Daniel Silva - The Confessor

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The Confessor: краткое содержание, описание и аннотация

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From The Cover:
FROM THE AUTHOR OF THE ENGLISH ASSASSIN
Art restorer Gabriel Allon is trying to put his secret service past behind him. But when his friend Benjamin Stern is murdered in Munich, he's called into action once more.
Police in Germany are certain that Stern, a professor well known for his work on the Holocaust, was killed by right-wing extremists. But Allon is far from convinced. Not least because all trace of the new book Stern was researching has now mysteriously disappeared...
Meanwhile, in Rome, the new Pope paces around his garden, thinking about the perilous plan he's about to set in motion. If successful, he will revolutionize the Church. If not. he could very well destroy it...
In the dramatic weeks to come, the journeys of these two men will intersect.
Long-buried secrets and unthinkable deeds will come to light and both their lives will be changed for ever...
'The Confessor opens with a startling twist, then gets even better. It will resonate with fans of Dan Brown's novels, as long-buried secrets about unthinkable deeds are unearthed. The pace is relentless...'
'A shrewd, timely thriller that opens the heart of the Vatican.'
THE CONFESSOR
Daniel Silva is also the author of the bestselling thrillers The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist and The English Assassin. The Washington Post ranks him as 'among the best of the younger American spy novelists' and he is regularly compared to Graham Greene and John Le Carre. He lives in Washington, DC.

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"So you're a Palestinian?"

"No, Abu Malone, I'm not a Palestinian."

"Who are you, then?"

"I'm the agent who was code-named Sword."

"Good Lord," Malone whispered. "Where are you? What do

you want?"

"I want to talk to you."

"About what?"

"Benjamin Stern."

A long pause: "I have nothing to say to you."

Gabriel decided to push a little harder. "We found your telephone number among his things. We know you were working with him on his book. We think you might know who killed him and why."

Another long silence while Malone pondered his next move. Gabriel's use of the pronoun we was quite deliberate, and it had its intended effect.

"And if I do know something?"

"I'd like to compare notes."

"And what do I get in return?" Malone, ever the alert reporter, was going to make Gabriel sing for his supper.

"I'll talk to you about that night in Tunis," Gabriel said, then added: "And others like it."

"Are you serious?"

"Benjamin was my friend. I'd do almost anything to find the men who killed him."

"Then you have a deal." Malone's tone was suddenly brisk. "How do you want to go about this?"

"Are there assistants in the house?" Gabriel asked, though he knew the answer already.

"Two girls."

"Get rid of them. Leave the front door unlatched. When I see them go, I'll come inside. No tape recorders, no cameras, no fucking around. Do you understand me?"

Gabriel killed the connection before the reporter could answer then slipped the telephone into his pocket. Two minutes later, the front door opened and a pair of young women stepped outside. When they were gone, Gabriel climbed out of the van and walked across the square toward the house. The front door was unlocked, just as he had instructed. He turned the latch and stepped inside.

THEY APPRAISED each other across the marble entrance hall like captains of opposing football teams. Gabriel could see why it was difficult to watch British television without seeing Malone's face--and why he was considered one of London's most eligible bachelors. He was trim and fine-boned, immaculately dressed in wool trousers and a cardigan sweater the color of claret wine. Gabriel, dressed in jeans and a leather jacket, his face concealed behind a pair of sunglasses and a ball cap, seemed a man from the wrong side of town. Malone did not offer Gabriel his hand.

"You can take off that ridiculous disguise. I'm not in the habit of betraying sources."

"If you don't mind, I prefer to keep it on."

"Suit yourself. Coffee? Something stronger?"

"No, thank you."

"My office is upstairs. I think you'll find it comfortable."

It was an old drawing room, long and rectangular, with floor-to-ceiling bookshelves and oriental carpets. In the center of the room were two antique library tables, one for Malone, another for his research assistants. Malone switched off the computer and sat down in one of the wing chairs next to the gas fire, motioning for Gabriel to do the same.

"I must say it is rather bizarre to actually be in the same room with you. I've heard so much about your exploits that I feel I actually know you. You're quite the legend. Black September, Abu Jihad, and countless others in between. Have you killed anyone lately?"

When Gabriel did not rise to the bait, Malone carried on. "While I find you morbidly fascinating, I must admit that I find the things you've done to be morally repugnant. In my opinion, a state which resorts to assassination as a matter of policy is no better than the enemy it's trying to defeat. In many respects, it's worse. You're a murderer in my book, just so you understand where I'm coming from."

Gabriel began to wonder whether he had made a mistake by coming here. He had learned long ago that arguments like this could never be won. He'd had too many just like it with himself. He sat very still, gazing at Peter Malone through his dark glasses, waiting for him to come to the point. Malone crossed his legs and picked a bit of lint from his trousers. It was a gesture that betrayed anxiety. This pleased Gabriel.

"Perhaps we should finalize the details of our arrangement before we proceed," Malone said. "I will tell you what I know about Benjamin Stern's murder. In return, you'll grant me an interview. Obviously, I've written about intelligence matters before, and I know the rules. I will do nothing to reveal your true identity, nor will I write anything that will compromise current operations. Do we have a deal?"

"We do."

Malone spent a moment gazing up at the recessed lighting, then looked down at Gabriel.

"You're right about Benjamin. I was working with him on his book. Our partnership was supposed to be confidential. I'm surprised you were able to find me."

"Why did Benjamin come to you?"

Malone stood up and walked over to the bookshelves. He removed a volume and handed it to Gabriel, crux vera: the kgb of THE CATHOLIC CHURCH.

"Benjamin had something big--something dealing with the Vatican and the war."

Gabriel held up the book. "Something dealing with Crux Vera?"

Malone nodded. "Your friend was a brilliant academic, but he didn't know the first thing about investigating a story. He asked me if I would work for him as a consultant and investigator in all matters dealing with Crux Vera. I agreed, and we negotiated compensation. The money was to be paid half in advance and half on completion and acceptance of the manuscript. Needless to say, I only received the first payment."

"What did he have?"

"Unfortunately, I wasn't privy to that information. Your friend played things very close to the vest. If I didn't know better, I would have thought he was one of your crowd."

"What did he want from you?"

"Access to material I'd gathered while writing the Crux Vera book. Also, he wanted me to try to track down two priests who worked at the Vatican during the war."

"What were their names?"

"Monsignors Cesare Felici and Tomaso Manzini."

"Did you ever find them?"

"I tried," Malone said. "What I discovered is that they were both missing and presumed dead. And there's something even more interesting than that. The detective from the Rome headquarters of

the Polizia di Stato who was investigating the cases was removed by his superiors and reassigned."

"Do you know the investigator's name?"

"Alessio Rossi. But for God's sake, don't tell him I gave you his name. I have a reputation to protect."

"If you know so much, why haven't you written anything?"

"What I have now is a series of murders and disappearances which I believe are linked, yet I haven't a shred of hard evidence conclusively linking them in any way. The last thing I want to do is accuse the Vatican, or someone close to the Vatican, of murder without a damned solid case. Besides, no decent editor would touch it."

"But you have a theory about who might be behind it."

"What you have to remember is that we're talking about the Vatican," Malone said. "Men linked to that venerable institution have been involved in intrigues and plots for nearly two millennia. They play the game better than anyone, and in the past, religious fervor and battles over doctrine have induced them to commit the mortal sin of murder. The Church is riddled with secret societies and cliques who might be involved in something like this."

"Who?" Gabriel repeated.

Peter Malone flashed a television smile. "In my humble opinion, you hold the answer in your hand."

Gabriel looked down, crux vera: the kgb of the catholic church.

Malone left the room, returning a moment later with a bottle of Medoc and a pair of large crystal goblets. He poured two generous measures and handed one to Gabriel. "Do you speak Latin?"

"Actually, we speak another ancient language."

Malone grinned at Gabriel over his wineglass and continued on. "Crux Vera is Latin for the True Cross. It is also the name of an ultra-secret order within the Roman Catholic Church, a sort of church within a church. If you look in the Annuario Pontificio, the Vatican yearbook, you'll find no mention of Crux Vera. If you ask the Vatican press office, you will be told that it is a fabrication, a sort of blood libel spread by the enemies of the Church in order to discredit it. But if you ask me, Crux Vera does exist, and I proved it in that book, regardless of what the Vatican says. I believe the tentacles of Crux Vera reach to the highest levels of the Vatican, and that its adherents occupy positions of power and influence around the globe."

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