Lawrence Block - Hope to Die

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Hope to Die: краткое содержание, описание и аннотация

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Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.)Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour.

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"Adam Breit."

"And how do you tie him in? You told me, but tell me again."

I said, "He met Kristin Hollander when he did couple counseling for her and a former boyfriend. He still sees the boyfriend and his little circle professionally. He was a counselor, court-appointed or self-appointed, I don't know which, for Jason Bierman."

"Mope who had the place in Coney Island."

Midwood, I thought, but the hell with it. "He's subletting an apartment in the same building with Nadler," I said, "and Nadler had him over for drinks and showed him the gun."

"Which was later stolen, and used at the Hollanders' and out in Brooklyn."

"Right."

"Makes him look awfully good for it," he said. "You know what we got? We got everything but evidence."

T J said, "He posted this. Every chance in the world he used his home computer, an' if he didn't erase it…"

"Even if he did," Wentworth said, "there's geniuses who can recover stuff after you erased it. But we can't seize his computer without a warrant. We can't even walk in his door without a warrant."

"It's not his apartment."

"He's subletting it, isn't he?"

"There's some question about the legality of that. There's a chance he moved in without informing the apartment's owner."

"And the owner?"

"Is in France and can't be reached," I said. I pointed to the paper he was holding. "Isn't that enough to obtain a warrant?"

"This? How can you tell where it came from?"

T J pointed to the upper left corner of the first page, where a Web address appeared in a different typeface from the rest. "Person runnin' the site could ID the account of the person made the post," he said.

"Take forever, wouldn't it?"

"Take a while."

"And you'd have to get cooperation, and those people out on the Web aren't always in a hurry to cooperate."

"That's a fact."

"But that's what we did," Wentworth said, "and we reached the guy, and got the confirmation from him over the phone. Of course, there's some judges who'd want to see proof of that before they issue a warrant." He grinned. "But there's some who won't."

By the time we got there, armed with a warrant authorizing a search of Apartment 14-G at 242 Central Park West, City of New York, County of New York, State of New York, our party had grown to include Dan Schering from the Twentieth Precinct, two detectives named Hannon and Fisk from the Two-six, and two more from Manhattan North Homicide whose names I never did get. There was somebody from the crime lab as well, equipped with a camera and whatever gear he'd stuffed in his backpack. The same doorman was on duty downstairs, but we were careful not to recognize one another. Wentworth showed him the warrant and he took us right upstairs.

" 'Stead of a letter from Harold Fischer," T J murmured, "I shoulda printed up a warrant. Save you a hundred bucks that way."

"Next time," I said.

The doorman opened the door for us and stood aside, and Wentworth led the way. I was ready to point out the computer, but he saw it right away and went straight to it, drawing on a surgical glove so he wouldn't leave prints. "The New York skyline," he said, noting the screensaver. "Love it or leave it. Now let's hope he liked what he wrote so much he couldn't bear to erase it."

He extended a gloved forefinger and touched a key, and the screensaver winked away, and there was Adam Breit's last message. We'd left it right where we'd found it.

"Jesus," he said. He called the crime lab guy over and asked him if he could shoot a photo of the computer screen. There was a question of glare, I gather, but the fellow said the right filter might help, and he'd see what he could do.

He left him to it and came over to where the rest of us were standing. He stood there shaking his head. "This is almost too good to be true," he said.

I suppose he was right. It was a little bit too good to be true. But it was close enough.

The Web address on the printout we'd prepared for Wentworth was a real site, one T J had been keeping tabs on for the past week or so. And Breit might have posted his observations there or somewhere else, after he'd found a safe way to do so, but he hadn't, and we hadn't posted them for him. We'd considered it, T J thought he knew a way to make it work, but it would have taken too much time.

So we'd gambled that Wentworth would take what we showed him at face value, and T J had inserted the address in the appropriate spot of Breit's open file, printed it out that way on Breit's printer, then deleted his addition to the document and left everything as he'd found it.

Desktop forgery, part two.

One after another, the cops in the room put on gloves and used the phone, and as a result more cops and technicians began showing up at the apartment. One man dusted for prints, another bagged the clothes in the hamper, a third was going through the closet. In the bathroom, a man I didn't envy at all got to take up the shower drain and fish out a wad of hair and unidentifiable crud, all of which went into a plastic bag, and not a moment too soon.

"He said it right there," Wentworth said. "The bit about tossing the Kleenex into the bucket. Maybe he wiped away prints, maybe he took back his hundred bucks, but do you think he went through her scum bucket looking for the wad he just shot?"

"Somehow I doubt it," I said.

"According to him," he said, "he shot a big load. Oughta be enough DNA to convict him six times over."

"He said it was satisfying," I said, "but something else within him was entirely untouched."

"When the system's done with him," he said, "my guess is he won't be able to make that claim. I want to get an all-points out, and you know what we don't have? A picture of the son of a bitch. He's got an ego the size of Montana, how come he hasn't got any pictures of himself anywhere in the place?"

"Maybe he figures everybody knows what he looks like."

"Do you? Know what he looks like?"

"No, but the building staff must."

"That's a point. Have to get a description from the doorman, sit him down with a police artist. That way the papers can print something that won't look a bit like him, but what the hell. You got any idea where we'll find him?"

"I didn't know his name until earlier today. I couldn't even have proved he existed."

"I guess that's a no, huh?"

"I'd watch the Hollander house," I said.

"I've got men there."

"Oh? The authorization came through?"

He made a face. "I called in, told them to assign a couple of uniforms to sit in a car and stake the place out. If anybody approaches the house, they're to stop him and question him. As soon as I've got a description I'll give it to them, narrow it down a little."

"That's good," I said, "but tell them not to go inside the house. There's a man in there who'll take their heads off if they try."

"The Hollander house," he said. "Where else?"

"He had a place in the Village," I said, "on Broadway, but he got out of there when he moved in here. He left owing a lot of back rent. I don't think he'd be crazy enough to try going back."

"He got a girlfriend?"

"He had one at the massage parlor," someone else chimed in, "and look what happened to her."

"What about this house in Brooklyn?" Wentworth said. "Anything there?"

" Coney Island," somebody said, and Dan Schering said, "No, Coney Island Avenue. House itself is in Flatbush somewhere."

"More like Midwood," I said.

"I don't want to buy it," Wentworth said. "I'm just wondering if the son of a bitch is likely to use it for a bolt-hole."

"It's rented," I said, "as of the first of the month."

"But it's empty now?"

"I believe so."

"Be a place for him to hole up," he said.

"There's a cop I talked with out there named Iverson," I said. "At the Seventieth Precinct."

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