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Kay Hooper: Touching Evil

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Kay Hooper Touching Evil

Touching Evil: краткое содержание, описание и аннотация

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This is the story of Seattle police artist Maggie Barnes, whose remarkable artistic talents are the focus of an even more extraordinary psychic gift that she is determined to keep secret: a gift that has allowed her to work with crime victims, to feel what they feel, to create perfect portraits of their attackers. When the police are stymied by an elusive predator who blinds his victims to prevent them from identifying him, Maggie must be willing to risk much more than just her secret to draw the image of a killer no one has ever seen, and bring the brutal madman to justice. If you love books that blend passion, suspense, and the unexpected, you'll love this one.

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"How? I push this button, and we can hear what's going on in the room but they won't hear us, right? We see in, they don't see out. So how will she know we're here?"

"Beats the hell out of me, but she will." Andy watched the other man move closer to the window and stifled another sigh. Anybody else and he would have stuck to his guns, but John Garrett was a hard man to say no to. Andy tried to think of an argument he hadn't used yet, but before he could come up with anything, John pushed the right button, and a quiet, curiously pleasing voice reached them clearly and without any of the tinny, hollow characteristics that were usual with an intercom.

"… how difficult this is for you, Ellen. If I could, I'd far rather wait and give you more time to-"

"Heal?" The woman wearing the sunglasses laughed, a brittle sound holding no amusement. "My husband is sleeping in the guest room, Miss Barnes. My little boy is afraid of me. I can't find my way through my own house without knocking over furniture and bumping into walls, and my sister has to cook for my family and help me dress every morning."

"Ellen, you know I'm happy to help," her sister protested, her soft voice half pleading and half weary. "And Owen wouldn't be sleeping in the guest room if it wasn't what you wanted, you know that."

"I know he can't bear to touch me, Lindsay." Ellen's voice was tight, a bare note away from shrill. Her hands were clasped together on the table, and her long, pale fingers writhed. "And I don't blame him for that. I can't blame him. Why would he want to touch me after-"

Maggie Barnes reached across the table and covered Ellen's hands with one of her own. "Listen to me, Ellen." Her voice remained quiet, but there was a new note in it now, an oddly soothing, almost hypnotic rhythm. "What that animal did to you can never be undone, but you can't allow it to destroy you. Do you hear me? Don't give him that power over you. Don't allow him to win."

Listening, John unconsciously tilted his head to one side, trying to focus on the strangely compelling undercurrent he heard in her voice. It was almost… it was as if he knew that sound, as if it was something he only half remembered, like a song from his childhood or the last faint notes of music from a dream chased away by morning. Haunting.

Ellen didn't attempt to free her hands, and her rigid posture seemed to ease a bit, just a bit. "I don't want to remember," she said, low, almost whispering. "Don't ask me to remember."

"I have to." The regret in Maggie's voice was achingly genuine. "I need your memories, need every scrap of information you can give me. I need you to remember everything you can, Ellen. Every sound, every scent, every touch."

Ellen's shudder was visible. "He touched… I can't bear to think about how he touched me. Please don't make me…"

"Don't make her." Lindsay's face twisted, and she put a hesitant hand on her sister's arm.

"I don't have a choice," Maggie said. "The police can't catch this animal without some idea who he is, what he looks like. We can't even warn other women to watch out for him. Ellen, some detail you remember may help me put a face on him. I-"

She turned her head suddenly, and John actually started in surprise at the abruptness of the movement-and the fact that he had the unsettling feeling she was looking directly into his eyes, even through the two-way mirror. She had very light brown eyes, the only unusual feature in a face that was pleasant but unremarkable.

And those pale eyes were looking right at him, he was sure of it. He felt it.

Behind him, Andy murmured, "Told you."

Hardly conscious of speaking aloud, John said, "She sees me. How can she-"

"X-ray vision. How the hell do I know?" Andy sounded as disgruntled as he felt. He hated it when Maggie was mad at him-and she was definitely going to be mad at him.

Maggie turned back to face the other two women and spoke gently. "I'm sorry, but there's something I have to do. I'll be right back."

Lindsay gave her an accusing look, then leaned closer to her sister as though in support. Ellen didn't say a word, but she had the appearance of someone poised on the brink, frozen, as if unable to move forward or back.

John turned his back to the mirror as Maggie left the interview room. "She must have heard us," he said.

"No," Andy said. "She didn't hear us. This room is soundproofed, I told you that. She just knew, that's all."

The door of the observation room opened and Maggie Barnes stepped inside. John was surprised at how tall she was-at least five-ten, if he was any judge. But he hadn't been mistaken in thinking her slight; she wasn't unnaturally thin, just one of those very slender, almost ethereal women. He wondered if she dressed in the bulky layers out of some need to have more weight or substance.

When he looked at her face, John decided he'd been wrong in thinking it unremarkable. Graced with very regular features, not quite pretty but pleasant, it was saved from plainness by those slanted, catlike golden eyes and something stamped into her expression, innate to it, that was more than compassion and less than pity, a kind of empathy for the feelings of others that he knew was far more rare and valuable than high cheekbones or a perfect nose.

She looked at him briefly, a head-to-toe glance that missed nothing along the way and left him with the disconcerted realization that he had been very accurately weighed and analyzed.

Andy did his best to melt into the woodwork before she looked at him but obviously felt pinned to it instead when those catlike eyes fixed on him. He held his hands out, palms up, and offered an apologetic shrug.

"Andy?" Her voice was very gentle.

"Sorry, Maggie." He shifted uncomfortably, ruefully aware that he probably looked for all the world like a scolded schoolboy.

John stepped toward them. "It's my fault, Miss Barnes. I asked Andy to bend the rules. My name is-"

"I know who you are, Mr. Garrett." Her gaze was direct, her voice matter-of-fact. "But some rules apply to you too, whether you like it or not."

"It wasn't a question of rules not applying to me. I have special permission to observe the investigation." He only just managed not to sound defensive, which surprised him.

"And that includes watching and listening like a voyeur while a shattered woman forces herself to remember a nightmare you can't even begin to imagine? Is that the observing you were given permission to do?"

John stiffened, but her accusation struck a nerve and left him at least momentarily silent. Maggie didn't wait for a response but went on coolly. "How would you feel, Mr. Garrett, if two strange men had watched and listened in silence and secret while someone you cared about relived the entire horrific experience of being brutally raped and maimed by an animal?"

That struck more than a nerve. He drew a breath and let it out slowly. "You're right. I'm sorry."

Andy said, "Sounded like you were reaching her there for a minute. The interruption won't help things, will it?"

"No. No, it won't help things. I'll try again, but she may not be willing to talk to me anymore today."

John felt the reproach, even though she wasn't looking at him. "I'm sorry," he said again. "I didn't intend to interfere. That's the last thing I want to do."

"Fine. Then you won't mind leaving." She stepped back, holding the door open in a clear invitation-if not a command-for them to leave.

Andy wasted no time in obeying, but John paused in the doorway and met her gaze steadily. "I would like to talk to you, Miss Barnes. Today, if possible."

"If you want to wait around, suit yourself." Her tone was indifferent, but the steady golden eyes never left his. "I may be a while."

"I'll wait," John said.

Hollis was awake but didn't move or make a sound to indicate that. For the first few moments it was always like this, tension and terror until her scrambling mind left nightmare and caught up with reality.

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