Kathy Reichs - Deadly Descisions

"The cops will have these guys so boxed in they'll be like altar boys heading to Mass."

"No."

"The bikes will be solid Harley."

"You're not going anywhere near that funeral."

"All that juice pounding along in formation." He mimicked steering handlebars. "Rolling thunder"

"Kit."

"Yeah?" His eyes were bright as a Pentecostal zealot's.

"I don't want you there." "Aunt Tempe, you worry too much." How many times had Katy said that?

"I'll throw on jeans, then let's have dinner. I want to ask you about something."

I broached the subject during dessert.

"A Carcajou investigator came to see me today"

"Yeah?" Kit scraped the top off then scooped a spoonful of rice pudding.

"You're supposed to eat the frosting."

"It looks like silver"

"It is." I was stalling.

"He brought a set of police surveillance photos." A quizzical look. More pudding.

"Of you.

My nephew lowered his chin and raised his brows. "The pictures were taken at the Galveston County fairgrounds. You're with members of the Bandidos motorcycle club." "Uh-oh," he said, giving a goofy grin. "Hanging out with bad companions."

"Do you?"

"Do I what?" "Hang out with the Bandidos?"

"Just that once. But the big kids made me do it."

"This isn't funny, Kit! You were caught on film with drug dealers!"

He lay down his spoon and gave me another brilliant smile. I did not return it.

"Aunt Tempe. I go to flea markets. Bikers go to flea markets. Sometimes we go to the same flea markets. We talk about Harleys. That's all it is."

"The detective said you'd been arrested on a drug charge." I forced myself to speak calmly.

He slumped back and threw out his legs.

"Oh, great. That shit again."

"What shit?"

"Jesus. You'd think I was supplying a preschool." His voice was hard, the humor gone.

I waited.

"I bought a ten-dollar bag for a friend because she left her wallet at home. Before I could give her the weed a cop pulled me over for an illegal left and found the stuff in my pocket. How's that for a seasoned dope dealer?"

"Why did the cop search you?"

"I'd had a little beer"

He scuffed at the rug with one big toe. A long thin toe, knobby at the joints, oblong under the nail. My father's big toe. As I looked at him my heart ached. Every cell in his body reminded me of Daddy.

"All right, I'd had a lot of beer But I don't do drugs. I told you that. Christ, you're acting just like my father"

"Or any concerned parent." Love and anger battled for control of my voice.

"Look, I did my community service and went to their lame substance abuse program. Aren't you people ever going to ease up?"

With that he lurched from the chair and slouched out of the room. In seconds I heard the slam of the guest room door

Well-done, Brennan. Take a gold star for effective parenting.

I cleared the table, repackaged the uneaten portions of food, loaded the dishwasher, and tried Howard's number

No answer

Damn you, Harry, for not telling me about this. And damn you for being in Mexico.

I tried Isabelle, hoping to ask about Lyle Crease.

Machine.

I spent the rest of the evening with the Pat Conroy book I'd laid down a week earlier Nothin' could be finer than to be in Carolina.

Predictably, Kit was sleeping when I left for work. This day, I attended the morning meeting.

When I returned to my office, Claudel was there.

"Figure out who killed Dorsey?" I asked as I threw the morning's case log on the desk.

He gave me a look that could freeze molten lava, then held out an envelope.

I sat, unlocked my desk drawer, and handed him the Myrtle Beach photo.

"Where did you say this came from?"

"I didn't." I gave him the lens. "Because I don't know"

"It just appeared?"

His eyes roved the print.

"I noticed it yesterday. I can't say for certain when it arrived on my desk."

After several seconds the lens froze and he drew closer to it. Then, "You're talking about the man next to Z. Z. Top?"

"Show me," I said, surprised at the musical reference. I would have pegged Claudel as strictly classical.

He turned the photo and pointed.

"Yes. The girl next to him is Savannah Osprey." Back to the lens.

"You're sure?"

I dug out the yearbook portrait Kate had given me. He studied it, then the picnic shot, going back and forth like a fan at Wimbledon.

"You're right."

"What about Buckle Boy?"

He indicated the envelope in my hand. "Desjardins was a large man before his illness."

I shook out the photos and Claudel circled the desk so we could view them together

Large was an understatement. The partially headless form I'd seen in the chair was a feeble reminder of the body that once had housed Cherokee Desjardins. Before cancer had parched his innards, and drugs and chemo had done their magic, the man had been massive, though in a spongy gut-bulging sort of way.

The file photos spanned a period of years. Beards came and went and the hairline crept backward, but the belly and facial features changed little.

Until the cancer struck.

Six months before his death Cherokee was a shadow of his former self, bald and death-camp thin. Had the picture been unlabeled, I would not have recognized the subject as the same man.

As I studied the face from shot to shot I remembered an old Brando quote. I have eyes like those of dead pig, the aging actor had said of himself.

Not to worry, Marion, They served you well. This guy looked merely baleful, and mean as a pack dog with a stolen flank steak.

But try as we might we could not determine for sure if our late but unlamented Cherokee was the one wearing the buckle at Myrtle Beach.

I gathered the Cherokee photos, and we moved down the hall to a section labeled Imagerie. We'd decided that I would manipulate the image using Adobe Photoshop, since I was familiar with the program. Should that prove inadequate, a technician would help us with more sophisticated graphics software.

We were expected, and the equipment was immediately available. The technician clicked on the scanner, keyed the computer to the proper program, then left us to our task.

I placed the snapshot on the flatbed scanner, cropped to include the full scene, then digitized the image and saved it to the hard drive. Then I opened the file to the Myrtle Beach picnic.

I clicked on Buckle Boy's face and zoomed in until his features filled the screen. Then I cleaned up the noise of dust and cracks, modified the curves that control the contribution of red, green, and blue tones, adlusted the brightness and contrast, and sharpened the edges of the image.

Claudel watched as I worked the keys, silent at first, then making suggestions as his interest grew, despite his initial cynicism. Each correction morphed the highiights, shadows, and midtones, mutating the curves and planes of the face, and bringing out detail invisible in the original shot.

In less than an hour we sat back and studied our work. There could be no doubt. Buckle Boy was, in fact, Yves "Cherokee" Desjardins.

But what did that mean? Claudel spoke first. "So Cherokee knew the Osprey girl." "Looks that way," I agreed.

"And Dorsey killed him." Claudel was thinking aloud. "What do you suppose Dorsey had to trade?"

"Maybe Cherokee killed Savannah and Dorsey knew that." "Could she have traveled up here with him?" Again, it was verbalized thought, not conversation.

I pictured the puzzled little face, the wide eyes world through clock-face lenses. I shook my head.

"Not voluntarily"

"He could have killed her in Myrtle Beach then displaced the body to Quebec." This time he was addressing me.

"Why transport it all that way?"