Daniel Silva - The Confessor

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From The Cover:
FROM THE AUTHOR OF THE ENGLISH ASSASSIN
Art restorer Gabriel Allon is trying to put his secret service past behind him. But when his friend Benjamin Stern is murdered in Munich, he's called into action once more.
Police in Germany are certain that Stern, a professor well known for his work on the Holocaust, was killed by right-wing extremists. But Allon is far from convinced. Not least because all trace of the new book Stern was researching has now mysteriously disappeared...
Meanwhile, in Rome, the new Pope paces around his garden, thinking about the perilous plan he's about to set in motion. If successful, he will revolutionize the Church. If not. he could very well destroy it...
In the dramatic weeks to come, the journeys of these two men will intersect.
Long-buried secrets and unthinkable deeds will come to light and both their lives will be changed for ever...
'The Confessor opens with a startling twist, then gets even better. It will resonate with fans of Dan Brown's novels, as long-buried secrets about unthinkable deeds are unearthed. The pace is relentless...'
'A shrewd, timely thriller that opens the heart of the Vatican.'
THE CONFESSOR
Daniel Silva is also the author of the bestselling thrillers The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist and The English Assassin. The Washington Post ranks him as 'among the best of the younger American spy novelists' and he is regularly compared to Graham Greene and John Le Carre. He lives in Washington, DC.

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He loaded the food into the backseat of the Peugeot and set out. The road hugged the edges of the cliffs, rising and falling with the contour of the coastline. Below lay a rocky beach. In the distance, a line of fishing boats was motoring in to port. He passed through a string of quaint fishing towns, devouring one of the baguettes while he drove. By the time he reached St-Valery-en-Caux, the car smelled strongly of shrimp and mussels.

A mile before St-Pierre, he turned onto a narrow local road and followed it inland through apple orchards and fields of flax. Just beyond the village of Valmont, he turned onto a narrow track lined with beech trees and followed it for a kilometer or so, until it dead-ended at a wooden gate. Beyond the gate stood a stone villa, concealed in the shadows of tall beech and elm. Katrine's red jeep was parked in the gravel drive. She would still be asleep. Katrine rarely found a reason to get out of bed before noon.

Lange climbed out, opened the gate, then drove onto the grounds. Without knocking, he tried the front door and found it locked. He had two options: bang until Katrine woke up or begin his visit with a bit of fun. He chose the latter.

The villa was shaped like a U and surrounded by a tangled garden. In summer it was a riot of color. Now, in the last days of winter, it was somber green. Beyond the garden rose the outer edges of the forest. The trees were bare, and the limbs lay motionless in the still of the morning. In the center of the house was a stone courtyard. Lange picked his way through a minefield of broken flowerpots, careful to make no sound, and started trying the latches on each of the six sets of French doors. The fifth was unlocked. Silly Katrine, thought Lange. He would teach her a lesson she wouldn't soon forget.

He let himself inside and padded across the shadowed sitting room to the staircase, then climbed up to Katrine's room. He peered inside. The curtains were drawn. Lange could see Katrine in the half-light, her hair strewn across the pillow, her bare shoulders poking from the top of a white duvet. She had the olive skin of a southerner and the blue eyes and blond hair of a Norman girl. The red highlights were a gift from a Breton grandmother, as was her explosive temper.

Lange eased forward, hand reaching for the spot beneath the blanket where her foot appeared to be. Just as he was about to seize her ankle, Katrine sat bolt-upright in bed, eyes wide, hands wrapped around a Browning nine-millimeter pistol. She squeezed off two quick shots, just as Lange had taught her. In the confines of the bedroom, the explosions sounded like cannon fire. Lange fell to the floor. The rounds sailed overhead, shattering the mirror in Katrine's stunning two-hundred-year-old armoire.

"Don't shoot, Katrine," Lange said, laughing helplessly. "It's me."

"Stand up! Let me see you!"

Lange slowly got to his feet, hands in plain sight. Katrine switched on the bedside lamp and gave him a long, fiery look. Then she drew back her arm and threw the gun at his head. Lange ducked and the gun fell harmlessly onto the pile of glass shards.

"You fucking bastard! You're lucky I didn't blow your head off."

"I wouldn't have been the first."

"I loved that mirror!"

"It was old."

"It was an antique, you asshole!"

"I'll buy you a new one."

"I don't want a new one. I want that one!"

"So we'll get it fixed."

"And how will I explain the bullet holes?"

Lange put his hand on his chin and made a show of thought. "Actually, that might be a problem."

"Of course it's a problem. Asshole!" She pulled the duvet over her breasts, as if aware of her nudity for the first time, and her anger at him began to soften.

"What are you doing here, anyway?"

"I was in the neighborhood."

She gazed at his face for a moment. "You've killed again. I can see it in your eyes."

Lange picked up the Browning, set the safety, and dropped the Sun on the end of the bed. "I was working nearby," he said. "I need a day or two of rest."

What makes you think you can drop in here whenever you Please? I might have had another man here."

You might have, but the odds were in my favor. You see, I

am aware that, with few exceptions, most men bore you to tears---intellectually and in that grand bed of yours. I am also aware that any man you bring here isn't likely to last long. Therefore, I felt it was well worth the gamble."

Katrine was trying desperately not to smile. "Why should I let you stay here?"

"Because I'll cook for you."

"Well, in that case, we should work up an appetite. Come to bed. It's too early to get up."

KATRINE Boussard was quite possibly the most dangerous woman in France. After earning degrees in literature and philosophy from the Sorbonne, she had joined the French left-wing extremist group Action Directe. While the political aims of the group may have fluctuated wildly, its tactics remained consistent. Throughout the eighties, it carried out a blood-soaked rampage of assassinations, kidnappings, and bombings that left scores dead and a nation terrorized. Thanks to the instruction she received from Eric Lange, Katrine Boussard was one of the group's most accomplished killers. Lange had worked with her on two occasions: the 1985 assassination of a senior official in the French Ministry of Defense, and the 1986 assassination of a French auto executive. In each case, it was Katrine Boussard who applied the coup de grace to the victims.

Lange usually worked alone, but in the case of Katrine, he made an exception. She was a skilled operative, cold and pitiless in the field, and highly disciplined. She and Lange suffered from a similar affliction. Operational stress increased their desire for sex, and they had used each other's bodies to great effect. They were not lovers--they had both seen too much to believe in something as pedestrian as love. They were more like skilled craftsmen in pursuit of perfection.

Katrine had been blessed with a body that provided her inordinate pleasure in any number of places. As always, she responded readily to Lange's touch. Only when she was completely satiated did she turn her considerable skills upon Lange. She was a torturous lover, so in tune with Lange's body that each time he was about to lose control, she released him and left him to suffer without absolution. When he could stand no more, Lange took matters into his own hands, grasping Katrine by the hips and thrusting himself inside her from behind. It was closer to conquest than he would have preferred, but it was exactly how Katrine had planned it. As Lange reached his climax, his head rolled back and he shouted like a madman at the ceiling. Katrine was looking over her shoulder at him, watching him with a look of deep satisfaction, for she had beaten him once again.

When it was over, she lay with her head on his chest and her hair strewn across his stomach. Lange looked out the French doors at the trees on the edge of the forest. A storm had moved in from the channel, and the trees were bent by the wind. Lange toyed with Katrine's hair, but she did not stir. Because they had killed together, Lange could make love to her without inhibition and without the latent fear that he might reveal something of himself. He did not love Katrine, but he was fond of her. In fact, she was the only woman he truly cared for at all.

I miss it so," she murmured.

"What's that, Katrine?"

The fight." She turned her face to him. "Now I sit here in Val-niont, living on the trust fund of a father I despise, and wait to grow 'd. I don't want to grow old. I want to fight."

"We were foolish children. Now we're wiser."

"And you kill for anyone, as long as the price is right, of course."

Lange put a finger on her lips. "I never had the benefit of a trust fund, Katrine."

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