Vince Flynn - Consent To Kill

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Fearless counterterrorism operative Mitch Rapp finds himself directly in the line of fire in the latest riveting political thriller from New York Times bestselling author Vince Flynn.
For years, Mitch Rapp's bold actions have saved the lives of countless Americans. His battles for peace and freedom have made him a hero to many, and an enemy to countless more. In the tangled, duplicitous world of espionage, there are those, even among America's allies, who want to see Mitch Rapp eliminated. They have decided the time has come.
Now, the powerful father of a dead terrorist demands vengeance in its simplest form – an eye for an eye, and Rapp instantly becomes the target of an international conspiracy. This time, he must use all of his vigilance and determination to save himself before he can turn his fury on those who have dared to betray him.
Consent to Kill takes listeners behind the headlines and catapults them to the front lines of the global war on terror. It sizzles "with inside information, military muscle, and CIA secrets" (Dan Brown). Vince Flynn mixes military technology with his exclusive knowledge of Washington politics to create a hero that Americans will wish existed outside the realm of fiction.

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His eyes swept the surrounding landscape, looking out from under the brim of his hat for the bulbous cap of a bobby or any other patrolmen that might be about. The light post he was interested in was situated just past a park bench. It offered a commanding view of the park and it was easy to see why the authorities had decided to mount cameras on it. As he neared the device he slowed a bit and then extended his left hand far above his head while letting the helium-filled balloons rise into the air. They were tied off in a concave shape so that the middle balloon was shorter than the other six. They formed a perfect basket, and settled in gently around the tinted shield of the camera pod.

The assassin never broke stride. Never looked back. The Turk was already in sight coming toward him from a little more than two hundred meters away. Harry reached the main path that ran east-west and turned to the left. The Turk was now less than two hundred meters away and he was stopping to buy some warm pistachios from a street vendor. Harry watched him take a stale bag of crackers to feed the ducks just like he'd done the two previous mornings. Good, he thought to himself. Keep your routine and everything will turn out just fine. Sure enough, the Turk continued on for a bit and then left the path for the lake. He stood near a willow tree and began spreading the stale crackers about, popping pistachios into his mouth and talking on his phone.

Harry reached up and tapped his Motorola earpiece once, which re-dialed the last call he'd made. A second later his partner answered.

"Amanda Poole speaking."

"Amanda, it's Harry. How is everything?"

"Everything is just fine. Your party favors came in and they work perfectly."

That meant the balloons had stayed in position. "Good." He stole a peek over his left shoulder. "Is anyone else coming to our gathering?"

"Everyone who was invited has replied."

The distance was now just under a hundred meters. He turned off the path and started walking toward the lake. "What about crashers?"

"Not a one on the horizon, but if I hear anything I'll let you know immediately."

"Good." As he ducked around a hedgerow his left hand slid between the folds of his coat and retrieved a silenced Walther PPK 9mm pistol. The weapon was quickly placed inside the folded newspaper. He clutched the paper and covered gun to his chest and with his right hand slid one rubber band and then another over the outside of the paper. The assassin started his turn before he reached the water's edge and brought the newspaper up as if he were reading it. "Any other calls this morning?"

The woman responded, "None that I can remember. The rest of the morning is wide open."

"Let's hope it stays that way." He looked over the top of the newspaper and sighted the Turk a short distance ahead.

His heart was not racing, his gloved hands were dry, and his senses were highly alert. He heard every noise, saw everything ninety degrees in each direction, and had a complete mental picture of what was going on behind him. The distance was now less than twenty meters and no one else was near the target. His pace quickened slightly to take advantage of the man's isolation. At ten meters, he could hear the Turk clearly. He had decided on this angle because he wanted the Turk to see him coming. This would seem normal, whereas if he sneaked up behind him he could end up alerting his quarry.

He glanced over the top of the paper and made brief eye contact with the man he was about to kill. Casually, he pretended to return his attention to the paper. He glanced across the lake and then to the left. There were a few people about. None of them were close and he doubted they were paying attention. He was now only steps away, and he could see from his peripheral vision that the target was turning away from him. Humans, the only animals in all of nature who willingly turned their back to a potential predator. Harry was almost disgusted with how easy this was going to be.

Stepping toward the target, he followed him quietly for a few steps as the man walked toward the weeping willow. This was turning into a joke. The tree with its drooping wispy branches was the closest thing the park had to a dark alley, and the Turk was headed right for it. He stopped just short of the outer ring of branches and started to look toward the lake, undoubtedly expecting to see the pedestrian who had interrupted his privacy continuing on his way.

The assassin did not extend the newspaper-encased weapon. He was too practiced for anything so obvious. He merely tilted the paper forward until the angle matched the trajectory that he wanted the bullet to travel. He squeezed the trigger once, and stepped quickly forward. The hollow-tipped bullet struck the Turk directly in the back of the head, flattening on impact, doubling in circumference, and tearing through vital brain matter until it stopped, lodged between the shredded left frontal lobe and the inner wall of the skull. The impact propelled the financier forward. The assassin had his right hand around the man's chest a split second later. He glanced down at the small coin-size entry wound as he went with the momentum of the Turk's dying body. The newspaper-laden hand cut a swath through the dense branches of the weeping willow, and two steps later he laid the dead man to rest at the foot of the tree. Harry quickly checked himself for blood even though he was almost positive there would be none. The bullet was designed to stay in the body and cause only a small entry wound.

With everything in order, he left the dead body and the shelter of the tree and began retracing his steps. A hundred meters back down the footpath he asked his partner, "Are you free for an early lunch?"

"I am, as a matter of fact."

"Good. I'm done with things here. I'll meet you at the usual spot in a quarter of an hour."

"I'll see you there."

On the way out of the park Harry walked past two of London's finest. They were standing under his bouquet of balloons staring up in consternation and talking with some higher-up back at the station house via their shoulder-mounted radios. When the taller one of the two tried to jump up and grab the strings, Harry had to stifle a laugh. It was the most amusing thing he'd seen all morning.

9

CHESAPEAKE BAY, MARYLAND

Rapp sat in a worn leather chair, his mutt, Shirley, at his feet and a pen in his left hand. He'd been writing furiously for the past hour, page after page, idea upon idea. Many were crossed off, others were circled and connected like some strange flow chart. The dry birch in the fireplace crackled and popped as he jotted down his sixth page of notes. At least as many pages had already been torn from the pad and thrown on the pyre. He was not writing down his thoughts for the sake of keeping a record, but rather to help play out the potential pitfalls of the job that lay ahead. The opportunity he had been given was fraught with potential problems, but the prospects were impossible to resist. Like everything else he did, the key was to not get caught. The difference this time, though, was that everything was on a much bigger scale. Instead of targeting individuals, he would be targeting groups. The expanded operation needed to be approached like a battle plan-looked at from every vantage point, and then tested and retested to make sure he hadn't missed something. And there could be no hard copy of anything. That's what Thomas Stansfield had taught him.

The deceased former director of the CIA was famous for not carrying a pen, and was known to admonish subordinates who took notes during high-level meetings. He liked to tell his people, "We're in the business of collecting secrets, not giving them away. If your mind isn't sharp enough to remember what was said, you're in the wrong line of work."

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