Daniel Silva - The Confessor

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From The Cover:
FROM THE AUTHOR OF THE ENGLISH ASSASSIN
Art restorer Gabriel Allon is trying to put his secret service past behind him. But when his friend Benjamin Stern is murdered in Munich, he's called into action once more.
Police in Germany are certain that Stern, a professor well known for his work on the Holocaust, was killed by right-wing extremists. But Allon is far from convinced. Not least because all trace of the new book Stern was researching has now mysteriously disappeared...
Meanwhile, in Rome, the new Pope paces around his garden, thinking about the perilous plan he's about to set in motion. If successful, he will revolutionize the Church. If not. he could very well destroy it...
In the dramatic weeks to come, the journeys of these two men will intersect.
Long-buried secrets and unthinkable deeds will come to light and both their lives will be changed for ever...
'The Confessor opens with a startling twist, then gets even better. It will resonate with fans of Dan Brown's novels, as long-buried secrets about unthinkable deeds are unearthed. The pace is relentless...'
'A shrewd, timely thriller that opens the heart of the Vatican.'
THE CONFESSOR
Daniel Silva is also the author of the bestselling thrillers The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist and The English Assassin. The Washington Post ranks him as 'among the best of the younger American spy novelists' and he is regularly compared to Graham Greene and John Le Carre. He lives in Washington, DC.

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As always, Tiepolo was taken aback by the appearance of the papal study. It was a simple room--much too austere for so powerful a man, he thought--yet completely in keeping with the humble clergyman he had come to know and admire in Venice. Pope Paul VII was standing in the window overlooking St. Peter's Square, a white figure posed against the crimson drapery. He turned as Tiepolo and Father Donati entered the room and managed a fatigued smile. Tiepolo fell to his knees, kissing the fisherman's ring. Then the Pope took Tiepolo by the shoulders and guided him to his feet. He seized the Venetian by his biceps and squeezed, seemingly drawing strength from the bigger man.

"You look well, Francesco. Obviously life in Venice continues to treat you well."

"Until yesterday, Holiness, when I learned about a threat to your life."

Father Donati sat down, carefully crossed one leg over the other, and smoothed the crease of his trousers--a busy chief executive, eager to move the proceedings along. "All right, Francesco," Donati said. "Enough of the dramatics. Have a seat and tell me exactly what in God's name is going on."

POPE Paul VII was scheduled to dine that evening with a delegation of visiting bishops from Argentina. Father Donati telephoned the leader of the delegation, a prelate from Buenos Aires, and told him that unfortunately His Holiness was under the weather and would not be able to host the meal. The bishop promised to pray for the Holy Father's speedy recovery.

At nine-thirty, Father Donati stepped into the corridor outside the papal study and confronted the Swiss Guard standing watch. "The Holy Father wishes to walk in the gardens to meditate," Donati said briskly. "He'll be leaving in just a few moments."

"I thought His Holiness was ill this evening," the Swiss Guard replied innocently.

"How His Holiness is feeling is none of your concern." "Yes, Father Donati. I'll notify the Guards in the garden that His Holiness is coming."

"You will do no such thing. The Holy Father would like to meditate in peace."

The Swiss Guard stiffened. "Yes, Father Donati." The priest walked back to the study, where he found Tiepolo helping the Pope into a long fawn overcoat and brimmed hat. With the coat buttoned, only the fringe of his white soutane was visible.

There are a thousand rooms in the Vatican and countless miles of corridors and staircases. Father Donati had made it his business to learn every inch of them. He led the Pope past the Swiss Guard, then spent the next ten minutes winding his way downward through the labyrinthine passageways of the ancient palace--here a murky shoulder-width tunnel with a dripping arched ceiling, here a flight of stone steps, rounded by time, slick as ice.

Finally, they came to a darkened underground garage. A small Fiat sedan was waiting. The Vatican SCV license plates had been replaced by normal Italian tags. Francesco Tiepolo helped the Pope

into the backseat and joined him there. Father Donati climbed behind the wheel and started the engine.

The Pope could not hide his alarm at this development. "When was the last time you drove a car, Luigi?"

"To be honest, Holiness, I can't recall. It was certainly before we came to Venice."

"That was eighteen years ago!"

"May the Holy Spirit protect us on our journey."

"And all the angels and saints," added the Pope.

Donati forced the car into gear and guided it timidly up a winding, darkened ramp. A moment later, the car emerged into the night. The priest hesitantly pushed the accelerator toward the floor and sped along the Via Belvedere toward St. Anne's Gate.

"Duck down, Holiness."

"Is that really necessary, Luigi?"

"Francesco, please help His Holiness conceal himself!"

"I'm sorry, Holiness."

The big Venetian grabbed the Pope by the lapels of his overcoat and pulled him down into his lap. The Fiat sped past the Pontifical Pharmacy and the Vatican Bank. As they approached St. Anne's Gate, Father Donati switched on his headlights and sounded his horn. A stunned Swiss Guard leapt out of the path of the speeding car. Father Donati made the sign of the cross as the car flashed through the gate and entered Rome proper.

The Pope looked up at Tiepolo. "May I sit up now, Francesco? This is most undignified."

"Father Donati?"

"Yes, I think it's safe now."

Tiepolo helped the Pope sit up and straightened his overcoat.

It was Chiara standing on the terrace of the safe flat, who spotted the Fiat entering the piazza. The car stopped in front of the building and three men climbed out. Chiara ducked into the sitting room. "There's someone here," she said. "Tiepolo and two other men. I think one of them might be him."

A moment later there was a sharp knock. Gabriel quickly crossed the room and pulled open the door. He was greeted by the sight of Francesco Tiepolo and a priest in clerical suit, flanking a small man in a long overcoat and a fedora hat. Gabriel stepped aside. Tiepolo and the priest ushered the man into the safe flat.

Gabriel closed the door. As he turned around, he saw the little man remove his fedora and hand it to the priest. Perched on his head was a white zucchetto. Next, he removed the fawn overcoat, revealing a soutane of brilliant white.

His Holiness Pope Paul VII said: "I'm told that you gentlemen have some important information you'd like to impart to me. I'm all ears."

ROME

The door of the flat opened to Lange's touch, just as the Italian had said it would. He closed it again and pushed the deadbolt into place before switching on the lights. He was greeted by the sight of a single room with a bare floor and water-marked walls. There was a steel bed--more like a cot than a real bed--with a wafer-thin mattress. No pillow, a scratchy woolen blanket folded at the foot, stains. Piss? Semen? Lange could only guess. It was not unlike the room in Tripoli, where he had once spent a feverish fortnight waiting for his guide from the Libyan secret service to take him to the training camps in the south. There were distinct differences about this place, though, namely the large carved-wood crucifix hanging above the bed, adorned with a rosary and a length of dried palm leaf.

Next to the bed was a small chest. Lange wearily pulled open the drawers. He found underpants, balled black socks, and a dogeared breviary. With some trepidation he ventured into the bathroom: a rust-stained basin with twin taps, a mirror that barely cast a reflection, a toilet with no seat.

He opened the closet. Two clerical suits hung from the rod. On the floor was a pair of black shoes, well worn but polished, the shoes of a poor man who took care of his appearance. Lange pushed the shoes out of the way with the toe of his loafer and saw the loose floorboard. He bent down and pried it up.

Reaching into the small space, he found a bundle of oilcloth. He unfolded the cloth: a Stechkin pistol, a silencer, two magazines of nine millimeter ammunition. Lange rammed one magazine into the butt and slipped the Stechkin into the waistband of his trousers. The silencer and the second magazine he rewrapped in the oilcloth.

He reached into the compartment a second time and found two more items: a set of keys to the motorcycle parked outside the apartment house, and a leather billfold. He opened the billfold. Inside was a Vatican Security Office identification badge, quite obviously the real thing. Lange looked at the name--manfred beck, special investigations division--then at the photograph. It was the one he had given Casagrande in the hotel room in Zurich. It was not him, of course, but the vague resemblance could easily be enhanced with a bit of preparation.

Manfred Beck, Special Investigations Division . . .

He returned the billfold to the compartment, then replaced the floorboard and covered it with the shoes. He looked around at the barren, lonely room. A priest's room, this. A sudden memory overtook him: a winding cobblestone street in Fribourg, a young man in a black cassock drifting through the mist rising from the river Saane. A young man in crisis, Lange remembered. A tormented man. A man who could not bear the acute loneliness of the life that lay ahead

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