We circled the kennel from the south, moving with the wind. The building was roughly twenty by ten with a fenced yard half that size. As Clay had discovered on his earlier visit, no guards were posted at the kennel. Nor were there any security measures in place to protect the animals. Only a garden-variety padlock secured the gate.
Once we were downwind of the kennel, I counted the dogs by separating their scents. Three. As Clay, Adam, and I crept forward, Paige cast a cover spell. This was the same spell Ruth had cast in the Pittsburgh alley, meaning we were invisible only if we stayed still. When we moved, our images were distorted, but visible. It worked fine with the dogs, confusing them long enough for Clay to snap the padlock and the three of us to get inside. Clay and I killed our targets easily enough. Adam fumbled the choke hold we'd shown him. Not his fault. Most people aren't neck-snapping experts. The dog managed to graze four bloody furrows in Adam's arm before Clay finished the job. Paige tried to inspect the injury, but Adam sloughed it off and helped Clay drag the dog carcasses into the kennel building.
Step three: Disable the vehicles.
This was one thing Clay and I could not do. Why? Because we were both so mechanically challenged we rarely pumped our own gas for fear we'd somehow screw up and the car would burst into flames before our eyes. Here was Adam's chance to make up for the botched choke hold. After we snapped the door locks, Adam flipped up the hoods, pulled a few wires and metal things, and declared the vehicles unusable. All Clay and I could do was watch. Worse yet, Paige advised Adam on a few ways to make the damage less detectable, so even the mechanically inclined guards couldn't quickly deduce and fix the problem. Not that I was envious. Who cared whether you could change motor oil when you could snap a rottweiler's neck in 2.8 seconds? Now there was a practical skill.
Step four: Get inside the compound.
Okay, now things got tough. In the movies, heroes always get into seemingly impenetrable buildings through a heating duct or ventilation shaft or service entrance. In real life, if someone goes through all the hassle of creating an elaborate security system, they don't have a 3' x 3' ventilation shaft secured only by a metal grate and four screws. Unless they're really, really stupid. These guys were not. Hell, they didn't even have one of those massive air vents with the slowly rotating, very sharp fan that would chew us to bits if we didn't dash through the blades at exactly the right moment. Nope. None of that fun stuff. Not even old-fashioned windows. Just one way in and out. The front door.
***
When Clay had scouted the compound during my captivity, he'd discovered that guards engaged in that sacred ritual of workers everywhere-the hack pack: die-hard smokers condemned to huddle together against the elements. Obviously even nefarious secret projects were smoke-free these days. Having determined there was only one way into the compound, we needed to get past the security system. That meant we needed a valid hand and retina. Since we didn't need a good pair of lungs, one of the smokers would work fine.
We positioned ourselves in the woods beside the exit door and waited. Twenty-five minutes later, two guards came out and lit up. Clay and I each targeted one and killed him. Neither guard even saw us, perhaps being too enraptured by that first flood of nicotine. They'd barely finished a quarter of their cigarettes before we cured them of the habit.
We dragged the corpses a hundred feet into the woods. Then Clay dropped his and pulled a folded garbage bag from his back pocket.
"He's not going to fit in that," Paige said.
Clay shook open the bag. "Parts of him will."
"You're not-" Paige paled and I could almost see flashbacks of the "decapitated head in the bag" incident running through her mind. "Why can't you just hold him up to the security camera?"
"Because, according to Elena, we'll need to get past more security inside, and if you'd like to drag along a two-hundred-pound corpse, be my guest."
"I don't see why-"
Adam started to hum. As Paige turned to glare at him, I recognized the tune.
"'Little Miss Can't Be Wrong,'" I murmured… and tried very hard to stifle a laugh.
Adam grinned. "Clay called her that once when you were away. If she starts getting bossy, sing it. Shuts her up every time."
"Try singing it again and see what happens," Paige said.
Adam's grin broadened. "What are you going to do, turn me into a toad?"
Paige pretended not to hear him. "Elena, did you know that one of the major accusations against witches during the Inquisition was that they caused impotence?"
"Ummm, no," I said.
"Not just psychological impotence either," Paige said. "Men accused witches of literally removing their penises. They thought we collected them in little boxes where they wriggled around and ate oats and corn. There's even this story in the Malleus Maleficarum about a guy who went to a witch to ask for his penis back. She told him to climb a tree, where he'd find some in a bird's nest. He did and, of course, tried to take the biggest, but the witch said he couldn't have that one because it belonged to the parish priest."
I laughed.
"Men," Paige said. "They'll accuse women of anything." She paused and slanted a look at Adam. "Of course, it's such an outlandish charge, one can't help but wonder if there isn't a grain of truth in it."
Adam feigned a gulp. "Personally, I'd rather be a toad."
"Then give up the singing career or you'll be doing it as a soprano."
I laughed and glanced at Clay. He was holding his right arm out straight and bracing it with his left hand. Sweat dappled his forehead as the muscles beneath his forearm began to pulse.
"What are you-?" Paige began.
I motioned her to silence. Now was really not a good time to pester Clay. Since we couldn't exactly lug around a box of tools, he had to improvise a way to remove the dead man's head and hand.
Adam stared at Clay's hand as it began transforming into a claw. "That has got to be the coolest thing I've ever seen. Or the grossest."
"Come on over here," I said to Paige. "This isn't something you want to see."
We moved farther into the woods. Paige kept her gaze trained on a tree in the distance, cheek twitching, as if trying unsuccessfully not to think about what was happening behind us. There was a wet tearing sound, then a dull thud as the guard's decapitated head hit the ground.
"Nope," Adam said. " That was the grossest. Hands down."
"Heads down," Clay deadpanned. "The hand is next."
Adam hurried over to Paige and me.
"You know," Paige said, looking at Adam. "I always thought 'turning green' was only an expression. Guess not."
"Go ahead and laugh," Adam said. "That's one advantage to my powers, though. Burning flesh might smell awful, but at least it's bloodless."
"Okay," Clay said, stepping from the woods. "I'm ready. We're going in."
We headed for the exit, checking first to ensure no one else had come outside for a nicotine fix. Once there, Clay removed the head and hand from the bag. I took the hand. As he lifted the head to the camera, I poised the still-warm hand beside the door handle, ready to grab it as soon as the first light turned green. Instead, the indicator stayed red and something beeped. I turned to see a numeric keypad attached to the wall. "ID#?" flashed on the tiny screen.
"Shit!" I said. "A key code. How did I miss that?"
"Because you were breaking out, darling, not breaking in," Clay said. "I didn't notice it either. Must be added security for getting inside."
"No problem," Paige said. "Let's break this down logically. First, find the number of digits." She started pressing the "9" button.
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