James Patterson - Maximum Ride - The Angel Experiment

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From Publishers Weekly
Themes from Patterson's popular adult titles When the Wind Blows and The Lake House waft through this YA thriller, the author's first in the genre. Wood stars as Maximum Ride, 14-year-old leader of a band of kids who have escaped the lab where they were bred as 98% human and 2% bird (wings being a key component) and developed a variety of other-worldly talents. In Patterson's unusual universe, Max and her young cohorts are soon forced to rescue one of their own-a girl named Angel-from a pack of mutant wolf-humans called Erasers. Wood nails Patterson's often adult-beyond-their-years dialogue with a jaded tone. But the result of this pairing makes Max sound more off-putting than cool or intriguing. The listening experience is stalled in the starting gate, keeping the action-adventure earthbound rather than high-flying. Ages 12-up.
From School Library Journal
Grade 7 Up-A group of genetically enhanced kids who can fly and have other unique talents are on the run from part-human, part-wolf predators called Erasers in this exciting SF thriller that's not wholly original but is still a compelling read. Max, 14, and her adopted family-Fang and Iggy, both 13, Nudge, 11, Gazzy, 8, and Angel, 6-were all created as experiments in a lab called the School. Jeb, a sympathetic scientist, helped them escape and, since then, they've been living on their own. The Erasers have orders to kill them so the world will never find out they exist. Max's old childhood friend, Ari, now an Eraser leader, tracks them down, kidnaps Angel, and transports her back to the School to live like a lab rat again. The youngsters are forced to use their special talents to rescue her as they attempt to learn about their pasts and their destinies. The novel ends with the promise that this journey will continue in the sequel. As with Patterson's adult mystery thrillers, in-depth characterization is secondary to the fast-moving plot. The narrative alternates between Max's first-person point-of-view and that of the others in the third person, but readers don't get to know Max very well. The only major flaw is that the children sound like adults most of the time. This novel is reminiscent of David Lubar's Hidden Talents (Tor, 1999) and Ann Halam's Dr. Franklin's Island.

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“I’m too old for toys,” I muttered angrily, and Fang glanced at me in surprise.

“Did you want a toy?” the Gasman asked, confused.

I shook my head. Don’t mind me, folks. Just talking to my little Voice again. But at least my head didn’t hurt nearly as bad this time.

I’m sorry it hurts sometimes, Max. I don’t want to hurt you. I want to help you.

I clamped my lips together so I wouldn’t answer it. When I wanted information, it was silent; when I didn’t want to hear from it, it got chatty.

It was almost as irritating as Fang.

93

Iwas starting to seriously freak out. Everywhere we went, something from the Other Side got to me. If it wasn’t a voice in my head, it was a TV screen in a window. It was a hacker kid in a subway tunnel, the contents of my brain displayed on his computer. Bus drivers telling us where the fun was. The Erasers. What’s that saying-you’re not paranoid if somebody really is chasing you?

“We’re surrounded,” I muttered, staring at the toes of my boots as we walked along.

I felt Fang do a 360 next to me.

“We’re wasting time,” I finally said in frustration. “We need to find the Institute. Discover our histories and destinies. We don’t need to go to toy stores. We’ve got to get serious about this.”

All in good time, Max.

Fang started to answer me, but I held up a finger- one sec.

You need to learn how to relax. Relaxation facilitates learning and communication. Studies have shown it. But you’re not relaxing.

“Of course I’m not relaxing!” I hissed under my breath. “We need to find the Institute! We’re running out of money! We’re constantly in danger!”

The others had stopped and were watching me with alarm. Fang was probably ready to drag me to the funny farm.

I was totally losing my mind, right? Something had damaged my brain-I’d had a stroke or something, and now I was hearing voices. It made me different from the rest of the flock. Too different. I felt alone.

Just one voice, Max. Not voices. Calm down.

“What’s wrong, Max?” asked the Gasman.

I took a deep breath and tried to get a grip. “I feel like I’m about to explode,” I said honestly. “Three days ago, Angel said she’d heard there was more into about us in a place called the Institute, in New York. More info. This could be what we’ve always wanted to know.”

“ ‘Cause we might find out about our parents?” Iggy said.

“Yes,” I answered. “But now we’re here, and really weird things are happening, and I’m not sure-” With no warning, the hairs on the back of my neck stood up.

“Hello, kids!”

Directly in front of us, two Erasers leaped out of the doorway of a building.

Angel screamed, and I instinctively grabbed her arm, jerking her back hard. In a split second, I had swung around and we were racing down the sidewalk at top speed. Fang and Iggy were behind us, Nudge and the

Gasman on either side. The sidewalks were full of people, and it was like an obstacle course.

“Cross!” I yelled, and darted into the street. The six of us whisked between two passing taxis, whose drivers honked angrily. Behind us, I heard a loud thunk! and a startled, half-choked cry.

“Bicycle messenger took an Eraser out!” Fang shouted.

Can you giggle while racing for your life and protecting a six-year-old? I can.

But two seconds later, a heavy clawed hand grabbed my hair, yanking me backward, right off my feet. Angel’s hand was ripped out of mine, and she screamed bloody murder. You think you understand those words- bloody murder? Trust me; you don’t.

94

Without pausing, the powerful Eraser swung me up over his shoulder. Talk about being dead meat.

I smelled his harsh animal smell, saw his bloodshot eyes. He was laughing, happy to have caught me, and his long yellow fangs actually looked too big for his mouth. Angel was still screaming.

Bloody murder!

I kicked and yelled and hit and punched and scratched, but the Eraser just laughed and started tearing down the sidewalk while people stared. “Is this a movie?” I heard someone ask.

Nah - this is too original for Hollywood. They do sequels.

Lifting my head, I saw Fang, dark and determined, streaking toward us. He was keeping pace, but he wasn’t catching up. If a car was waiting, I was a goner. I struggled as hard as I could, chopping at the Eraser, punching and scratching, and it was infuriating how little effect I had on the beast. Had they been bred to have no pain receptors?

“Fang!” I bellowed, seeing him even farther away than he had been. We were outpacing him. Dimly, I could still hear Angel’s high-pitched shrieking. Every nasty swear word I knew came pouring out of my mouth, punctuated with punches and chops and kicks. The Eraser didn’t even slow down.

The next thing I knew, we were going down, suddenly and with no warning, as if someone had cut the Eraser’s legs out from under him. He hit the ground with a sickening thud, and I cracked my head against the sidewalk so hard I saw fireworks. My legs were pinned, and I frantically started kicking, scrambling out from under him.

He didn’t move. Had he knocked himself out? How?

I scrabbled back into a trash can, snapped onto all fours, and stared at the Eraser. He was completely still, his eyes open and glassy. Blood trickled out of his mouth, which had morphed halfway to a wolf’s snout. A few curious people had paused to watch us, but most kept on walking, talking into their cell phones. Life as usual in New York City.

Fang roared up and pulled me hard to my feet, starting to drag me away.

“Wait!” I said. “Fang-I think he’s dead.”

Fang looked from me to the Eraser, then nudged his boot against the still form. It didn’t move, didn’t blink. Still holding my hand, Fang knelt and put his fingers against the Eraser’s wrist, wary and alert for movement.

“You’re right,” he said, standing. “He’s dead. What’d you do to him?”

“Nothing. I was whaling on him, but it didn’t do squat. Then he went down like a ton of bricks.”

The crowd thickened and moved a bit closer as the rest of the flock raced up. Angel leaped into my arms and burst into tears. I held her tight and shushed her, telling her it was all right, I was safe.

Fang flipped the Eraser’s collar back, just for a second. We both saw the tattoo on the back of his neck: 11-00-07.

Just then, a cop car pulled up, lights flashing, siren wailing.

We started to fade into the background, edging away through the crowd.

“Crazy drug addict!” Fang said loudly.

Then we strode quickly, turning the first corner we came to. I put Angel down and she trotted next to me, keeping up, sniffling. I held her hand tight and gave her a reassuring smile, but actually I was shaking inside. That had been so freaking close.

We had to find the Institute and get the heck out of here-back to the desert. Somewhere they couldn’t ever find us. It was late, though. We were almost to the park, where we planned to sleep. In the street beside us, cars and taxis passed, unaware of the high drama that had just taken place.

“So he was five years old,” Fang said quietly.

I nodded. “Made in November, year 2000, number seven of a batch. They’re not lasting too long, are they?” How much longer would we last? All of us? Any of us?

I took a deep breath and looked around. My eye was caught by a taxi with one of those flashing-red-dot signs on top that advertise Joe’s Famous Pizza, or a cleaning service, or a restaurant. This one had the words racing across its face: “Every journey begins with one step.”

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