Lawrence Block - When the Sacred Ginmill Closes

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These were the dark days for Matthew Scudder. An ex- New York cop, he had drowned his career in booze. Now he was drinking away his life in a succession of seedy establishments that opened early and closed late, reduced to doing paid "favors" for the cronies who gathered with him to worship the bottle.
Now, in a sad and lonely place like so many before it, opportunity comes knocking – a chance to help the ginmil's owner recover his stolen doctored financial records; a chance to help out a drinking buddy accused of murdering his wife. But when cases flow together in dangerous and disturbing ways – like the nightmare images in a drunkard's delirium – it's time for Scudder to change his priorities: to staying sober…and staying alive.

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Except it wouldn't have been empty.MargaretTillary had been upstairs in her bedroom. Doing what? Sleeping? Watching television?

I climbed the stairs. A couple of the boards creaked underfoot. Had they done so the night of the burglary? Had PegTillary heard, and had she reacted? Maybe she thought it was Tommy's step, got out of bed to greet him. Maybe she knew it was someone else. Footsteps are recognizable to some people, and a stranger's footfall is unfamiliar, enough so sometimes to intrude on sleep.

She'd been killed in the bedroom. Up the stairs, open the door, find a woman cowering in there and stab her? Or maybe she'd come out of the bedroom door, expecting Tommy, or not expecting him but not thinking straight, confronting the burglar, people did that all the time, not thinking, outraged at the invasion of their home, acting as if their righteous indignation would serve them as armor.

Then she'd have seen the knife in his hand, and she'd have gone back inside the room, tried to shut the door, maybe, and he'd come in after her, and maybe she was screaming and he had to get to her to shut her up, and-

I kept seeing Anita backing away from a knife, kept turning the scene into our bedroom in Syosset.

Silly.

I walked over to one of the dressers, opened drawers,closed them. Her dresser, long and low. His was a highboy in the same FrenchProvincial styling, part of a suite with the bed and a nightstand and a mirrored dressing table. I opened and closed drawers in his dresser. He'd left a lot of clothes behind, but he probably owned a lot of clothes.

I opened the closet door. She could have hidden in the closet, though not comfortably. It was full, the shelf loaded with a couple dozen shoe boxes, the rack packed with clothes on hangers. He must have taken a couple of suits and jackets with him, but the clothes he'd left behind were more than I owned.

There were bottles of perfume on the dressing table. I lifted the stopper of one and held it to my nose. The scent was lily-of-the-valley.

I was in the room for a long time. There are people who are psychicallysensitive, they pick up things at a murder scene. Maybe everyone does, maybe the sensitive ones are simply better at figuring out what it is that they're attuned to. I had no illusions about my ability to glean vibrations from the room or the clothing or the furniture. Smell is the sense most directly hooked into the memory, but all her perfume did was remind me that an aunt of mine had smelled of that same floral scent.

I don't know what I thought I was doing there.

There was a television set in the bedroom. I turned it on, turned it off. She might have been watchingit, she might not even have heard the burglar until he opened the door. But wouldn't he have heard the set? Why would he come into a room if he knew someone was there, when he could just slip away undetected?

Of course he could have had rape in mind. There hadn't been any rape, none detected in the autopsy, although that hardly proved the absence of intent. He might have achieved sexual release from the murder, might have been turned off by the violence, might have…

Tommy had slept in this room, had lived with the woman who smelled of lilies-of-the-valley. I knew him from the bars, I knew him with a girl on his arm and a drink in his hand and his laugh echoing off paneled walls. I didn't know him in a room like this, in a house like this.

I went in and out of other rooms on the second floor. In what I suppose was the upstairs sitting room, photos in silver frames were grouped on top of a mahogany radio-phonograph console. There was a formal wedding picture, Tommy in a tuxedo, the bride in white with her bouquet all pink and white. Tommy was lean in the photo, and impossibly young. He was sporting a crew cut, which looked outlandish in 1975, especially in counterpoint to the formal clothes.

MargaretTillary – she might still have been Margaret Wayland when the photo was taken- had been a tall woman, with strong features even then. I looked at her and tried to imagine her with years added. She'd probably put on a few pounds over the years. Most people did.

Most of the other photos showed people I didn't recognize. Relatives, I suppose. I didn't notice any of thesonTommy'd told me about.

One door led to a linen closet, another to a bathroom. A third opened on a flight of stairs leading to the third floor. There was a bedroom up there, its window affording a good view of the park. I drew up an armchair, its seat and back worked in needlepoint, and watched the traffic onColonial Road and a baseball game in the park.

I imagined the aunt sitting as I was sitting, watching the world through her window. If I'd heard her name I didn't remember it, and when I thought of her the image that came to mind was some sort of generic aunt, some combination of the various unidentifiable female faces in the photographs downstairs mixed, I suppose, with elements of some aunts of my own. She was gone now, this unnamed composite aunt, and her niece was gone, and before long the house would be sold and other people living in it.

And it would be a piece of work, too, removing the traces of theTillary occupancy. The aunt's bedroom and bathroom took up the front third of the top floor; the rest was a large open space given over to storage, with trunks and cardboard cartons fitted in under the pitched roof along with pieces of furniture that had been removed from service. Some were covered with cloths. Others were not. Everything was lightly coated with dust, and you could smell the dust in the air.

I went back to the aunt's bedroom. Her clothes were still in the dresser and closet, her toilet articles in the bathroom medicine chest.Easy enough to leave everything, if they didn't need the room.

I wondered what Herrera had hauled away. That was how he'd first come to the house, carting off jetsam after the aunt's death.

I sat in the chair again. I smelled the dust of the storage room, and the scent of the old woman's clothes, but I still held the lily-of-the-valley perfume in my nostrils and itoverscored all of the other aromas. It cloyed now, and I wished I could stop smelling it. It seemed to me that Iwas smelling the memory of the scent more than the scent itself.

In the park across the street, two boys were playing a game of keep-away, with a third boy running vainly back and forth between them, trying to get the striped ball they tossed back and forth. I leaned forward, propping my elbows on the radiator to watch them. I tired of the game before they did. I left the chair facing the window and walked through the open area and down both flights of stairs.

I was in the living room, wondering what Tommy had around the house to drink and where he kept it, when someone cleared his throat a couple of yards behind me.

I froze.

Chapter 11

"Yeah," a voice said. "I sort of figured it was you.Whyntchasit down, Matt. You look white as a ghost. You look like you seen one."

I knew but couldn't place the voice. I turned, my breath still stuck in my chest, and I knew the man. He was sitting in an overstuffed armchair, deep in the room's long shadows. He was wearing a short-sleeved shirt open at the throat. His suit jacket was draped over the chair's arm, and the end of his tie peeped out of a pocket.

"Jack Diebold," I said.

"The same," he said."How youdoin ', Matt? I got to tell you you'd make the world's worst cat burglar. You wereclompin ' around up there like the horse cavalry."

"You scared the shit out of me, Jack."

He laughed softly. "Well, what was Igonna do, Matt? A neighbor called in, lights on in the house, blahblahblah, and since I was handy and it was my case I took the squeal myself and came on over. I figured it was probably you. Guy from the Six-eight called me the other day, mentioned you weredoin ' something for thisTillary asshole."

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