John Saul - The Right Hand of Evil

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John Saul has been giving readers the jitters since the publication of Suffer the Children in 1977. His 22nd twisted tale, The Right Hand of Evil is another nerve shaker.
The Conway family is in deep financial trouble. Ted Conway would rather knock back bourbon than support his family, and Janet Conway's career as an artist is going nowhere. Happily, the three Conway children-toddler Molly and 15-year-old twins Jared and Kimberley-seem well adjusted. Of course happy children to not make for good horror material, so dark times are just around the corner.
Ted receives an unexpected call from a Louisiana sanatorium, where his aged Aunt Cora is dying. Cora wants to convey a final message to her only surviving family members. She rasps out the ominous words, "I can see it. Stay away! Stay away from here!" Her words are futile-the financially strapped Ted moves his family into Cora's old house, a house deeded to them in a family trust.
Young Kimberley instantly feels a dark presence in the dilapidated Victorian house: "Suddenly her skin was crawling, as if a large insect were creeping across her neck." Tragedy upon tragedy strikes the family. Kim's beloved cat disappears and is sacrificed in a black-magic ceremony; an evil presence takes over Jared's mind-transforming him into the most rotten of bad seeds; the wails of a dead infant fill Kim's head, driving her to the edge of insanity. The family has fallen victim to a centuries-old curse-a curse that threatens to wipe out the Conway name.
Although there is nothing particularly original or earth shattering about this haunted-house story, The Right Hand of Evil is still a welcome piece of escapism. Read it at your peril.

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"Mom?" she called out. "You here?"

"In the studio," her mother called back.

The studio, too, had been transformed since yesterday. The rest of the windows had been cleaned, and everything unpacked and put away. Molly was in her playpen, playing with a doll. Her mother was perched on a stool, a stick of charcoal in her right hand, carefully eyeing a canvas on the easel before her. When her mother turned to look at her, Kim instantly understood that the changes she'd already witnessed weren't confined to the yard, the house, and her father.

The strain, the misery, she'd seen in her mother's face was gone. Everything about her was different. Her eyes, which had looked so exhausted this morning, were sparkling, and she seemed somehow to have gotten younger.

"Come and look," her mother said before Kim could speak. "Tell me what you think!"

Almost warily, Kim approached the canvas, not sure what to expect. As she gazed at it, she realized that whatever she might have guessed her mother was working on, it would not have been what she was looking at.

It was a sketch of an outdoor scene, but it bore no resemblance to the ruined landscape that lay beyond the windows. Drawn onto the canvas was a formal garden. Although it was still little more than a charcoal sketch, the composition her mother had limned gave Kim the eerie feeling that she was somehow looking into the past. It was as if her mother had imagined the garden as it might have looked a century ago. There was only one human figure in the garden, and even though it, too, had been realized with a few quick strokes, Kim recognized it as her father.

But not the father she'd known most of her life.

This was the father she'd met outside a few minutes ago, his expression open, his eyes seeming to smile though the image was barely developed.

So it wasn't just toward her that he'd changed, Kim thought. Her mother had seen it, too. "What happened?" she asked quietly, her eyes remaining on the figure as she waited for her mother to answer. "Would you please tell me what's going on? This morning-"

"This morning seems like a lifetime ago," Janet replied. She moved closer to Kim, looking at the image of Ted over her daughter's shoulder. "Something happened to him last night," she said. "It's like-" She hesitated, searching for the right words. "It's like he finally woke up," she said. Choosing her words carefully, she related the day's events. "He's been working all day," she eventually finished. "A truck showed up with the new stove and refrigerator, and after he helped me with the kitchen, he went to work outside, and-well, you saw for yourself what he's been doing."

When she went up to her room a few minutes later, Kim tried to pull it all together in her mind. Only this morning the house had been filled with tension.

Her father had been gone.

Her mother had been ready to leave him-had even told her she was going to.

And now everything was different.

But how long would it last?

Despite what her mother and her father had both told her, she still wasn't ready to believe it.

Something, she was sure, was wrong.

Very wrong.

CHAPTER 18

How much farther?" Luke Roberts asked. Jared glanced around, uncertain where they were. When they left the school half an hour ago, he'd thought about going back to his house and following the same trail Scout had led him along in the early hours of the morning. But as they started out, he had the idea that he could find the trail just by heading east from the edge of town into the woods. As they made their way along the labyrinth of paths, though, everything started to look alike. A couple of times he'd caught Luke eyeing him suspiciously, and at one point could see that Luke was about to ask him if he even knew where he was.

Despite his uncertainty, Jared silenced him with a look, unwilling to admit that they might be lost. Then, fifteen minutes ago, they came to a place where two trails crossed, and he'd known.

This was it, he thought. This was the trail.

But how had he known?

He'd scanned the area carefully, looking for something that stood out, that he might have remembered from his predawn foray with Scout. But there was nothing. And besides, when he was here before, he'd made his way through the darkness with nothing but moonlight, just following where Scout led.

And yet he knew. This was the right trail.

"This way," he announced.

"Yeah, sure," Luke drawled, hitching up the jeans that threatened to slide off his hips. "This don't look any different than any of the…" His voice died away as Jared fixed him with the same look that had silenced him a few minutes earlier.

Now, though, Jared slowed.

Close.

They were very close.

Once again he scanned the forest, looking for any sign of a cabin. Off to the left, barely visible through the tangle of kudzu that was spreading everywhere, he could make out the glimmering of sunlight on water.

A lake. Had the cabin he'd seen early this morning been close to a lake? He didn't know.

"Ahead," he said softly. "It's right up ahead."

Luke's brows arched skeptically. "I don't know," he replied. "Maybe we oughta just go back to town and go get a Coke or somethin'."

But Jared was moving along the trail again. A slight breeze had come up, and he stopped. "You smell anything?" he asked, sniffing.

Luke shook his head. "Do I look like some kinda hound or something?"

That was it! The dogs he'd heard last night! He could smell them! "Come on," he said. "We're almost there."

Once again Luke hesitated, but in the end gave Jared no argument. Leading the way, Jared crept forward, waiting for the dogs to begin baying.

This afternoon, though, they were silent, and suddenly Jared knew why. If he could smell them, he was downwind. They couldn't smell him.

He came to a bend in the trail. Though there was still no tree or rock that he remembered, he knew that as soon as they rounded the bend, they would see the cabin huddled in the small clearing. And a moment later, there it was.

Now, in the bright sunlight, Jared could see the lake. It lay only a few yards beyond the cabin. The bank was low and muddy, and there were a couple of old wooden rowboats-so worn they didn't look as if they could even float-lying on the shore, tied uselessly to a tree with rotting cotton rope.

Curled up in the shade of the cabin were two dogs.

"That's it," Jared said softly. "You know who lives there?"

Luke said nothing, but Jared knew immediately that he'd seen this cabin before. "Come on," he said, his voice rising. "Tell me!"

"Jake Cumberland," Luke Roberts finally said. "This is his place."

"Who is he?" Jared pressed.

Luke's expression turned wary. "Just a trapper," he replied. "He's always lived out here."

Jared's eyes narrowed. "You're scared of him, aren't you?"

Luke paled, but shook his head.

"Bullshit," Jared said. "Tell me the truth."

"There's… stories," Luke admitted. "About his ma."

"What kind of stories?"

"She was supposed to be some kind of voodoo queen or something." Luke's eyes shifted away from Jared. "An' they say she worked for your uncle before she disappeared."

"Disappeared?" Jared repeated. "What do you mean, disappeared? You mean she just took off?"

Luke shrugged. "Nobody knows. Leastwise, nobody I ever talked to knows. But my ma says the last time anyone ever saw her was the night before your uncle hung himself." He reddened slightly. "My ma says she heard your uncle might have killed her. She says there was all kinds of talk about him and Jake's ma. Like maybe they were gettin' it on, and she was gonna tell. So he killed her." As Jared's fists clenched and his jaw tightened, Luke held up his hands. "Hey, don't get pissed at me. All I'm tellin' you is what I heard."

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