Tess Gerritsen - Bloodstream

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Bloodstream: краткое содержание, описание и аннотация

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From Publishers Weekly
Gerritsen leaves the urban hospital setting of her first two successful thrillers (Harvest; Life Support) and steps into Stephen King territory?the troubled Maine town of Tranquility?with mixed results. The former doctor's ability to create credible characters and make medical details accessible and exciting provide the book's strongest moments, as Dr. Claire Elliot?recent widow from Baltimore?tries to make a go of her new life in Tranquility, where she has moved to get her son Noah, 14, away from dangerous influences. Irony of ironies: the country turns out to hold more savage dangers for the teen than the city ever did. Claire's struggles with the boy, her failure so far to win a place for herself in the hearts of prospective patients and a possible romance with the town's police chief are straightforward and moving. Harder to swallow is the book's premise?that savage outbreaks of violence among Tranquility's teenagers occur every 50-odd years, caused by natural or even supernatural factors. It's Claire who makes the connection between recent murders and older attacks, and of course there's the old "enemy of the people" subplot about not scaring off the tourist trade. The fact that Tranquility's teenage problem has a scientific solution lets Dr. Elliot have a final moment of triumph, but you can't help feeling that King would have made the story more powerful?and more fun. Major ad/promo; author tour; Doubleday Book Club and Literary Guild super release; Mystery Guild main selection; simultaneous Simon Schuster audio.
From School Library Journal
YA-Tranquility, ME, sounds like the perfect place for Dr. Claire Elliot to relocate with her teenage son and help him deal with his father's death. However, as she begins her practice, so begins an epidemic of teen violence. The shooting of the school biology teacher and the violent ending to the big dance have Claire and the town police chief, Lincoln Kelly, searching hard for clues and answers. Are the blue mushrooms growing in the forest where local teens hang out the cause? Or is the mysterious green phosphorescence that appears on the lake where many of the young people swim the culprit? Claire's son suddenly and mysteriously becomes as wild and uncontrollable as his friends. This is a gory medical thriller that will keep YAs totally engaged.

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“Do you know where she was when she called you?”

“Chief Kelly, I haven’t got a clue.”

Lincoln hung up. No one had spoken to Claire since noon-nine hours ago.

He walked out to the hospital parking lot. It had been a clear day, with no snowfall, and all the cars were lightly glazed with frost. Driving slowly in his cruiser, he searched the parking lot row by row for Claire’s Subaru. Her car was not there.

She left the hospital, then what? Where would she go?

He started back toward Tranquility, his apprehension mounting. Though the road was clear, the pavement free of ice, he took the drive slowly, scanning the snowy shoulders for any sign that a car might have slid off. He stopped at Claire’s house only long enough to confirm that she was not there.

By now his apprehension was turning to dread.

From his house, he made another flurry of phone calls, to the hospital, to Max Tutwiler’s cottage, to the police dispatcher. Claire was nowhere to be found.

He sat in his living room, staring at the telephone, the sense of dread growing, gnawing at him. To whom would she go? She no longer trusted him, and that was what hurt him most of all. He dropped his head in his hands, struggling to make sense of her disappearance.

She’d been distraught about Noah. She would do anything for her son.

Noah. This had something to do with Noah.

He reached for the phone again and called Fern Cornwallis.

She had barely picked up when he asked, “Who was the girl Noah Effiot was fighting over?”

“Lincoln? What time is it?”

“Just the name, Fern. I need to know the girl’s name.” Fern gave a weary sigh.

“It was Amelia Reid.”

“Is that Jack Reid’s girl?”

“Yes. He’s her stepfather.”

There was blood on the snow.

As Lincoln turned into the front yard of the Reid farmhouse, the beams of his headlights swept across an ominously dark blot in the otherwise pristine expanse of white. He braked to a stop, his gaze fixed on the stained snow, fear suddenly coiling like a serpent in his stomach. Jack Reid’s truck was parked in the driveway, but the house was dark. Was the family asleep?

Slowly he stepped out of the cruiser and aimed the beam of his flashlight at the ground. At first he saw only the one bright splash of red, a bleeding Rorschach butterfly. Then he saw the other splashes, a series of them, leading around the side of the house, accompanied by footprints, both human and canine. He stared at the footprints and suddenly thought: Where were the dogs? Jack Reid owned two of them, a pair of troublesome pit bulls who had the nasty habit of ripping apart any neighborhood cats they came across. Were these bloodstains left by some unfortunate creature who’d wandered into the wrong yard?

He knelt down for a closer look and saw that, mingled with the broken snow, was a clump of dark fur, bloodied flesh still attached. Just a dead animal-a cat, or a raccoon, he thought, his tension easing, but not entirely fading. Those pit bulls could still be loose somewhere in the yard, could even now be watching him.

The sensation of being observed was suddenly so strong he quickly straightened and swung his flashlight in a wide arc, cutting a circle through the darkness.

As the beam swept past the trunk of the maple tree, he spotted the second clump of fur, this one larger, the animal recognizable. He moved toward it, and his fear was suddenly back full force, tension screaming along every nerve. The steel collar studs reflected back at him, as did the gleam of white teeth protruding from the open and lifeless jaw. One of the pit bulls. Half of it, anyway. It had been wearing a collar which was still fastened to the chain. The animal had been unable to escape, unable to avoid slaughter.

He didn’t recall drawing his weapon; he knew only that it was suddenly in his hand, and that the fear was so thick it seemed to coat his throat. He swept the beam of his flashlight in a wider circle around the yard, and found the other half of the dog, and its intestines, lying in a bundle by the porch steps. He crossed to the bloody heap and forced himself to press a bare finger to the offal. The tissue was cold, but not yet frozen. Less than an hour old. Whatever had ripped apart this animal could still be lurking nearby.

The muffled explosion of breaking glass made him wheel around, his heart slamming against his chest. The sound had come from inside the house. He glanced up at the dark windows. There were five people living in there, one of them a fourteen-year-old girl. What had happened to them?

He climbed the porch steps to the front door. It was unlocked- another disturbing detail. He gave the knob a twist and nudged the door open. A quick sweep of his flashlight revealed a threadbare carpet and several pairs of shoes cluttering the front hail. Nothing alarming. He reached up and flicked the light switch. No lights. Had the power been shut off?

For a moment he hesitated near the front door, debating the wisdom of announcing his presence. He knew Jack Reid owned a shotgun, and the man would not hesitate to use it if he thought a prowler was in his house. Lincoln drew a breath, preparing to call out:

“Police!” when his gaze froze on something that instantly killed his voice.

There was a bloody handprint on the wall.

The gun suddenly felt slick in his hand. He moved toward the print. A closer look revealed it was indeed blood, and that there was more of it smeared along the wall, leading toward the kitchen.

Five people, live in this house. Where are they?

Stepping into the kitchen, he found the first member of the family. Jack Reid lay sprawled on the floor, his throat cut ear to ear. The arterial spray of his blood had splattered all four walls of the room. He was still clutching his shotgun.

Something clattered, rolled across the floor. At once, Lincoln’s weapon was up, his pulse roaring in his ears. The noise had come from below. From the cellar.

His lungs were like bellows, air rushing in and out in quick breaths. He eased toward the cellar door, paused for a one-two-three count, his heart accelerating, his sweating fingers clamped like a vise around his weapon. He took a breath, and with a burst of force, kicked the door.

It flew open, slamming into the opposite wall.

A set of steps dropped away into blackness. Someone was down there. The darkness seemed charged with an alien energy. He could almost smell the other presence, lurking at the bottom of those stairs. He aimed his flashlight downward, the beam quickly sweeping the cellar. He caught only the flash of movement, a shadow slipping toward cover under the stairs.

“Police!” yelled Lincoln. “Come out where I can see you!” He kept the beam steady, his weapon aimed at the bottom of the stairs. “Come on, come on. Do it now!”

Slowly the darkness congealed into a solid shape. A single arm, materializing in the beam’s circle. Then a face inched into view, peering out with terrified eyes from beneath the stairs. A boy.

“My mom,” whimpered Eddie Reid. “Please, help me get my mom out of here.”

Now a woman’s voice whispered from beneath the stairs. “Help us. God in heaven, help us!”

Lincoln descended the stairs and shone his light directly at the woman. Grace Reid stared back at him, her face white as a corpse, her expression almost catatonic with terror.

“No light,” she pleaded. “Turn off the lights or he’ll find us!” She backed away. Behind her, the circuit breaker box hung open. She had flipped off the switches, cutting all power to the house.

Eddie tugged his mother toward the stairs. “Mom, it’s okay now. We gotta get out of here. Please, please move?’

Grace shook her head in almost violent protest. “No, he’s waiting for us.” She pulled away, refusing to budge. “J.D.’s up there.”

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