Lawrence Block - Hope to Die

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Hope to Die: краткое содержание, описание и аннотация

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Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.)Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour.

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He pauses, forming his thoughts:

I have killed both men and women. Killing men, I would say, provides me with more of a sense of accomplishment. On the other hand, for sheer pleasure, there's nothing like killing a woman.

No, amend that slightly:

… nothing like killing an attractive woman.

He sits there, looking at what he has written, nodding his approval. His watch beeps, signaling that it is ten minutes before the hour.

He moves the mouse, poises the cursor over the Post button.

Oh, no. No, I don't think so.

He shifts the mouse, clicks on Cancel. The message, unsent, vanishes from the screen. A few more clicks and he's off-line, and his screensaver is back in place, lights winking on and off, on and off…

TWENTY-NINE

"Let's go over it again," Wentworth said. "Doc's name is Nadler?"

" Seymour Nadler."

"And he's a psychiatrist, is that right?"

"Board-certified," I said.

"A disciple of Sigmund Freud."

"That I wouldn't know."

"And maybe of Brill," he said. "A. A. Brill. Studied with him, maybe."

"The dates are wrong," I said. "Brill died in 1948."

"Was Nadler even born then?"

"No," I said. "He's around forty."

"And the gun was his, the murder weapon."

"Yes."

"Registered, and he had a permit for it."

"For his office and residence. He didn't have a carry permit."

"He bought it when, sometime last year? Did he give a reason?"

"According to him," I said, "he had a patient he was worried about."

"Makes sense," Wentworth said. "I got a patient worries me, I want a gun so I can shoot him. Why dick around with medication? I don't suppose he ever had occasion to shoot this patient."

"He said the man committed suicide."

"Shot himself?"

"Went out a window, or maybe it was off a roof."

"Story check out?"

"About the patient? I have no idea. He didn't furnish the name, and I didn't see any reason to ask it."

"You didn't suspect him."

"No, not at all. Of what, killing three people with a registered weapon and leaving it at the scene? The man had diplomas on the wall, I figured he had an IQ at least as high as his body temperature."

He started to say something, then stopped. At the corner, a vendor of soft ice cream had parked his truck, and the Mister Softee music was playing relentlessly. Wentworth said, "Excuse me," and got to his feet, striding off toward the ice cream truck.

"Man hears that music," T J said, "he just got to have it. What it is, he was conditioned as a child." He glanced across the street, raised his eyes about ten floors. "You got any trouble with the concept, Dr. Nadler be glad to explain it all for you."

We were on a bench on the east side of Central Park West, directly across the street from Seymour Nadler's building. There was a five-foot stone wall behind us, and on the other side of it was the park. I'd left word for Wentworth at the precinct, and he'd called me right after he left Kristin's house. He'd interviewed her at length, and had reinforced the advice I'd given her- don't take any calls, don't open the door for anyone. He hadn't been able to arrange police protection yet, but he had a request in, and expected it would be approved before long.

I looked over and saw Wentworth in conversation with the Mister Softee man. After a few moments the truck pulled away from the curb, crossed the intersection, and kept going for another block. Wentworth returned empty-handed, but with a look of triumph on his square-jawed face.

"Told him to take it down the road," he said. "What's the point of having a gold shield if you can't kick Mister Softee's ass off your block?"

"Who I wanted to be," T J said. "When I grew up."

"Who, Mister Softee? Or a guy with a gold shield?"

"Mister Softee. You like the Pied Piper, ring that little bell an' all the boys an' girls come runnin'."

"You'd like that, would you?"

"Thought so, when I was young. Everywhere you go, they be happy to see you."

"Not their parents," Wentworth said. "Not anybody who's trying to concentrate. Imagine sitting in the truck all day, listening to that music for hours on end." He shook his head. "Guy didn't want to move. 'But this is my spot,' he kept whining. Like nobody'll be able to find him a block away. 'This is my spot,' I said. He got the point."

"It's a small victory," I said, "but at least it goes in the win column."

"Damn right," he said. "Look at me, I put the fear of God into Mister Softee. You figure that's his wife's pet name for his thing? Jesus, let's hope not."

On the sidewalk in front of us, a girl in her early teens whizzed by on Rollerblades. "They're not supposed to skate on the sidewalk," he said, "but I'll let her go this time. I already filled my quota with Mister Softee. You want to get back to your boy Nadler?"

"Sure."

"He bought the gun last year, kept it locked away in his desk drawer. March, he and his wife are out, he comes home and there's been a burglary. He makes a report, files a claim with his insurance company. Right so far?"

I nodded.

"Then two, three days later he opens the drawer and the gun's gone. Did he say what made him look?"

"Not that I remember."

"It's not a stretch. He's at his desk, he's thinking about the burglary, thinks, Jesus, suppose I was here, what would I do, would I go for my gun? So he looks for the gun and it's missing. And he reported it, right?"

"Right."

"But didn't add it to his insurance claim."

"He didn't want the aggravation of amending the claim," I said. "And he wasn't sure it would be covered, as he'd never included it on the schedule. It didn't seem unreasonable."

"No, and it still doesn't. Plus there's the embarrassment factor. 'I bought a gun to protect myself and my family and the burglars took it away with them.' The law requires him to inform the police, but nobody says he has to put in a claim. That's up to him."

"Right."

"So we fast-forward a few months," he said, "and it's the end of July, beginning of August, and the Hollanders are killed, and the two in Brooklyn."

"Bierman and Ivanko."

"And the gun's left at the scene, as it more or less has to be if it's going to look like suicide, and a ballistics check reveals the gun is the very same twenty-two-caliber pistol stolen from the good Dr. Nadler. Was it a twenty-two? Did I get that part right?"

"Yes."

"Okay," he said, "run it by me. The gun was never stolen in the first place, right?"

"Right."

"How about the burglary? He fake the whole thing?"

"Probably not," I said. "But it's not impossible. He rides down to the lobby with his wife, then remembers he left the tickets on the dresser."

"So he goes upstairs, turns some drawers upside down, scoops up some jewelry, and what? He doesn't take it along to the theater."

"He's got it in two pillowcases he stripped off the bed," I said. "He ducks into his office, stows them both in a closet, and goes back downstairs to the lobby."

"And off to do the town. Comes home, reports the burglary. It's possible, but you don't think he did it that way."

"My guess," I said, "is the burglary happened just the way he said it did in his initial report. They went through the residence, took whatever he said they took, and carted it off in pillowcases. And two days later he realizes he's been trying to figure out how to get hold of a gun that can't be traced back to him, and here's the perfect way. He reports his own gun as stolen, and, when it is traced back to him, they say oh yeah, right, it was taken in a burglary, it was reported stolen months ago."

He nodded slowly, thinking it through. "What I like about it," he said, "is it's cute, and we already know our guy's got a weakness for being cute." To T J he said, "You ever decide to become a crook, don't be cute, okay? Three guesses what you wind up stepping on."

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