Lawrence Block - Hope to Die

The girl is short, slender, flat-faced, with a mole on either side of her little mouth. One would be a beauty mark; two, so symmetrically arranged, cry out for a plastic surgeon. If she were a patient of his…

But it is in fact he who is her client, and as he undresses she takes his clothes and hangs them in the metal wardrobe. She's wearing a red-orange shift, easy-on easy-off, and she doesn't seem to understand when he asks her to take it off. He mimes the request, and now she understands, and, smiling, shakes her head, and points toward the table.

He gets on the table on his back and she leans over him, kneading the muscles of his shoulders and upper arms. Her hands are small, her arms spindly, and he doubts there's much strength in them. The girl couldn't give a genuine massage if her life depended on it.

Interesting turn of phrase, that…

Her touch turns light, lingering, and she strokes his chest and stomach. He's engorged, and her fingers flutter ever so lightly over his erection.

"So big," she says, and sighs. She touches him again, feather-light, and says, "You wan' spesho massa '?"

"Special massage," he translates. "Yes, that's what I want."

"Fi'ty dollah."

"All right."

"Fi'ty dollah now."

He gets up from the table, goes to the wardrobe, takes his billfold from his pants. He gives her the crisp hundred he just received from the dominatrix- what goes around comes around- and stops her when she starts looking for change. Through a combination of words and pantomime he indicates that she is to keep the whole hundred dollars, and that he wants her to take off her dress.

And, in a single motion, it's off. She's got a young girl's body, hairless but for the tiniest tuft between her legs. Little baby-doll titties.

She reaches out, touches his amulet. "You still wearing," she said.

"Yes."

"Pity."

That confuses him for a moment, until he realizes she's saying that it's pretty. He lifts it over his head, settles it around her neck. The rhodochrosite disc floats just above and between her breasts.

She giggles, delighted.

And now he gets back on the table, and, with skill beyond her years, she performs as required. She uses her hands, and, at the end, a Kleenex tissue. His orgasm is powerful, his ejaculation abundant, but for all of that he is curiously detached from it all. He is, in a sense, off to the side watching, and without a great deal of interest.

He gets up from the table and she hands him his clothes, watches him dress. Before he buttons his shirt he holds out a hand, pointing to his amulet.

She giggles, clasps both hands over the pink stone circle, hugs it to her heart. She says, "Keep?"

He shakes his head, and she giggles again. She never really expected him to give it to her, and she's not surprised when he reaches to take it from her. She's still smiling and giggling, in fact, as his hands position themselves on her throat.

I had a dream that night, an awful one. I dreamed I was asleep and Michael called, waking me out of a sound sleep to tell me that his brother Andy was dead. That woke me, and I sat up in bed with the same awful uncertainty that characterizes an awakening from a drunk dream: Yes, I know it was a dream, but did I really drink? Is my son really dead?

I'd only slept an hour or so at that point, and I was tired, so I went back to sleep, and kept drifting into one variation after another of the same fucking dream. What I guess I wanted to do was go back into the dream and fix it, so that it resolved itself in some way I could be comfortable with, but that's not what happened.

I wound up sleeping late, and when I finally did wake up I knew it was a dream. I knew, too, that it indicated nothing more than that I was anxious about my younger son, and perhaps that my second piece of pizza had not been a good idea. But I couldn't shake the feeling of foreboding that was the nightmare's legacy. It stayed with me, through breakfast, through a second cup of coffee. I set it aside while I watched the news and then when I read the paper, but it hung around. It never left the room.

I picked up the phone, called Kristin. The line was busy. A busy signal's irritating, and I guess they must intend it to be or they wouldn't make it sound the way it does. This one irritated me more than usual, because her line wasn't supposed to be busy. She wasn't supposed to be on it.

But of course the busy signal didn't necessarily indicate she was talking to someone, as I realized after my irritation subsided. It could mean that someone was leaving a message on her answering machine- Peter Meredith, for example, telling her fifty reasons why he needed to talk to her. Or it could be that she'd tired of media types calling all the time, and had taken the receiver off the hook. I didn't really want her doing that, I wanted to be able to reach her if I had to, but I hadn't said anything to her about it. If I'd given her any more orders, you'd have thought she was working for me…

I tried the number again, got a busy signal again. I went into the bathroom, checked myself in the mirror. I didn't really need a shave, but it was something to do.

The next time I tried Kristin's number it rang through, and the machine picked it up on cue. I listened to her announcement and said, "Kristin, this is Matt Scudder. Please pick up the phone. I need to talk to you." I waited and nothing happened, and I said essentially the same thing a second time, and went on repeating myself for a while. Then I gave up, told her to call me, gave her my number, repeated it, and cradled the receiver.

I went into the kitchen to make myself another cup of coffee, and decided that was the last thing I needed, and thought about having it anyway. I said the hell with it and walked back into the living room, and when I got there the phone rang.

I picked it up, and it was Michael. I had a very bad moment, but only a moment, and then he was saying he just wanted to let me know that everything had gone according to plan, that Andy's boss had accepted his check and even returned the quitclaim Michael had thought to enclose, and that Andy had packed up and moved out of Tucson, not as a fugitive from justice, thank God, but as a young man looking to better himself in a more propitious location.

"I just hope he doesn't run out of locations," Michael said.

"Does he know where the money came from?"

"I didn't tell him."

That didn't quite answer the question, but I let it go. I asked about June and Melanie, and he asked about Elaine, and we were left with nothing to say to each other. I wished I could have talked to him about my work, and for all I know he wished he could have talked to me about his. Instead we told each other to take care, and be well, and give my love to so-and-so, and said goodbye and rang off.

A few minutes later I realized that Kristin hadn't called back. But then how could she, while I was on the phone with Michael? I called her number again and got the machine again, and asked her a couple of times to pick up if she was there.

When she didn't, and when five minutes went by without a call from her or anyone else, I decided that something was wrong.

I'm not sure how rational that was. I don't know how much of it derived from circumstance and how much from a combination of the dream and Michael's phone call. But I was sure something was wrong, and that I'd damn well better do something about it.

I called Wentworth, and for a change I got him at his desk. "Scudder," I said. "I just wanted to know if you've got men on Kristin Hollander."

"The order went in," he said.

"I know the order went in. What I wanted to know- "

"Just a minute," he said, and went away. I stood there, shifting my weight from foot to foot, and he came back and said the order was still awaiting approval.