James Burke - The Tin Roof Blowdown

Здесь есть возможность читать онлайн «James Burke - The Tin Roof Blowdown» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Tin Roof Blowdown: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Tin Roof Blowdown»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Tight plotting, Solid Finish
Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative. He easily weaves several ancillary situations into the story line of The Tin Roof Blowdown. These are of interest on their own, but more importantly they serve to expand and add often curious layers to the main show that centers around the eye of mayhem left behind by a pair of hurricanes.
I bring this up since I just finished reading a book by Jeffrey Deaver titled The Cold Moon. The bad guy, a most interesting sociopath called The Watchmaker who is a brilliant killer with machinations of Machiavellian stature, is the author of a poem about a cold moon, so one would suppose that he would figure prominently in the denouement of the novel. He doesn’t. Not at all. He escapes from the cops and vanishes from the book with nearly one-hundred pages left, obviously setting a not-so-subtle stage for a return in another Deaver effort. This strikes me as venal artifice by a writer who certainly has reached a point of financial and critical security where such shenanigans are unnecessary and beneath him.
None of this fakery for Burke. From the first book I read by him years ago, The Neon Rain to others that included Black Cherry Blues, The Lost Get-Back Boogie, Jolie Blon’s Bounce, and now this one, Burke has played it straight telling his stories and making sure loose ends are tied up when the last page is read. And like I said he can write.
I said he smiled. That’s not quite right. Jude shined the world on and slipped its worst punches and in a fight knew how to swallow his blood and never let people know he was hurt. He had his Jewish mother’s narrow eyes and chestnut hair, and he combed it straight back in a hum, like a character in a 1930s movie. Somehow he reassured others that the earth was a good place, that the day was a fine one, and that good things were about to happen to all of us.
Tight, succinct descriptions like the one above or similarly structured vignettes connect and in doing so glide the reader from scene to scene. None of this is as easy as Burke makes it look. That’s called skill. He’s got it in spades.
But this is to be expected of a man who’s written more than twenty-five novels, a man who divides his time between seemingly disparate locations – Missoula, Montana and New Iberia, Louisiana. Living in these two places seems to give him an expanded and sympathetic view of the world and those of us who bump and grind our way through it making his characters and their short comings easily assimilated, allowing the reader to experience sympathy and often empathy.
The setting of The Tin Roof Blowdown is largely post-apocalypse Louisiana following the devastation wrought by first Hurricane Katrina then Rita. The landscape has been reduced to a naturally nuked wasteland where murder, rape and theft are the order of the day perpetrated by both punks run amok and many cops. Iberia Parish Sheriff’s Detective Dave Robicheaux is deployed to New Orleans, the once grand city now reduced to a feudal state without electrical power, clean water, food or any sense of societal order. Bloated bodies – humans, cats, dogs – float in flooded streets or lie tangled in downed, shattered trees. In this chaos Robicheaux must locate two serial rapists, a morphine-addicted priest, and a vigilante who quite possibly is more dangerous than the thugs looting the city and shooting at rescue helicopters overhead. Based on past books, just another day at the office for Robicheaux. Burke’s got so much going on here that it would be easy for him to inadvertently confuse the reader, if not himself, beyond salvation allowing the book to devolve into a miasma of none-related tales – a rag-tag collection of short stories pretending to be a novel.
Again his skill and also confidence as a writer never allows this to happen. Not even close. Each section and chapter advances the drama logically and without undo cliff hangings. A good example is when a killer stalking the detective’s daughter is spotted outside a cabin.
Out among the willows, I saw the solitary fisherman lean down in his boat and pick up something from the bottom. He knocked his hat off his head to give himself better vision and raised the rifle to his shoulder. I could not make out the features of his face, but the moon had started to rise and I saw the light gleam on his bald head inside the shadows.
I was already out the screen door and running down the slope when he let off the first round.
So many mystery writers would then wander off for a chapter or several on another tangent leaving a person wondering what’s going on back at the bayou. Not Burke. He again displays his confidence by moving directly forward with the above scene in the next chapter. He knows that each element in his books can stand on its own and doesn’t need the tired device of leaving the reader up in the air for pages on end to maintain interest in the overall narrative arc.
And Burke slips in sharp, humorous observations on the human condition throughout the book like this one following an argument between Robicheaux and his wife, a former nun.
I just went outside and started the truck, my face hot, my ears ringing with the harshness of our exchange. The yard had fallen into shadow and cicadas were droning in the trees, like a bad headache that won’t go away. Just as I was backing into the street, regretting my words, trying to accept Molly’s anger and hurt feelings, she came out on the gallery and waved good-bye.
That’s what happens when you marry nuns.
For those who’ve not yet read Burke, The Tin Roof Blowdown is a great place to start. For those who are already fans of his, this mystery is merely one more top-notch effort by a most talented author.

The Tin Roof Blowdown — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Tin Roof Blowdown», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Natalia brings him his coffee and warm milk and a single powdered beignet from the Café du Monde on a tray. She draws the blinds, turns the electric fan on him, and asks, “You want me to do it for you?”

“No, I don’t need it right now. I’ll wait until later in the day.”

“I don’t think you got no sleep last night.”

He watches the rainwater feathering off the roof and makes no reply. When he sits up on the rollaway bed, tentacles of light wrap around his thighs and probe his groin. Natalia sits down beside him, her dress dropping into a loop between her knees. Her hair is black and thick and she washes it often so it always has a sheen in it, and when she takes it down on her shoulders she is truly lovely to look at. She doesn’t smoke or drink, and there’s never a hint of the life she leads in her clothes or on her skin, not unless you include the tracks inside her thighs.

Her face is lost in thought, either about him or herself, he’s not sure. To her, Jude LeBlanc is a mystery, one she never quite understands, but it’s obvious she accepts and loves him for whatever he is or isn’t and imposes no judgment upon him.

“Can I do something else for you?”

“Like what?”

“Sometimes I feel I don’t ever do you no good, that I can’t give you nothing,” she says.

“You fixed breakfast for me,” he says.

She changes her position and kneels behind him on the rollaway, rubbing his shoulders, clutching him briefly to her, resting her cheek against the back of his head. “They got drugs in Mexico the pharmaceutical companies don’t allow on the market here,” she says.

“You’re my cure,” he replies.

She holds him, and for just a moment he wants to release all the desperation and hopelessness and unrelieved sense of loss that have characterized his life. But how do you explain to others that a false Gleason score on a prostate biopsy can result in so much damage to a person’s life? Most people don’t even understand the terminology. Plus he does not wish to rob others of their faith in the exactitude of medical science. To do so is, in a way, the same as robbing them of the only belief system they have.

The Gleason scale had indicated that the cancer had not spread outside the prostate. As a consequence the surgeon had elected not to take out the erectile nerve. The positive margins left behind went into the lymph nodes and the seminal vessels.

Natalia flattens herself against him, pressing her loins tightly into his back, and he feels desires stirring in him that he tries not to recognize, perhaps secretly hoping they will preempt the problems of conscience that prevent him from ever escaping his own loneliness.

He gets up from the rollaway, trying to hide his erection as he puts on his trousers. His Roman collar has fallen off the nightstand and a tangle of animal hair and floor dirt has stuck to the bottom rim. He goes to the sink and tries to clean it, rubbing the smudge deeper into the collar’s whiteness, splashing it with grease from an unwashed pot. He leans heavily on his hands, his sense of futility more than he can hide.

Outside, the velocity of the wind is fanning the rain off the roof in sheets. A flowerpot topples from the balcony and bursts on the bricks below. Across the courtyard, a neighbor’s ventilated wood shutters rattle like tack hammers on their hinges.

“You going to the Ninth Ward today?” Natalia asks.

“It’s the only place that will have me,” he replies.

“Stay with me,” she says.

“Are you afraid of the storm?” he asks.

“I’m afraid for you. You need to be here, with me. You can’t be without your medicine.”

She calls it his “medicine” to protect his feelings, even though she knows he’s been arrested twice with stolen prescription forms and once with morphine from an actual heist, that in reality he is no different from her or any other junkie in the Quarter. The irony is that a peasant woman from the Third World, one who works as a prostitute to fuel her own addiction, has a spiritual love and respect for him that few in his own society would be willing to grant.

He feels a sudden tenderness for her that makes his loins turn to water. He puts his mouth on hers, then goes out into the rain, a newspaper over his head, and catches one of the few buses still running down to the lower end of the Ninth Ward.

Chapter 3

OTIS BAYLOR PROUDLY calls himself a North Alabama transplant who is at home anyplace in the world, New Orleans or New Iberia or wherever his insurance company cares to send him. He’s effusive in manner, generous in his giving, and devoted to his family. If at all possible, he refuses to judge others and to be marked by the prejudices of either his contemporaries or the people of his piney-woods birthplace, where as a boy he witnessed his father and uncle attend cross lightings in full Klan regalia.

In fact, Otis learned the insurance business from the bottom up, working a debit route in the Negro and blue-collar neighborhoods of Birmingham. Where other salesmen had failed, Otis was a shining success. At a convention of salespeople in Mobile, a cynical rival asked him his secret. “Treat folks with respect and you’ll be amazed at how they respond,” Otis answered.

Today he drives home early in rain and heavy traffic, telling himself that neither he nor his family will be undone by the forces of nature. His house was built in 1856 and was mute witness to Yankee occupation, epidemics of yellow jack, street battles between Union loyalists and White Leaguers, the lynching of Italian immigrants from streetlamps, and tidal surges that left the bodies of drowned clipper ship sailors hanging in trees. The men who built Otis’s house had built it right, and with the gasoline-powered generators he has placed in his carriage house, the flashlights and medical supplies and canned food and bottled water he has packed into his pantries and his attic, he is confident he and his family can persevere through the worst of natural calamities.

Have faith in God, but also have faith in yourself. That’s what Otis’s daddy always said.

But as he stares at the rain sweeping through the live oak trees in his yard, another kind of fear flickers inside him, one that to him is even more unsettling than the prospect of the hurricane that is churning toward the city, sucking the Gulf of Mexico into its maw.

Otis has always believed in the work ethic and taking care of one’s self and one’s own. In his view, there is no such thing as luck, either good or bad. He believes that victimhood has become a self-sustaining culture, one to which he will never subscribe. When people fall on bad times, it’s usually the result of their own actions, he tells himself. The serpent didn’t force Eve to pick forbidden fruit, nor did God make Cain slay his brother.

But if Otis’s view is correct, why did undeserved suffering come in such a brutal fashion to his homely, sad, overweight daughter, his only child, whose self-esteem was so low she was overjoyed to be invited to the senior prom by a rail of a boy with dandruff on his shoulders and glasses that made his eyes look like a goldfish’s?

After the prom, Thelma and her date had headed up Interstate 10 to a party, except the boy, who had moved to New Orleans only two months earlier, got lost and drove them into a neighborhood not far from the Desire Welfare Project. Mindlessly, the boy killed the engine and asked directions of a passerby. When he discovered his battery was dead and he couldn’t restart the engine, he walked to a pay phone to call Otis, leaving Thelma by herself.

The three black thugs who stumbled across her were probably ripped on weed and fortified wine. But that alone would not explain the ferocity of their attack on Otis’s daughter. They stuffed a red bandana in her mouth and twisted her arms behind her while they forced her between two buildings. Then they took turns raping and sodomizing her while they burned her skin with cigarettes.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Tin Roof Blowdown»

Представляем Вашему вниманию похожие книги на «The Tin Roof Blowdown» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Tin Roof Blowdown»

Обсуждение, отзывы о книге «The Tin Roof Blowdown» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x