John Saul - The Right Hand of Evil

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John Saul has been giving readers the jitters since the publication of Suffer the Children in 1977. His 22nd twisted tale, The Right Hand of Evil is another nerve shaker.
The Conway family is in deep financial trouble. Ted Conway would rather knock back bourbon than support his family, and Janet Conway's career as an artist is going nowhere. Happily, the three Conway children-toddler Molly and 15-year-old twins Jared and Kimberley-seem well adjusted. Of course happy children to not make for good horror material, so dark times are just around the corner.
Ted receives an unexpected call from a Louisiana sanatorium, where his aged Aunt Cora is dying. Cora wants to convey a final message to her only surviving family members. She rasps out the ominous words, "I can see it. Stay away! Stay away from here!" Her words are futile-the financially strapped Ted moves his family into Cora's old house, a house deeded to them in a family trust.
Young Kimberley instantly feels a dark presence in the dilapidated Victorian house: "Suddenly her skin was crawling, as if a large insect were creeping across her neck." Tragedy upon tragedy strikes the family. Kim's beloved cat disappears and is sacrificed in a black-magic ceremony; an evil presence takes over Jared's mind-transforming him into the most rotten of bad seeds; the wails of a dead infant fill Kim's head, driving her to the edge of insanity. The family has fallen victim to a centuries-old curse-a curse that threatens to wipe out the Conway name.
Although there is nothing particularly original or earth shattering about this haunted-house story, The Right Hand of Evil is still a welcome piece of escapism. Read it at your peril.

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And offering comfort to the only penitent he would hear.

Cora Conway.

The years had slowly ground by, each seeming longer than the one before, and he slowly came to understand that even death was to be withheld from him.

He even understood why: his failure to find a way to absolve Cora Conway, to release her from the torture that gripped her mind. Even three days ago, when he'd administered the last rites of their faith, he'd still been unable to cast out the demons that haunted her.

"Take this," she'd breathed, her clawlike fingers stroking the worn leather of her Bible. "It's in here. Everything is in here." Then, just as he was about to leave, she'd spoken one more time.

"And this," she'd whispered, her shaking fingers grasping the music box that sat on the table by her bed. He'd brought her the music box himself, on the day she'd been brought to the Willows, but he'd never heard it play. "Take it," Cora had whispered. "Listen to its voices."

He'd slipped the music box into the pocket of his cassock, pronounced a final benediction upon Cora's troubled soul, and then departed, the weight of her Bible-and her troubles-almost more than he could bear.

Until today he hadn't opened Cora's Bible, but now he carefully lowered himself onto the straight-backed chair and reached for the Bible on the table nearby. Chair, table, and narrow cot comprised the only furnishings of his cell. He pulled the Bible close and, holding it by its cracked spine, allowed it to fall open to whatever page upon which God might place His finger.

The Bible opened to the division between the two testaments, where lay the history of the generations through which the ancient Bible had passed. The page that lay open in front of Father Devlin was filled with careful, cursive script of a time gone by, but despite the clarity of the letters, Father Devlin still had to strain to read the faded words.

A date had been inscribed: April 16, 1899.

Beneath the date there was a smear of ink, but then the entry began:

I shall not survive this evil day, the first line said. The beat of his ancient heart quickening, Father Devlin read on…

LORETTA VILLIERS CONWAY SAT AT HER DESK, HER BACK AS RAMROD STRAIGHT AS HER MOTHER HAD TAUGHT HER WHEN SHE WAS A GIRL, BUT DESPITE THE PERFECTION OF HER POSTURE, FOR WHICH SHE WAS FAMOUS THROUGHOUT ST. ALBANS AND THE PARISH, HER HAND QUIVERED AS SHE DIPPED HER PEN INTO THE POT OF INK AND SET IT TO THE BLANK PAGE OF THE BIBLE SHE KEPT WELL-HIDDEN FROM HER HUSBAND. A DROP OF THE BLACK FLUID FELL FROM THE PEN'S POINT AND SPLASHED TO THE PAGE, BUT SO DISTRAUGHT WAS LORETTA THAT SHE HARDLY NOTICED IT. SHE CONTINUED WRITING.

I had thought it was the crowing of the cock that woke me. But it was not the cock, as I found out when I stepped out onto the mezzanine of the house that Monsignor Melchior built for us. The cry was louder there, and I recognized it at once as coming from the servant girl, and knew her time had come. Even now I remember thinking that perhaps today Bessie would confess the name of the man who invaded her. But when the babies were born, I needed no confession from Bessie, for the image of the father was clear on the faces of each of the tiny babes. Bessie, who is very strong, took the second one to her breast immediately, and called her Francesca. But Francis - who was my son until I saw the faces of his Negro children - took the second child away.

When I came down from Bessie's room-having tended her as best I could-I heard noises coming from the cellar below the house. It did not matter, though, for already I knew what I must do. The curse that has befallen this family will not be lifted, and I know now that there is but one escape. I know not weather Heaven or Hell awaits me at the end of the noose I shall place around my neck when this paragraph is done. It matters not. It will be enough that I have finally escaped this house.

AFTER NEATLY WIPING ITS POINT, LORETTA VILLIERS CONWAY SET THE PEN ASIDE. WHEN SHE WAS CERTAIN THE INK HAD COMPLETELY DRIED, SHE TOOK THE BIBLE TO BESSIE DELACOURT, WHO STILL LAY IN HER BED, HER REMAINING DAUGHTER CRADLED AGAINST HER BREAST. SHE SLIPPED THE VOLUME INTO THE TOP DRAWER OF BESSIE'S SCARRED DRESSER, THEN TURNED TO THE SERVANT.

SHE BORE BESSIE NO MALICE, FOR IT WAS HER SON WHO HAD BETRAYED HER, NOT THE IGNORANT GIRL.

"I HAVE PUT A BIBLE IN YOUR DRAWER," SHE SAID. "WHEN MY SON MARRIES, YOU MUST GIVE IT TO HIS BRIDE."

SHE STARTED TOWARD THE DOOR, THEN TURNED BACK AND LOOKED ONCE MORE INTO THE FACE OF HER GRANDDAUGHTER. SHE REACHED OUT, ALMOST AS IF TO TOUCH THE TINY CHILD, BUT THEN DREW HER HAND AWAY. HER BACK AS STRAIGHT AS EVER, SHE LEFT THE SERVANT GIRL ALONE WITH HER BASTARD CHILD.

IN HER OWN ROOM, LORETTA VILLIERS CONWAY PUT ON THE DRESS SHE HAD WORN THE DAY SHE MARRIED MONSIGNOR MELCHIOR CONWAY.

SHE TOOK THE VELVET BELT FROM HER FAVORITE DRESSING GOWN.

STANDING ON HER WRITING CHAIR, SHE TIED ONE END OF THE BELT AROUND THE CHANDELIER THAT HUNG FROM THE CENTER OF THE CEILING.

SHE TIED THE OTHER END AROUND HER OWN NECK.

SHE CHECKED BOTH KNOTS CAREFULLY.

SATISFIED THAT THEY WOULD HOLD, LORETTA VILLIERS CONWAY STEPPED OFF THE SEAT OF HER WRITING CHAIR.

NO SOUND, NO CRY OF FEAR OR PAIN DISTURBED THE SILENCE THAT FILLED THE ROOM AS LORETTA VILLIERS CONWAY DIED.

Father Devlin's eyes remained fixed on the last words Loretta Villiers Conway had written a century earlier. So George Conway was not the first of his family to commit the mortal-irredeemable-sin of suicide. There had been rumors, of course. In his younger days, when he'd first arrived in St. Albans, Father Devlin had heard the stories, but he'd refused to credit them, preaching instead against wagging tongues. But now, as the words on the page imprinted themselves on his mind, the old priest finally understood that the stories had been more than mere gossip; that the horror that had befallen George and Cora Conway had somehow happened before. "'For I the Lord thy God am a jealous God,'" he muttered softly to himself, quoting the fifth verse of the twentieth chapter of Exodus, "'visiting the iniquity of the fathers upon the children unto the third and fourth generation.'" But how had it begun?

He reached for the Bible once more, then stopped, his fingers trembling in midair. Did he really want to know? Loretta Conway had died a century ago-there was nothing he could do now except pray for her soul. But even that would do no good, for by her very act, Loretta-like George Conway-had condemned herself to eternal damnation.

The exhaustion of the day, along with his nearly ninety years, caught up with Father Devlin, and his hand dropped back to his lap.

Some other day.

Perhaps some other day he would pursue the matter further. But for now his energy was gone, and his cot beckoned to him. Putting Cora Conway's Bible away, he surrendered himself to the oblivion of sleep.

CHAPTER 7

You guys really gonna live here?" The voice startled Jared so much he dropped his end of the mattress he and Kim were wrestling out of the rented U-Haul, eliciting a howl of outrage from his sister. As she struggled to get a grip on the mattress, she looked up in annoyance at the boy who had just spoken. He looked to be about the same age as Jared, but was a couple of inches shorter, wiry almost to the point of scrawniness, and had a thatch of light brown hair falling over his forehead. The boy grinned at her and grabbed one corner of the unwieldy object. He was wearing torn jeans and a sweatshirt that had had the sleeves torn off. "I'm Luke Roberts," he said. "You want me to help you get this up on the porch?"

"How about all the way up to my room?" Jared countered. When Luke cast a quick glance at the house before answering, Jared asked, "What's wrong? You're not scared, are you?"

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