Linda Fairstein - The DeadHouse

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Lola Dakota had to call in the police several times to restrain her abusive husband, but he always returned, so when they got wind of his plan to hire a hitman to kill her she agrees to play her part in the sting which would see both men arrested. It proves to be a great success, but several hours later and when her husband is under lock and key, Lola is truly dead -and by someone's hand. The police team on the original sting are in disarray, so Alex Cooper and Mike Chapman are swiftly in place to take over. Looking beyond her husband into her professional life, they discover a university department riddled with jealousies, extra-marital affairs, swindled funds and the unexplained disappearance of a student known to be a drug user. The one thing which seems to link all the players with all the misdemeanours is the university's research site on an island off Manhattan where they were investigating the remains of the Victorian isolation hospitals and lunatic asylums and the morgue – the deadhouse. But why Lola's murder is connected to the place is not so easy to prove, nor the identity of her killer.

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"You wanna come up for air, Mr. Frankel, or you wanna just babble on?"

"Sorry, Mike. It's Mike, isn't it? Exactly what can I help you with?"

I answered, trying to set a pace for the conversation. "I hadn't spoken with Lola in months, as I think I told you when you and Anne Reininger came to my office. I'd really like to get a sense of what her life was like those last six weeks. How she was spending her time, who she was in touch with, what your contact was with her."

"Me? My contact with Lola?"

"Hey, who do you think she's talking to? You got somebody under your desk we can't see?"

"No, it's just, I mean-well, Anne's the prosecutor assigned to the case. I had to meet with Lola on a few occasions, just to oversee what was happening with the sting. Anne's the one who spoke to her almost every day. She can answer your questions."

"I'd like to begin with you, as long as we're here. Why don't you give us an idea of how many times you met with her? Where and when."

Frankel thought for a moment and opened his large red desk calendar. "All of my business appointments are logged in this. Let me just see." He opened the book about midway, to June, and began to flip through the pages. "I guess the first time I met Lola was in the early fall. September twenty-third, to be exact. Anne brought her up to me to introduce us. High-profile case and all that. Vinny likes me to keep an eye on things."

The intercom buzzed. "Excuse me, Mr. Frankel. I've got your daughter on line two. She wants to know if she can use the car tonight after you get home. Would you like to speak with her now?"

"Hold my calls, will you? Tell her yes, and try not to interrupt us till I'm through here, okay?"

"How many meetings after that?"Skimming through here, it looks like six, at the most."

"Where were they?"

"That was the only one in my office. The other times I went down to the second floor, to Anne's bureau. Family Violence Unit."

"Did you ever meet with her anywhere else, outside the office?"

"Yes. I was at her sister's house-Lily's-the day we staged the shooting. We went over, Anne and I, with the detectives just to make sure we approved the setup and to stroke the rest of the family. Pump Lola up."

Frankel was on his feet now, adjusting the blinds on his window as the sunlight bounced its glare off the icy surface of the parked cars in the lot below.

"Must have been a very tense morning. Were you there when the scam went down?"

He did the "me" thing again. "Me?"

"Yeah."

"No, I did what I had to do and got out of there. Had stuff to work on back at the office."

"What stuff?"

"Had to meet with one of the guys on a home-invasion case. Had to help him draft a bill of particulars."

"Got that in your big red book?" Mike asked.

"Got what?"

"Your meeting on the case you just told us about."

"That, um, that came up kind of unexpectedly. It's probably not in here." Frankel patted the cover of the book.

"Mind if I take a look through those entries?"

"I just told you, I doubt that one's in here."

"I mean the references to Lola. Mind if I jot down those dates?"

Frankel opened the book to the first September date and passed it across to Chapman.

"Help yourself, Detective."

Mike rested his notepad on the desk. He turned the pages and copied the dates and times of the Dakota-Reininger-Frankel appointments. When he got to the day of the shooting, he paused and read aloud: "'Thursday morning, December nineteenth. Nine A.M. Meet Reininger at Dakota scene. Sting preparation. Noon. Lunch with Vinny. Two P.M. In the field.'

"Strangest thing. When my partner uses that expression-'in the field'-it means he took the rest of his tour off to get laid. But then, we're just cops. What does it mean to you, Mr. Frankel? What kind of home invasion were you working on?"

"Who's in control of this operation, Alex, you or this rude-?"

"Mike and I want to know exactly the same information. How did you spend that afternoon?"

"I, uh, I must have gone… I guess I left here early. I probably did some holiday shopping."

"Like Ms. Cooper tells the street mopes that sit in her office and lie to her all day, 'probably' and 'I guess' and 'I must have' don't cut it. This ain't ancient history, Mr. Frankel. It's one week ago this very day. When you and Fat Vinny pushed back from the lunch table, where did you go and what did you do?"

"My daughter was coming home from college the next day. I went over to the mall to pick up a few gifts for my kids."

"What stores? I assume you can tell me what you bought and give me receipts for the things."

"You know, Detective, I'm the executive assistant district attorney for this county. You blow in here like you're auditioning for a bit part as a wise guy on The Sopranos. All bluff and bluster and bullshit, and I actually let you rattle me, like I have something to worry about. Well, you came to the wrong place this time. I supervised this investigation. I'm not the subject of it. Why don't you two just crawl back through the tunnel, or however you dragged yourselves here, and go solve your case like professionals, okay?"

"Did you drive Lola back to Manhattan with your own wheels, or did you use a government car to take her home?"

Frankel strode to the door of his office and opened it wide.

Mike got up from his chair as though to leave, then walked behind the desk. He leaned over and reached into the trash, removing from it the Kleenex-wrapped piece of gum that had been discarded when Frankel first brought us into the room. He held it up to the light and admired it as though it were a trophy.

"What the f-?"

"I'm sorry. Would you prefer that I have the office sealed off while Ms. Cooper gets us a search warrant to take your droppings? You a Wrigley's man? Or would you suggest we compare your underwear to the things we found in Lola's apartment? I'd say those size-forty shorts would fit him pretty well, don't you think, blondie?"

Frankel walked over to Chapman and grabbed the tissue from his hand without meeting any resistance. "You two must have lost your minds."

He was like an animal trapped in his own lair. He was patently unhappy with our presence, but afraid that we would walk out without telling him what we knew. Then he put his hand to his eyes and shook his head. "Or maybe I have."

He walked to the windowsill and sat on its edge. "Lola was desperately lonely. She was looking for somebody to cling to, some kind of safety net. I took her out a few times. Never here, in New Jersey, where anyone could see us. In the city, up near the college. I'm not married, if that's what you're thinking. I've been divorced for a couple of years."

"That wasn't my first thought," I said. "I actually wondered how you could get involved with a victim while her case was pending in your office."

"My shrink wants to know the same thing." He sat at his desk and again his fingers tapped steadily against the wooden top. "I had thought about calling you, Alex. I just couldn't pick up the phone to do it. I realize that it's selfish, but if I get myself in the middle of all this, I obviously have to walk out the door here. Give up my job. Make waves for the district attorney."

I was waiting for him to invoke his right to counsel. Like most lawyers, he was loath to do it, figuring-I was certain-that he was smarter than any young prosecutor and the average cop alone or in combination. I was trying to stay calm, wondering how Frankel could explain being with Lola in her apartment last Thursday afternoon, and how much we should consider him a suspect in her death.

He retraced his steps to his September meeting with Lola and filled in more of the blanks. She had called him again, he said, in October, and invited him to a presentation she was making at an academic convention at the New York Hilton. Her speech was magnificent, Frankel told us, and despite all the professional prohibitions, he began to come into the city to see her from time to time, becoming intimate with her before Thanksgiving. "Does Vinny know?"

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