John Saul - The Right Hand of Evil

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John Saul has been giving readers the jitters since the publication of Suffer the Children in 1977. His 22nd twisted tale, The Right Hand of Evil is another nerve shaker.
The Conway family is in deep financial trouble. Ted Conway would rather knock back bourbon than support his family, and Janet Conway's career as an artist is going nowhere. Happily, the three Conway children-toddler Molly and 15-year-old twins Jared and Kimberley-seem well adjusted. Of course happy children to not make for good horror material, so dark times are just around the corner.
Ted receives an unexpected call from a Louisiana sanatorium, where his aged Aunt Cora is dying. Cora wants to convey a final message to her only surviving family members. She rasps out the ominous words, "I can see it. Stay away! Stay away from here!" Her words are futile-the financially strapped Ted moves his family into Cora's old house, a house deeded to them in a family trust.
Young Kimberley instantly feels a dark presence in the dilapidated Victorian house: "Suddenly her skin was crawling, as if a large insect were creeping across her neck." Tragedy upon tragedy strikes the family. Kim's beloved cat disappears and is sacrificed in a black-magic ceremony; an evil presence takes over Jared's mind-transforming him into the most rotten of bad seeds; the wails of a dead infant fill Kim's head, driving her to the edge of insanity. The family has fallen victim to a centuries-old curse-a curse that threatens to wipe out the Conway name.
Although there is nothing particularly original or earth shattering about this haunted-house story, The Right Hand of Evil is still a welcome piece of escapism. Read it at your peril.

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At first Jake tried to ignore the voice, but it wouldn't be put off, and as the seconds ticked by and turned into minutes, it grew stronger, more insistent.

Do it, Jake. You know you want to. Come on, Jake. Now, Jake. Now!

The voice took on a mesmerizing rhythm. Without thinking about it, Jake rose from the cot on which he lay and took off his pants. He began ripping at the denim, tearing the legs into strips.

You know what to do, Jake, the voice whispered. Just do it. Do it now.

Jake began braiding the strips of denim together, his fingers working the material as easily as they knotted together the twine for his snares. Soon he was done.

The rope was nearly six feet long, plenty long enough to do what had to be done.

Now, Jake, the voice whispered. Do it now.

Jake tied one end of the braided rope around his neck, then stood on the cot and reached up to the sprinkler pipe that ran across the cell's width.

He tied the free end of the rope around it and tested the knot. It was solid; it would hold.

Die! the voice commanded. Die right now!

Without another thought, Jake Cumberland stepped off the edge of the cot. He dropped a foot, and then the rope jerked tight.

His neck did not break, but the loop around his neck dug deep, closing his windpipe.

His body twitched, his feet kicked out.

Then, in the darkness, he saw his mama. She was at the end of a tunnel, and her hand was held out to him. As Jake began hurrying through the darkness toward his mother, the voice faded away. Jake Cumberland was dead.

His incantations done, the inscriptions on the walls complete, Jared Conway severed the dog's head from the carcass and placed it inside the trunk where the night before he had hidden the head of the cat.

He cleaned the hide of the last remnants of flesh, rolled it tight, and slipped it into a plastic sack. As Luke carried the flesh, bones, and entrails outside, Jared blew the candles out, one by one. As the last candle flickered out, the room plunged into utter blackness.

Taking the skin of the slaughtered dog with him, Jared left the cabin, and as he and Luke disappeared into the darkness, the life of the night began again.

A trout broke the surface of the lake, snapping at a water bug.

An owl swept down from the trees, its talons closing on a mouse that had only a moment ago ventured forth from its burrow.

Bats flitted through the night sky, feeding on the gnats and mosquitoes that rose into the air from their hidden shelters in the grass and leaves.

And Jake Cumberland's hound crept out from beneath the cabin, sniffed at the pile of entrails left at the foot of the steps, and began devouring the unexpected feast.

Ted Conway slumped behind the wheel of the Toyota, waiting in the darkness. After leaving the house, he'd done exactly as he'd promised Janet he would-he'd driven past the Roberts' house. It was dark and quiet.

He cruised around the square, slowing as he passed the pizza parlor but barely glancing through its brightly lit windows, certain the boys would not be there.

Then he came back, parking the car in the darkness well away from the house, waiting.

He heard the night fall silent, saw the cloud slide over the moon. Still he waited, knowing that soon his vigil would end.

Finally the sky cleared and the night sounds picked up again. Ted straightened in the seat, his senses sharpening, his eyes scanning the edge of the forest that lay beyond the grounds. The seconds ticked by, turning into minutes. Still he waited, until his patience was rewarded by a flicker of movement within the shadows. Two figures emerged from the trees and slipped as silently as phantoms across the grounds toward the house. Starting the engine of the Toyota, Ted shifted it into gear, switched on, the headlights, and drove down the street to the driveway. He pulled close to the carriage house, then shut off the engine, got out, and slammed the car door behind him. Entering the house through the back door, he paused at the door to the basement, listening.

The sound of discordant music boiled up the stairs and filtered through the door.

Satisfied, he climbed the stairs to the second floor and went into the master bedroom where his wife and older daughter waited.

"Found him," he said, smiling at the relief that came into Janet's face. "He was at the pizza parlor with Luke. I dropped Luke off at his house and had a long talk with Jared on the way home."

"I think maybe I'll have a talk with him myself," Janet said, starting to get out of bed.

"And I think maybe you should just stay where you are," Ted told her, gently pushing her back into the bed. "Believe me, he's stinging bad enough after what I had to say to him. Anything you want to add can wait until morning." He shifted his attention to Kim. "And tomorrow's a school day. You should be in bed, too."

"What about Scout?" Kim asked. "Was he with Jared?"

Ted's eyes clouded. "I don't think so. Isn't he here?"

Kim shook her head.

"Well, if he's not back by morning, I'll go look for him, too. He's probably just out doing what dogs do."

"But after what happened to Muffin-" Kim began, but her father didn't let her finish.

"It's not the same thing," he assured her. "But Scout will be back-I guarantee it. And now it's time for you to go to bed."

Kissing his daughter good night, Ted watched her circle around the landing and disappear back into her room. When her door was closed, he went back into the bedroom, undressed, and got into bed next to Janet.

"You okay now?" he whispered, taking her in his arms and nuzzling at her ear.

Janet pulled away from him. Should she tell him about the terrible cold that had come over her in front of Molly's room? Or would he just laugh at her, and accuse her of listening to the ghost stories people told about the house? And what about Kim's nightmares?

Feeling the tension in her body, Ted propped himself up on one elbow. "Something's wrong," he said. "Tell me about it."

Still Janet hesitated, not sure where to begin. Ted gently turned her face so she was looking into his eyes.

"Tell me," he whispered. "Tell me what's wrong."

"It was when I was coming up the stairs," Janet began. But as she was about to describe the chill she'd felt, she realized how foolish it would sound. In fact, now that he was back and caressing her cheek, it seemed that nothing unusual had occurred.

She'd felt a draft, which she exaggerated in her own mind simply because of the vastness of the house and the lateness of the hour.

Kim had had a nightmare.

And Scout, like any normal dog, had taken off into the night.

The important thing was that Jared was safely back home, and so was Ted. She turned to face him, snuggling close. "It's all right," she murmured. "Nothing happened at all."

Then, as Ted's fingers crept beneath her nightgown and began tracing patterns on her naked skin, the last of the fears she'd felt that night drained away.

It was nearing midnight, but neither Monsignor Devlin nor Father MacNeill was ready to give up their vigil.

"It's Halloween," Father MacNeill had said as they'd eaten their supper earlier. "And something's going to happen. I can feel it."

"Perhaps you're wrong," the older priest had cautioned. "Perhaps we're both wrong." He rested a bony hand on the old Bible that Cora Conway had entrusted to him the day she died. "Perhaps none of this means anything. Perhaps it's nothing more than the ramblings of unhappy women."

"You know that isn't true," Father MacNeill replied. "And we haven't read it all. If we could find the missing pages-"

"They're gone," Devlin sighed. "I've already examined every page of the Bible twice. They simply aren't there."

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