J. Robb - Creation In Death

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Lieutenant Eve Dallas keeps the streets of New York City safe in this extraordinary series. But even she makes mistakes, and is haunted by those she couldn't save – and the killers she couldn't capture. When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Eve is catapulted back to nine years ago. A man the media tagged "The Groom" – because he put silver rings on the fingers of his victims – had the city on edge with a killing spree that took the lives of four women in fifteen days. But now, The Groom has returned – and Eve's determined to finish him. Familiar with his methods, Eve knows that he has already grabbed his next victim. Time is running out on another woman's life. When it turns out that the dead woman was employed by Eve's billionaire husband, Roarke, she brings him onto the case – a move that proves fitting when it becomes chillingly clear that the killer has made it personal. The victim was washed in products from a store Roarke owns, and laid out on a sheet his company manufactures. And chances are that he's working up to the biggest challenge of his illustrious career – abducting a woman who will test his skills on every level and who promises to give him days and days of pleasure before she dies: Eve.

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The priceless Giant’s Tear and the police-issue. That combination, he thought, said something about their merging lives.

As he listened to her brisk update, he toyed with the gray button-her button-he always carried in his pocket.

“I expect to have a face within the next couple of hours,” she continued. “Until that time, these are the lines we pursue. Urban Wars connection. Captain Feeney?”

“Slow going there,” he said, “due to the lack of records. The Home Force did have documented billets and clinics in the city, and I’m working with those. But there were any number of unofficial locations used, and used temporarily. More that were destroyed or subsequently razed. I’ve interviewed and am set to interview individuals who were involved militarily, paramilitarily, or as civilians. I’m going to focus on body disposal.”

“Do you need more men?”

“I’ve got a couple I can put on it.”

“Do that. Knocking on doors. Newkirk, you and your team will recanvass this sector.” She turned, aiming her laser pointer to highlight a five-block area around the bakery where Ariel Greenfeld worked. “Every apartment, every business, every street LC, sidewalk sleeper, and panhandler. Somebody saw Greenfeld Sunday afternoon. Make them remember. Baxter, you and Trueheart take this sector around Greenfeld’s residence. He watched her. From the street, from another building, from a vehicle. In order to familiarize himself with her routine, he staked her out more than once. Jenkinson and Powell, recanvass the area of York’s and Rossi’s residences. Peabody and I will take the gym and the club.”

She paused, and Roarke could see her going through her mental checklist. “The real estate angle. Roarke.”

“There are a significant number of private residences,” he began, “and businesses with residences on site that have been owned and operated by the same individual or individuals for the time frame. Even reducing this search area to below Fiftieth in Manhattan, the number is considerable. I believe, if I cross with Feeney, do a search for private buildings that were in existence during the Urbans, whether as residences or otherwise, we’ll cut that down.”

“Good.” She thought a moment. “That’s good. Do that. Connecting cases. McNab.”

“It’s been like trying to pick the right flea off a gorilla.”

“My line,” Callendar muttered beside him, and he grinned.

“Her line, but I think we may have a good possible. First vic in Florida, housekeeper at a swank resort, last seen after leaving the Sunshine Casino at approximately oh-one-hundred. She habitually spent a few hours on her night off playing the poker slots. Going on the theory that her killer had made earlier contact, may have been known by her, I did a run on the resort’s register for the thirty days prior to her death. Investigators at that time took a pass through it after the second body was discovered, but as it appeared the vic had been grabbed outside the casino, focused their efforts there. But a copy of the register was in the case file. Tits here and I went though it.”

“And you got lucky,” Callendar mumbled.

“And I’m so good,” McNab said smoothly, “that I hit on a guest registered three weeks before the vic was snatched, with a four-day stay. Name of Cicero Edwards. Resort requires an address, to which Edwards listed one in London. I ran the name with said address and came up with zip. No Edwards, Cicero, at that address at that time. And better, the address was bogus. It’s the address for-”

“An opera house,” Eve said and had McNab’s pretty face moving into a pout.

“Wind, sails, sucked out,” he commented. “The Royal Opera House, to be exact. Leading your crack e-team to deduce this was our guy, and that our guy has a thing for fat women singing in really high voices.”

“I have information that may add further weight to that.” She encapsulated Nadine’s information. “Good work.” She nodded at McNab and Callendar. “Find more. Roarke, see if you can dig up any buildings that were used as opera houses or theaters that held operas during the Urbans. And-”

“He’ll have season tickets,” Roarke said. “If he’s a serious buff, and is able to afford the luxury, he’d indulge it. Box seats, most likely. Here at the Met, very likely at the Royal and other opera houses of repute.”

“We can work that,” she replied. “Dig, cross-check. He likes to vary his name. Punch on any variation of Edward.” She glanced at her wrist unit, cursed. “I’m late for the damn media. Get started.”

She turned, studied the name she’d added to the white board. Ariel Greenfeld.

“Let’s find her,” she said, and went out.

She got through the media without actually grinding her teeth down to nubs. She considered that progress. Whitney was waiting for her outside the briefing room.

“I’d hoped to make it to your morning briefing,” he told her. “I was detained.”

“We do have some new leads since my report. Sir, I’d like to check on Detective Yancy’s progress with the witness if I could update you on the way.”

He nodded, fell into step beside her.

“An opera lover,” he said when she’d brought him up to speed. “My wife enjoys the opera.”

“Yes, sir.”

He smiled a little. “I actually enjoy some opera myself. He may have gotten too clever with his fake addresses, using opera houses.”

“Houses may be one of the keys, Commander. I don’t know much about opera, but I take it they deal with death a lot of the time. The psychic in Romania talked about his house of death. Psychics are often cryptic or their visions symbolic.”

“And we should consider he might have, or have had, some more direct connection with opera. A performer, or backer, a crew member, musician.”

“It’s a possibility.”

“Phantom of the Opera. A story about a disfigured man who haunts an opera house, and kills,” Whitney explained. “His killing place may be a former opera house or theater.”

“We’re pursuing that. There are other areas we may pursue. I’d like to discuss them with you and Mira at some point, if those areas seem relevant.”

“We’ll work around you.”

He went with her to Yancy’s division. Eve wondered if he registered the fact that wherever he passed, cops came to attention…or if it was something he no longer noticed.

Eve saw first that Yancy was alone at his workstation, and second that his eyes were closed, and he was wearing a headset. Though she’d have preferred the commander had been elsewhere when she was forced to berate a detective, it didn’t stop her from giving Yancy’s desk chair a good, solid kick.

He jerked up. “Hey, watch where you’re-Lieutenant.” Annoyance cleared when he saw Eve, then shifted over into something closer to anxiety when he spotted Whitney. “Commander.”

He came out of the chair.

“Where the hell is my witness?” Eve demanded. “And just how often do you take a little nap on the department’s time?”

“I wasn’t napping. Sir. It’s a ten-minute meditation program,” he explained as he pulled off the headset. “Trina needed a break, so I suggested she go down to the Eatery or take a short walk around. At this point in the work, it’s easy to stop guiding and start directing. Meditating for a few minutes clears my head.”

“Your methods generally produce results,” Whitney commented. “But in this case, ten minutes is an indulgence we can’t afford.”

“Understood, sir, but, respectfully, I know when a wit needs a breather. She’s good.” Yancy glanced at Dallas. “She’s really good. She knows faces because it’s her business to evaluate them. She’s already given me more than most wits manage, and in my opinion, after this break she’s going to nail it solid. Take a look.”

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