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Vince Flynn: Consent To Kill

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Vince Flynn Consent To Kill

Consent To Kill: краткое содержание, описание и аннотация

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Fearless counterterrorism operative Mitch Rapp finds himself directly in the line of fire in the latest riveting political thriller from New York Times bestselling author Vince Flynn. For years, Mitch Rapp's bold actions have saved the lives of countless Americans. His battles for peace and freedom have made him a hero to many, and an enemy to countless more. In the tangled, duplicitous world of espionage, there are those, even among America's allies, who want to see Mitch Rapp eliminated. They have decided the time has come. Now, the powerful father of a dead terrorist demands vengeance in its simplest form – an eye for an eye, and Rapp instantly becomes the target of an international conspiracy. This time, he must use all of his vigilance and determination to save himself before he can turn his fury on those who have dared to betray him. Consent to Kill takes listeners behind the headlines and catapults them to the front lines of the global war on terror. It sizzles "with inside information, military muscle, and CIA secrets" (Dan Brown). Vince Flynn mixes military technology with his exclusive knowledge of Washington politics to create a hero that Americans will wish existed outside the realm of fiction.

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Kennedy flew from Moscow to Paris and sat down with her counterparts who ran France's DGSE and DST, the country's premier security and intelligence organizations. While many of France's politicians could be considered weak on terrorism, the same could not be said of the DGSE and DST. They were among the world's best and most effective counterterrorism organizations. Both men were fully aware of what had happened to Rapp and his wife. Rapp had worked closely with the DGSE before and the director said he would do everything in his power to find out who these people were. The head of the DST made the same commitment. Kennedy returned to the States and waited.

The break came three weeks later, nearly five weeks after Anna's death. The DGSE sent Kennedy two dossiers. The man's name was Louie Gould, and the woman was Claudia Morrell. Everything about the dossiers made sense. Gould was a former French paratrooper and the son of a French diplomat who had done two tours in Washington. Morrell's father was a general in the French Foreign Legion. He and his daughter had had a falling-out over Gould, and the two had disappeared off the map a little more than five years ago. Both French intelligence services promised Kennedy that they would join in the hunt.

The big break came nine months and one week after Anna's death. Kennedy had come up with the plan. They knew the woman was pregnant. She had asked Kennedy to let her live long enough to give birth and hold her baby. Kennedy had the FBI put out a worldwide bulletin on the couple and they got the allied intelligence services involved. They focused on hospitals. Specifically, doctors who delivered babies. Every month they sent out a new wave of e-mails and faxes as a reminder. They contained actual photos of Gould and Morrell and then computer-generated renderings of how they might have changed their appearances. The couple was wanted for questioning in a capital murder case, and a toll-free number was included, along with a reward for $100,000. They received hundreds of phone calls, none of which panned out. Many of the early ones were ruled out because the delivery dates didn't match the timetable. As they got to the seventh month, though, each lead had to be run down. When the phone call came in from the hospital in Tahiti, a French overseas territory, they all held their breath. An agent for the French DST rushed over to the hospital in Papeete and donned a pair of surgical scrubs. Within an hour the agent called and said he was almost positive the woman was Claudia Morrell.

Rapp looked down at the house. It was early in the morning, their third sunrise on the island. He'd been standing like a statue for nearly ten minutes, staring at the house. He glanced down at his watch. It was almost 7:00. Less than a minute later Gould appeared on the terrace below. He was in shorts and running shoes. He stretched for several minutes, and then bounded down the steps and started running up the beach in the opposite direction.

Rapp watched Gould for a long moment and then said, "I'm going in by myself."

"I don't think that's very smart."

Rapp ignored him. "If anything happens to me, finish the job."

He was dressed in a pair of khaki cargo shorts and a loose-fitting, faded blue T-shirt. Rapp walked to the front entry of the rental home. Coleman, Wicker, Hackett, and Stroble watched him. Rapp slid into a pair of flip-flops and grabbed his sunglasses. He stepped outside and fired up the Vespa scooter that came with the place and took off down the hill. He didn't want to think about this any more than he already had. The scooter was quiet, especially when it was going downhill. Rapp coasted his way down the lush hillside. The road was very narrow. After several hundred yards it emptied onto a slightly wider road that could accommodate two-way traffic. The beach house was up on the right a short distance. The closest neighbor was about five hundred feet away.

Rapp turned off the scooter and stashed it in the bushes near the end of the driveway. He checked his watch. The man had returned between 7:25 and 7:30 each of the two previous mornings. Rapp picked his way through the jungle until he was even with the house. He then entered the side yard, which was some type of broad-bladed grass. He continued around to the beach side and drew his silenced Glock from his back waistband. The weapon felt light in his hand.

The house was stucco with a red Spanish style roof. The patio that overlooked the beach had a thick three-foot wall that ran along the perimeter with steps in the middle and on the side where he was. Rapp grabbed the digital radio from his cargo pocket and pressed the transmit button.

"Any sign of him?"

"Not yet."

Rapp peered around the corner. The patio was empty. "Don't try anything with Wicker."

"It would be a hell of a lot easier. Not to mention safer."

"Stand him down. If I need help I'll let you know."

Rapp put the radio on silent mode and climbed the stairs in a crouch. There were French doors immediately on his left. Rapp paused and glanced in. It was the living room. The woman would still be sleeping with the infant. Rapp had learned every detail he could about the two. He had been tempted to talk to their parents, but it would have been foolish to tip his hand that way. It was better to let them fall into a false sense of security. Rapp moved onto the next set of doors-the ones off the kitchen and dining room. The ones he suspected Gould used to come and go in the morning. He turned the knob. It moved and the door pushed in quietly.

Rapp stepped carefully over the threshold and closed the door behind him. The fact that the door was unlocked spoke volumes about their state of mind. Not that a lock would have stopped him, but it would have at least slowed him down. Rapp was completely healed. At least physically. His knee felt better than it had in years, and the cast on his right arm was long gone. He glided across the dark stained wood floor and moved to the right, toward the hallway that led to the bedrooms. There were doors on the right and the left and one at the end of the hall. The two on the sides were closed, and the one at the end was slightly cracked. Rapp guessed Gould had left it like that so as to not wake them when he returned.

Rapp placed his right palm on the door and kept his gun up and ready. Slowly, he pushed the door open and stepped into the room. The woman was lying on her side in bed, her dark hair offset against the bright white sheets and pillows. The infant was cradled in her arms and her lips rested softly against the impossibly small child's head. Rapp wavered for a second and almost lost his nerve. He was struck by how beautiful the woman was and how absolutely peaceful she and her young child appeared.

Rapp shook his head and regained his composure. He stepped silently across the dark wood floor and extended his gun. He placed the tip of his silencer against the woman's left temple and watched her eyes flutter open. She slowly turned her head until the silencer was pointed at her forehead. Rapp's right hand slid under her pillow and checked for a weapon. There was none. He checked the drawer in the nightstand, but it was also empty.

She looked up at Rapp almost as if she had been expecting him and said, "Thank you for letting me give birth to my daughter."

Rapp backed up a step and motioned for her to sit up. She did, and then picked up the sleeping baby and held it in her arms. Rapp checked his watch and grabbed the radio.

"Any sign of Gould?"

"He's coming back up the beach. ETA two minutes."

Rapp crossed the room and put the door back to where he'd found it and then checked the nightstand on the other side of the bed. He found a 9mm Beretta, emptied it, and then went back to the woman's side of the bed where French doors led out onto the patio. They were covered by thick curtains. The morning sun crawled in around the edges and backlit the room. Rapp kept his gun on the woman and then pulled back the curtains enough to get a peek. He stood in the corner with his back to the wall, the door on his left and the woman in front of him, and he waited.

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