John Saul - The Right Hand of Evil

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John Saul has been giving readers the jitters since the publication of Suffer the Children in 1977. His 22nd twisted tale, The Right Hand of Evil is another nerve shaker.
The Conway family is in deep financial trouble. Ted Conway would rather knock back bourbon than support his family, and Janet Conway's career as an artist is going nowhere. Happily, the three Conway children-toddler Molly and 15-year-old twins Jared and Kimberley-seem well adjusted. Of course happy children to not make for good horror material, so dark times are just around the corner.
Ted receives an unexpected call from a Louisiana sanatorium, where his aged Aunt Cora is dying. Cora wants to convey a final message to her only surviving family members. She rasps out the ominous words, "I can see it. Stay away! Stay away from here!" Her words are futile-the financially strapped Ted moves his family into Cora's old house, a house deeded to them in a family trust.
Young Kimberley instantly feels a dark presence in the dilapidated Victorian house: "Suddenly her skin was crawling, as if a large insect were creeping across her neck." Tragedy upon tragedy strikes the family. Kim's beloved cat disappears and is sacrificed in a black-magic ceremony; an evil presence takes over Jared's mind-transforming him into the most rotten of bad seeds; the wails of a dead infant fill Kim's head, driving her to the edge of insanity. The family has fallen victim to a centuries-old curse-a curse that threatens to wipe out the Conway name.
Although there is nothing particularly original or earth shattering about this haunted-house story, The Right Hand of Evil is still a welcome piece of escapism. Read it at your peril.

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Of course, he had no one to blame but himself-he should never have called the police, at least not until he'd investigated the vandalism in the cemetery himself. It might even have been all right if they'd sent someone other than Ray Beckwith; he should have realized that Ray would be unable to hold anything back from Corinne, and everyone in St. Albans knew that if you wanted a piece of news spread as rapidly as possible, you simply told Corinne Beckwith, first swearing her to absolute secrecy and making her promise not to mention it in the newspaper.

And he was certain where they would place the blame: after Ted Conway's performance last night, he had gained the support of much of the town-even of the St. Ignatius congregation. So it was hardly likely blame would fall where Father MacNeill was already certain it belonged. No, much more likely they would turn their wrath on Jake Cumberland. Poor, ignorant Jake, who had stood at the back of Town Hall last night, denouncing Ted Conway as a tool of the Devil.

And why wouldn't they turn on him? After the accusation he'd made, wouldn't it be logical to assume he'd also desecrated the corpse of the man he'd always held responsible for the death of his own mother?

"Best them Conways don't come back here ever again," Jake had told him not too many weeks ago, when Cora Conway lay dying at the Willows. "They come here, they'll have me to deal with. And I know what to do, too. Don't think I don't!"

Father MacNeill had known Jake was speaking of the voodoo crafts he'd learned from his mother so many years ago. He hadn't bothered to argue-the priest had always understood that one man's faith is another man's superstition, and that trying to destroy Jake's belief in his mother's religion would be as useless as trying to destroy his own faith in the living Christ.

As the church bell tolled the hour, Father MacNeill smoothed the chasuble one last time, picked up his breviary, opened the vestry door, and stepped into the sanctuary. For a moment the murmuring went on uninterrupted, but as first one person and then another realized their priest now stood before them, the tenor of the buzzing changed, and finally died away.

Father MacNeill scanned the congregation. The church was crowded this morning, though he suspected that had more to do with the news of the desecration in the cemetery than it did with his own powers to preach.

Even Corinne Beckwith, whom he was certain accompanied her husband to church only to keep Ray happy, was paying attention this morning. Father MacNeill wondered if she had her tape recorder going, or would be content taking notes with a pen and paper. But like nearly everyone else in the sanctuary, she obviously was expecting him to say something, to explain to them what had happened last night. How, though, could he point an accusing finger until he was certain he knew the culprit's identity?

As he was still trying to decide what, if anything, to say, the door at the back of the church opened and he saw three figures silhouetted against the brilliant morning light. They stepped forward, the door closed, and for a moment they were lost in the shadows of the vestibule.

Then Janet Conway, holding the hand of her little daughter, Molly, stepped forward, dipped her fingers in the font, and dropped into a quick genuflection. Straightening, she searched the church for an empty pew.

A moment later Kim repeated the ritual her mother had just performed.

Then Ted Conway stepped forward, slipping his arms almost protectively around his wife and older daughter.

Father MacNeill found himself holding his breath as he waited to see if Jared Conway would also appear in the church. The seconds crept by, as heads turned to see at whom their priest was staring. When Jared didn't appear, Father MacNeill finally let out his breath and waited to see what the Conways would do.

Phil Engstrom rose from his seat in the first pew, as if to leave. His wife was beside him, though Father MacNeill didn't see Sandy. The mayor's gaze locked on Father MacNeill's, and the priest saw that even the mayor had finally rejoined the ranks of the righteous, abandoning his support of the Conways. Then Phil turned and looked directly at Ted Conway, and as the two men's eyes met, the priest saw something change. Phil Engstrom appeared uncertain for a moment, and then his face cleared and he smiled at Conway. "There's plenty of room here, Ted," he declared. "Come and sit with us."

Stunned by the change in the town's mayor, Father MacNeill watched as the Conways made their way down the aisle, every eye in the church tracking them. Only as they edged into the Engstroms' pew did anyone speak.

"If there's room in this church for them, then there isn't for me," Ellie Roberts declared. Rising from her seat, her right arm in a sling, she stepped out into the aisle and, limping heavily, left the church.

Father MacNeill waited. No one else left.

Then he turned his back to the congregation and began celebrating the mass in the old tradition: facing the altar and intoning the words in the ancient language of the Church. The Latin phrases rolled from his tongue in fulsome cadences, and when he finally turned to face the congregation, every one of them had closed their eyes as he recited the final benediction.

Every one of them, except for one.

Ted Conway's eyes were wide open.

And they were blazing with undisguised hatred.

Janet glanced at the clock on the wall of the big reception room in the parish hall. Its hands seemed not to have moved since the last time she'd looked. The mass had ended an hour ago, but Ted insisted they stay for the hospitality hour. Every minute had seemed like an hour as she stood with Marge Engstrom, pretending she didn't notice how few people approached them, or see the hostile clutches of parishioners whispering to each other while pretending not to glance her way. Worst of all were those who spoke to Marge but ignored Janet and her family completely, acting as if they simply weren't there. And everywhere she looked, Ellie Roberts was there, whispering to one group after another. All the goodwill Janet had felt after the town meeting had evaporated; if the meeting were to be held again tonight, she was sure there wouldn't be a single person in the room who would vote with them. "It's like they think we had something to do with what happened last night," she said as Ted and Phil finally came over to join them.

Shortly after mass was over, the Conways heard about the desecration of their uncle's tomb, and the grisly object pinned to the tree. Though Kim refused even to look at the cat's hide, Janet and Ted identified it as Muffin's. Tears had streaked Kim's face when she learned the fate of her pet, but she wiped them away, refusing to expose her pain to a town that had suddenly turned so hostile.

Ted shook his head. "It's not that so much as Ellie Roberts-she's telling everyone that Jared made her walk in front of that car."

"But that's stupid!" Kim burst out, breaking out of her grief over her pet to defend her brother. "I saw Jared, and he wasn't anywhere near Mrs. Roberts!" As almost everyone in the room turned to stare at her, she flushed with embarrassment. "Can't we go home, Daddy?" she begged. "Please?"

For a moment Janet thought Ted was going to argue with Kim, but instead he nodded. "Sure. I don't think we're going to be able to bring any of these people around right now, anyway." Saying goodbye to Phil and Marge Engstrom, they stepped out into the bright sunlight.

Just being outside of the parish hall-and away from the hostility she'd felt radiating from nearly everyone in it-Janet began to relax. But when Ray Beckwith stopped them before they'd even reached the sidewalk, her anxiety came rolling back.

"Do you know where your son was last night, Mr. Conway?" Beckwith asked.

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