside her begin to lose its grip. Slowly, she began relating all the nightmares she'd had since she and her family moved into the old house on the edge of the town. She told them about Muffin's disappearance, then Scout's, and about the humiliation of Sandy spitting at her. "And then later this morning," she concluded, her voice breaking as she choked back her tears, "I-I thought-oh, God, I thought Jared and my father were killing my baby sister!" Her eyes fixed on Father MacNeill. "I was in the biology lab, and I saw-"

She faltered as another sob threatened to choke her, then went on. "I saw Molly. She was all cut up, and they'd put her into jars of-of-" She gazed beseechingly at the priest. "What is it, Father? What is it?"

Instead of answering Kim's question, Father MacNeill's hand covered Kim's as she clutched the cross. "Where did this come from?" he asked.

Kim frowned. "M-My aunt," she said uncertainly. "Aunt Cora gave it to me just before she died."

The priest nodded. "And there's another one, isn't there?" he asked.

Kim started to shake her head, but then the scene in her aunt's room at the Willows came back to her, and she nodded. "It was for Molly," she breathed. "My mother took it."

Now Father MacNeill took both of Kim's hands in his own and looked into her eyes. "I want you to think carefully," he said. "Did your mother put the cross on Molly?"

Kim shook her head. "She said she'd keep it until Molly got older."

"But it's in the house?" Father MacNeill pressed.

Kim nodded. "It's probably in Mom's jewelry box."

"And just now you heard Jared calling you, is that right?"

Once again Kim nodded. "But it wasn't really him, was it?" she said. "I mean, wasn't it you who was calling my name, trying to wake me up?"

The priest's hands tightened on Kim's. He looked straight into her eyes. "I'm going to tell you something, Kim." The timbre of his voice brought all of Kim's terrors flooding back as the priest continued to squeeze her hands. "You have to be strong, Kim," he went on. "Can you do that?"

Kim hesitated, then forced herself to nod.

"They weren't dreams, Kim," Father MacNeill said. "None of it. Everything you saw-everything you thought you dreamed-really happened. All of it."

CHAPTER 37

It wasn't possible. None of what she was seeing could possibly be happening.

Janet's last scream hung in the air, fading away, only to build once again, as if somehow the vast chamber into which she'd stumbled were amplifying it and reamplifying it.

Every muscle in her body had gone flaccid, and for a moment that went on forever, she thought she would collapse to the floor.

Her mind cast out in every direction, seeking something, anything, that would make sense of what she was experiencing.

A nightmare?

But she was awake! She knew she was awake.

An hallucination. That had to be it-everything she'd seen, the strange look to the house, the bizarre alterations to her trompe l'oeil, none of it could be anything but an hallucination.

Her eyes flicked over the impossible vision before her. Jared's room, that musty, black-walled chamber, had vanished. But what had taken its place couldn't exist. As the door had swung open, the piercing light from within blinded her for a second, but then her vision had cleared and she'd seen it: a space so vast it seemed to go on forever, its farthest reaches lost in shadows so black they devoured the harsh, cold light that seemed to come from everywhere-and nowhere. But what had made her scream-the image that had ripped an anguished howl of pure horror from her throat-was the altar that loomed in the distance, dominating the entire space, although it appeared so far away as to be unreachable.

Bones. The whole thing was made of human bones-thousands of them. The altar was covered with flickering candles from which the scent of burning flesh billowed into the thick, smoke-filled atmosphere. On the altar lay the desiccated remains of a hand.

A human hand.

A right hand.

Its nails split with age, its rotted skin falling away, its forefinger curled as if beckoning to her. She knew instinctively where it had come from: the desecrated tomb of George Conway. Even as its image burned into her mind, Janet forced herself to look away, only to be faced with something else. It, too, she recognized in a flash: the severed right forepaw of her son's pet, Scout. Next to it lay the foot of another animal, but that one, blessedly, she did not recognize.

Nauseated, she tore her eyes from the grisly objects, only to face an even more horrifying vision: above the altar, floating unsupported by anything she could see, was an inverted cross.

From the cross was suspended a figure, held to it with a single spike piercing both feet, its head dangling down. Two more spikes pierced the figure's wrists, pinning them to the transverse of the cross.

A great gash was torn in the figure's right side, and blood oozed from the wound. Blood, and something else as well.

A squirming, roiling mass of maggots, erupting from the great wound.

At last her eyes fastened on the figure's face, and her screams built until her own voice filled the vast space, then buffeted back at her, perverted into taunting laughter. For it was her own features she beheld above the altar, twisted in anguish, blood dripping down the planes of her face to mat her hair.

She felt the pain now. Her feet and wrists throbbed with agony, and the wound, churning with the ravenous maggots, burned unbearably in her side. She could feel the heat of blood streaming from the gash, and her nostrils filled with its coppery odor. She tried to take a step forward, collapsed to her knees and screamed again as her bloodied hands struck the floor.

Drugs!

That was it! Somehow, she had to have been drugged. But even that made no sense, for she could remember everything perfectly clearly, from the moment Ted came home last night.

Their lovemaking.

Falling asleep in his arms.

Waking up, filled with a sense of well-being and contentment.

She'd eaten nothing-drunk nothing.

Then how…? But the question was never completed, for even as it formed, two new figures appeared. Although their backs were toward her, she recognized them immediately.

Her husband.

And her son.

Together, they placed a bundle on the altar, something she couldn't quite see, for it was wrapped in some kind of animal skin.

A skin covered with golden fur.

Then, even before realizing what the skin must be, she knew with terrible certainty what was inside it.

"Molly!" she screamed.

Ignoring the agony in her feet and wrists, Janet raced toward the grotesque altar. From out of nowhere, a terrible peal of laughter rolled over her, and both Ted and Jared turned to gaze at her.

Ted raised his finger to point at her, and she felt a stab of heat lash into her, as if she'd been struck by a laser. Still she lurched toward the altar, her arms outstretched, her baby daughter's name shrieking from her lips. "Molly… Molly… Molly… Molly…"

The howls of mocking laughter swelled, and over and over again she felt the whiplike flick of the unseen force emanating from Ted's hand. Then, when she was still ten yards from the altar, Ted spoke.

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