Lawrence Block - When the Sacred Ginmill Closes

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These were the dark days for Matthew Scudder. An ex- New York cop, he had drowned his career in booze. Now he was drinking away his life in a succession of seedy establishments that opened early and closed late, reduced to doing paid "favors" for the cronies who gathered with him to worship the bottle.
Now, in a sad and lonely place like so many before it, opportunity comes knocking – a chance to help the ginmil's owner recover his stolen doctored financial records; a chance to help out a drinking buddy accused of murdering his wife. But when cases flow together in dangerous and disturbing ways – like the nightmare images in a drunkard's delirium – it's time for Scudder to change his priorities: to staying sober…and staying alive.

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"Take a fast count," the one with the gun told his partner. "Make sure it's all money. We don't want to go home with a bag full of cut-up newspaper."

"I'd really do that," Skip said. "I'd really walk up into a gun with a case full of fucking Monopoly money. Point that thing somewhere else, will you? It's getting on my nerves."

There was no answer. Skip held his position, balanced on the balls of his feet. My back was cramping and my knee, the one I was kneeling on, was giving me a little trouble. Time came to a stop while the yellow-haired one flipped through the packets of money, assuring himself that none of it consisted of cut paper or one-dollar bills. He probably did this as quickly as he could but it seemed forever before he was satisfied, closing the case and engaging the clasps.

"All right," I said. "Now the two of you-"

Skip said, "Wait a minute. We get the laundry bag and they get the attaché case, right?"

"So?"

"So it seems uneven. That case was close to a hundred bucks and it's less than two years old, and how much could a laundry bag be worth?A couple of bucks, right?"

"What are you getting at,Devoe?"

"You could throw in something," he said, his voice tightening. "You could tell me who set this up."

They both looked hard at him.

"I don't know you," he said. "I don't know either of you. You ripped me off,fine, maybe your kid sister needs an operation or something. I mean everybody'sgotta make a living, right?"

No answer.

"But somebody set this up, somebody I know, somebody who knows me. Tell me who. That's all."

There was a long silence. Then the one with the brown wig said, "Forget it," flat, final. Skip's shoulders dropped in resignation.

"We try," he said.

And he and the man in the yellow wig backed away from the table, one with the attaché case and one with the laundry bag. I called the shots, sending Skip to the door he'd come in, watching the other move not surprisingly through a curtained archway in the rear. Skip had the door open and was backing through it when the one in the dark wig said, "Hold it."

His long-barreled pistol had swung around to cover Skip, and for a moment I thought he was going to shoot. I got both hands on the.45 and took a bead on him. Then his gun swung to the side and he raised it and said, "We leave first. Stay where you are for ten minutes. You got that?"

"All right," I said.

He pointed the gun at the ceiling, fired twice. The fluorescent tubes exploded overhead, plunging the room into darkness. The gunshots were loud and the exploding tubes were louder, but for some reason neither the noise nor the darkness rattled me. I watched as he moved to the archway, a shadow among shadows, and the.45 stayed centered on him and my finger stayed on the trigger.

WE didn't wait ten minutes as instructed. We got out of there in a hurry, Skip lugging the books in the laundry bag, me with the gun still clutched in one hand. Before we could cross the street to the Chevy,Kasabian had put his car in gear and roared down the block, pulling up next to us with a great screech of brakes. We piled into the backseat and told him to go around the block, but the car was already in motion before we got the words out.

We took a left and then another left. OnSeventeenth Avenue, we found BobbyRuslander hanging on to a tree with one hand, struggling to catch his breath. Across the street, Billie Keegan took a few slow steps toward us,then paused to cup his hands around a match and light a cigarette.

Bobby said, "Oh, Jesus, am I out of shape. They cametearin ' out of that driveway, had to be them, they had the case with the money. I was four houses down, I saw 'embut I didn't want to run up on 'emright away, you know? I think one of 'emwas carrying a gun."

"Didn't you hear the shots?"

He hadn't, nor had either of the others. I wasn't surprised. The dark-haired gunman had used a small-caliber pistol, and while the noise was loud enough in a closed room, it wouldn't have been likely to carry very far.

"They jumped into this car," Bobby said, pointing to where it had been parked, "and they got out in a hurry and left rubber. I started moving once they were in the car, figuring I could get a look at the plate number, and I chased 'emand the light was rotten and-" He shrugged. "Nothing," he said.

Skip said, "Least you tried."

"I'm so out of shape," Bobby said. He slapped himself across the belly. "Nolegs, no wind, and my eyes aren't so good, either. I couldn't referee a real basketball game, running up and down the court. I'dfuckin ' die."

"You could have blown your whistle," Skip suggested.

"Jesus, if I'd had it with me I might have. You think they would have stopped and surrendered?"

"I think they'd probably have shot you," I said. "Forget the plate number."

"At least I tried," he said. He looked over at Billie. "Keegan there, he was closer to them and he didn't budge.Just sat under the tree like Ferdinand the bull, smelling the flowers."

"Smelling thedogshit," Keegan said. "We have to work with the materials at hand."

"Been working on thoseminibottles, Billie?"

"Just maintaining," Keegan said.

I asked Bobby if he got the make of the car. He pursed his lips, blew out,shook his head. "Dark late-model sedan," he said. "They all look alike these days anyway."

"That's the truth,"Kasabian said, and Skip agreed with him. I started to form another question when Billie Keegan announced that the car was a Mercury Marquis, three or four years old, black or navy blue.

We all stopped and looked at him. His face carefully expressionless, he took a scrap of paper from his breast pocket, unfolded it. "LJK-914," he read. "Does that mean anything to any of you?" And while we went on staring at him, he said, "That's the license number.New Yorkplates. I wrote down all the makes and plate numbers earlier to keep from dying of boredom. It seemed easier than chasing cars like a fucking cocker spaniel."

"Fucking Billie Keegan," Skip said with wonder, and went over and hugged him.

"You gentlemen will rush to judgment of the man who drinks a bit," Keegan said. He took a miniature bottle from a pocket, twisted the cap until the seal broke, tipped back his head and drank the whiskey down.

"Maintenance," he said. "That's all."

Chapter 17

Bobby couldn't get over it. He seemed almost hurt by Billie's ingenuity. "Why didn't you say something?" he demanded. "I could have been writing down numbers the same time, we could have covered more of them."

Keegan shrugged. "I figured I'd keep it to myself," he said. "So that when they ran past all these cars and caught a bus onJerome Avenue I wouldn't look like an asshole."

" Jerome Avenue 's in theBronx," somebody said. Billie said he knew whereJerome Avenue was, that he had an uncle used to live onJerome Avenue. I asked if the pair had been wearing their disguises when they emerged from the driveway.

"I don't know," Bobby said. "What were they supposed to look like? They had little masks on." He made twin circles of his thumbs and forefingers, held them to his face in imitation of the masks.

"Were they wearing beards?"

"Of course they were wearing beards. What do you think, they stopped to shave?"

"The beards werefake," Skip said.

"Oh."

"They have the wigs on, too?One dark and one light?"

"I guess. I didn't know they were wigs. I- there wasn't a hell of a lot of light, Arthur. Streetlamps here and there, but they came out that driveway and ran to their car, and they didn't exactly pause and hold a press conference, pose for the photographers."

I said, "We'd better get out of here."

"Why's that? I like standing around in the middle ofBrooklyn, it reminds me of hanging out on the corner when I was a boy. You're thinking cops?"

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