Robin Cook - Marker

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Marker: краткое содержание, описание и аннотация

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The master of the medical thriller returns with his most heart-pounding tale yet.
Twenty-eight-year-old Sean McGillin is the picture of health, until he fractures his leg while in-line skating in New York City 's Central Park. Within twenty-four hours of his surgery, he dies.
A thirty-six-year-old mother, Darlene Morgan, has knee surgery to repair a torn ligament in her knee. And within twenty-four hours, she has died.
New York City medical examiners Dr. Laurie Montgomery and Dr. Jack Stapleton are back, in Robin Cook's electrifying twenty-fifth novel. Last seen in Vector, the doctors confront a series of puzzling hospital deaths of young, healthy people after successful routine surgery.
Despite institutional resistance from her superiors, as well as from those at Manhattan General, Laurie doggedly pursues the investigation. Though it seems impossible to determine why and how the patients are dying, she comes to suspect that not only are the deaths related-they're intentional, suggesting the work of a remarkably clever serial killer with a very unusual motive, involving frightening ties to both developing genomic medicine and the economics of modern-day health care.
Then Laurie is dealt a double blow: While coping with Jack's inability to commit to their relationship, she discovers she carries a genetic marker for a breast-cancer gene. As her personal life continues to unravel, the need for answers becomes more urgent, especially when Laurie is pulled into the nightmare as a potential victim herself. With time winding down, she and Jack race to connect the dots-and save Laurie's life.
With his signature blend of suspense and science, Robin Cook delivers an electrifying page-turner as vivid as today's headlines.

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The door to the CCU burst open and another group of both male and female nurses emerged. They were equally surprised and curious about the uniformed police. The police were polite but noncommittal, and within a few minutes, the nurses' voices trailed off as they disappeared down the hallway.

Jack's eyes wandered up to the wall clock. It was a little after seven in the morning. All of a sudden, it dawned on his tired mind why the group of nurses had come in and another group had gone out. It was the shift change. The day people were taking over from the night people.

Jack leaped off the sofa. It hadn't even occurred to him that Jasmine Rakoczi would be getting off before Lou got there. If she was the culprit and if she sensed that Jack knew it, she might disappear for good. Several strides took him out into the hall, where he quickly told the two police officers that he was going up to the sixth floor. He said that if Detective Lieutenant Soldano came in while he was away, they should tell him where he had gone and send him up there.

Then Jack rushed down to the elevator lobby, where it was apparent that the hospital had transformed itself: The busy day had begun. There were at least a dozen people waiting for an elevator, which included a number of orderlies with gurneys on their way to fetch patients for their scheduled surgeries.

The first up elevator that arrived appeared full when its door opened. Several people boarded just the same, and, not to be deterred, Jack literally pushed on as well. He could sense people's indignation as the door was barely able to close. Pressed cheek to jowl, no one spoke as the car rose.

To Jack's chagrin, the ascent was frustratingly slow. The elevator stopped on every floor and disgorged passengers, more often than not, from the rear, making Jack and a few others step out at each successive elevator lobby. By the time the elevator got to the sixth floor, Jack was having trouble controlling his impatience, and when the door opened, he was the first one out. His plan was to rush to the nurses' desk to inquire about Jasmine Rakoczi. He hoped by chance she'd been delayed so he could catch her before she left.

Directly opposite from Jack's elevator was another whose door was in the process of closing. Out of the corner of his eye, Jack thought he caught a glimpse of the nurse with her rather striking features. It had been a fleeting image, and by the time he had jerked his head around to look again, the elevator doors had closed.

For a second, Jack debated what to do. If he ran down the stairs, he had a good chance of beating the elevator. But what if he was wrong, and it hadn't been Rakoczi? After several false starts, Jack impulsively reverted to plan A and ran toward the nurses' station. There were a number of nurses in sight, some of whom he recognized, which he thought was encouraging. There was also a ward clerk who had just come on duty. He was busy straightening up the litter on the desk, a lot of which had resulted from Laurie's resuscitation.

In a rapid-fire manner, Jack introduced himself as Dr. Stapleton and asked for Jasmine Rakoczi. The ward clerk, who was a slightly built blond fellow with a ponytail, told him that Jazz Rakoczi had just left two seconds ago. He tried to look around Jack to see if he could see her in the elevator lobby.

"Do you know where she goes?" Jack demanded quickly, guessing that it had indeed been her in the elevator. "I mean which door she goes out or which direction she walks. I need to talk to her. It's important."

"She doesn't walk home," the clerk said. "She's got a cool, black H2 Hummer, which she actually showed me once. It's got a sound system you wouldn't believe. It's always parked on the second floor of the garage across from the door to the pedestrian bridge."

"What floor do you get off the elevator for the pedestrian bridge?" Jack hurriedly asked.

"The second floor, of course," the clerk said, making a face as if it had been the stupidest question he'd ever heard.

Jack took off at a run for the stairs. Earlier, he thought he could have beat Rakoczi's elevator, but now, having spent the time going to the nurses' station, he knew it was out of the question. But he didn't regret his decision, since he would have missed her anyway. He would have run all the way down to the first floor to try to catch her going out the front door. As things turned out, he felt he still had a chance of catching her; she had to walk across the pedestrian bridge and then start her car. Knowing what kind of car she drove might turn out to be key.

The stairwell was painted gunmetal gray. The stairs themselves were steel, and each step sounded like a drum as his shoe thumped against it. The repetitive booming reverberated around the enclosed space. There were two flights for each floor, causing Jack to continually turn as he spiraled down clockwise. He was dizzy by the time he reached the second-floor door, and he staggered a bit when he entered the hallway.

As unshaven and disheveled as he appeared, coupled with his momentary careening, people gave him a wide berth as he hurriedly tried to get directions for the pedestrian bridge. Finally, someone took pity and responded by pointing, and Jack took off, moving as quickly as he could. While saying "excuse me" over and over, he pushed his way ahead in the stream of hospital personnel heading toward the parking garage. After a pair of doors, he could tell he was on the pedestrian bridge, as he could suddenly see up and down Madison Avenue. There was another pair of doors on the garage side that led into a small lobby area, which was crowded with people waiting for an elevator. Jack was reduced to squeezing through until he could push open the heavy door out into the garage's second level. The garage was alive with cars coming and going with their headlights crisscrossing in the exhaust-filled dim light. Outside, the dawn was just bleaching the night sky, whereas infrequent fluorescent lights poorly illuminated the interior of the garage.

Knowing the make of Jazz's vehicle was indeed key, and he was able to pick it out from all the others immediately. As the ward clerk had said, it was parked directly opposite the door to the connecting pedestrian bridge. Elevating himself on his tiptoes so he could see over the cars passing between him and the Hummer, Jack saw Rakoczi! She'd just made it across to her car. Jack could even make out what he guessed was a remote in her hand, which she was aiming at the car as she squeezed along its driver's side. It was separated by a little more than two feet from the neighboring vehicle.

"Miss Rakoczi!" Jack yelled over the sound of the car engines. He saw her turn and look in his direction. "Hold up a second! I need to talk with you!" For an instant, Jack's tired mind questioned the rationale for approaching a woman he suspected might be a serial killer. Yet his desire to keep her from leaving trumped his concerns. With all the commotion of people and cars, he felt reasonably safe, especially since he had no intention of being confrontational in any way or form, just firm.

Jack looked left and right, gauging his crossing with the comings and goings of the traffic. The exhaust as well as noise was unpleasant. Jack got over to the opposite side. Jazz was standing by her car with the driver's-side door ajar. The remote was gone and apparently in her pocket. She was dressed in an oversized, olive-drab coat over her scrubs. Her right hand was in her pocket. Her expression was haughty to the point of being challenging.

Slipping between Jazz's car and the one right next to it, Jack walked right up to the nurse, whose eyes narrowed the closer he got. Jack sensed that there wasn't a lot of human warmth in this person.

"You're needed back in the hospital," Jack said, speaking loud enough to be heard over the roar of the traffic. He tried to sound authoritative to avoid an argument. He even pointed over his shoulder with his thumb. "There are some people who want to talk with you."

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