Daniel Silva - The Confessor

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From The Cover:
FROM THE AUTHOR OF THE ENGLISH ASSASSIN
Art restorer Gabriel Allon is trying to put his secret service past behind him. But when his friend Benjamin Stern is murdered in Munich, he's called into action once more.
Police in Germany are certain that Stern, a professor well known for his work on the Holocaust, was killed by right-wing extremists. But Allon is far from convinced. Not least because all trace of the new book Stern was researching has now mysteriously disappeared...
Meanwhile, in Rome, the new Pope paces around his garden, thinking about the perilous plan he's about to set in motion. If successful, he will revolutionize the Church. If not. he could very well destroy it...
In the dramatic weeks to come, the journeys of these two men will intersect.
Long-buried secrets and unthinkable deeds will come to light and both their lives will be changed for ever...
'The Confessor opens with a startling twist, then gets even better. It will resonate with fans of Dan Brown's novels, as long-buried secrets about unthinkable deeds are unearthed. The pace is relentless...'
'A shrewd, timely thriller that opens the heart of the Vatican.'
THE CONFESSOR
Daniel Silva is also the author of the bestselling thrillers The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist and The English Assassin. The Washington Post ranks him as 'among the best of the younger American spy novelists' and he is regularly compared to Graham Greene and John Le Carre. He lives in Washington, DC.

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"The rabbi is at the synagogue for Ma'ariv. He asked me to entertain you until he arrives. I'm Chiara. I just made coffee. Care for

"Thank you."

She poured from a stovetop espresso pot, added sugar without asking whether he wanted any, and handed the cup over to Gabriel. When he took it, she noticed the smudges of paint on his fingers. He had come to the ghetto straight from Tiepolo's office and hadn't had time to wash properly.

"You're a painter?"

"A restorer, actually."

"How fascinating. Where are you working?"

"The San Zaccaria project."

She smiled. "Ah, one my favorite churches. Which painting? Not the Bellini?"

Gabriel nodded.

"You must be very good."

"You might say that Bellini and I are old friends," Gabriel said modestly. "How many people show up for Ma'ariv}"

"A few of the older men, usually. Sometimes more, sometimes fewer. Some nights, the rabbi is alone up there in the synagogue. He believes strongly that the day he stops saying evening prayers is the day this community vanishes."

Just then the rabbi entered the room. Once again, Gabriel was surprised by his relative youth. He was just a few years older than Gabriel, fit and vibrant, with a mane of silver hair beneath his black fedora and a trimmed beard. He pumped Gabriel's hand and appraised him through a pair of steel-rimmed eyeglasses.

"I'm Rabbi Zolli. I hope my daughter was a gracious host in my absence. I'm afraid she's spent too much time in Israel the last few years and has lost all her manners as a result."

"She was very kind, but she didn't say she was your daughter."

"You see? Always up to mischief." The rabbi turned to the girl. "Go home now, Chiara. Sit with your mother. We won't be long. Come, Signor Delvecchio. I think you'll find my office more comfortable."

The woman pulled on her coat and looked at Gabriel. "I'm very interested in art restoration. I'd love to see the Bellini. Would it be all right if I stopped by sometime to watch you work?"

"There she goes again," the rabbi said. "So straightforward, so blunt. No manners anymore."

"I'd be happy to show you the altarpiece. I'll call when it's convenient."

"You can reach me here anytime. Ciao."

Rabbi Zolli escorted Gabriel into an office lined with sagging bookshelves. His collection of Judaica was impressive, and the stunning array of languages represented in the titles suggested that, like Gabriel, he was a polyglot. They sat in a pair of mismatched armchairs and the rabbi resumed where they had left off.

"Your message said you were interested in discussing the Jews who took shelter during the war at the Convent of the Sacred Heart in Brenzone."

"Yes, that's right."

I find it interesting that you should phrase your question in that manner."

"Why is that?"

"Because I've devoted my life to studying and preserving the history of Jews in this part of Italy, and I've never seen any evidence to suggest that Jews were provided sanctuary at that particular convent. In fact, the evidence suggests quite the opposite occurred-- that Jews requested sanctuary and were turned away."

"You're absolutely sure?"

"As sure as one can be in a situation like this."

"A nun at the convent told me that a dozen or so Jews were provided sanctuary there during the war. She even showed me the rooms in a cellar where they hid."

"And what is this good woman's name?"

"Mother Vincenza."

"I'm afraid Mother Vincenza is sadly mistaken. Or, worse, she's deliberately trying to mislead you, though I would hesitate to level such an accusation against a woman of faith."

Gabriel thought of the late-night call to his hotel room in Bren-zone: Mother Vincenza is lying to you, the same way she lied to your friend.

The rabbi leaned forward and laid his hand on Gabriel's forearm. "Tell me, Signor Delvecchio. What is your interest in this matter? Is it academic?"

"No, it's personal."

"Then do you mind if I ask you a personal question? Are you Jewish?"

Gabriel hesitated, then answered the question truthfully.

"How much do you know about what happened here during the war?" the rabbi asked.

"I'm ashamed to say that my knowledge is not what it should be, Rabbi Zolli."

"Believe me, I'm used to that." He smiled warmly. "Come with me. There's something you should see."

THEY CROSSED the darkened square and stood before what appeared to be an ordinary apartment house. Through an open shade, Gabriel could see a woman preparing an evening meal in a small, institutional kitchen. In the next room, a trio of old women huddled round a flickering television. Then he noticed the sign over the door: casa israelitica di riposo. The building was a nursing home for Jews.

"Read the plaque," the rabbi said, lighting a match. It was a memorial to Venetian Jews arrested by the Germans and deported during the war. The rabbi extinguished the match with a flick of his wrist and gazed through the window at the elderly Jews.

"In September of 1943, not long after the collapse of the Mussolini regime, the German Army occupied all but the southernmost tip of the Italian Peninsula. Within days, the president of the Jewish community here in Venice received a demand from the SS: hand over a list of all Jews still living in Venice, or face the consequences."

"What did he do?"

"He committed suicide rather than comply. In doing so, he alerted the community that time was running out. Hundreds fled the city. Many took refuge in convents and monasteries throughout the north, or in the homes of ordinary Italians. A few tried to cross the border into Switzerland but were turned away."

"But none at Brenzone?"

"I have no evidence to suggest that any Jews from Venice--or anywhere else, for that matter--were given sanctuary at the Con-Vent of the Sacred Heart. In fact, our archives contain written testimony

about a family from this community who requested sanctuary in Brenzone and were turned away."

"Who stayed behind in Venice?"

"The elderly. The sick. The poor who had no means to travel or pay bribes. On the night of December fifth, Italian police and Fascist gangs entered the ghetto on behalf of the Germans. One hundred and sixty-three Jews were arrested. Here, in the Casa di Riposo, they hauled the elderly from their beds and loaded them onto trucks. They were sent first to an internment camp at Fossoli. Then, in February, they were transferred to Auschwitz. There were no survivors."

The rabbi took Gabriel by the elbow and together they walked slowly around the edge of the square. "The Jews of Rome were rounded up two months earlier. At five-thirty on the morning of October sixteenth, more than three hundred Germans stormed the ghetto in a driving rainstorm--SS field police along with a Waffen SS Death's Head unit. They went house to house, dragging Jews from their beds and loading them into troop trucks. They were taken to a temporary detention facility at the barracks of the Collegio Militare, about a half mile from the Vatican. Despite the horrible nature of their work that night, some of the SS men wanted to see the dome of the great Basilica, so the convoy altered its route accordingly. As it moved past St. Peter's Square, the terrified Jews in the back of the trucks pleaded with the Pope to save them. All evidence suggests he knew full well what was taking place in the ghetto that morning. It was, after all, under his very windows. He did not lift a finger to intervene."

"How many?"

"More than a thousand that night. Two days after the roundup,

the Jews of Rome were loaded onto rail cars at the Tiburtina station for the journey east. Five days after that, one thousand and sixty souls perished in the gas chambers at Auschwitz and Birkenau."

"But many survived, did they not?"

"Indeed, remarkably, four-fifths of Italian Jewry survived the war. As soon as the Germans occupied Italy, thousands immediately sought and were provided shelter in convents and monasteries, as well as in Catholic hospitals and schools. Thousands more were given shelter by ordinary Italians. Adolf Eichmann testified at his trial that every Italian Jew who survived the war owed his life to an Italian."

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