James Burke - The Tin Roof Blowdown

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Tight plotting, Solid Finish
Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative. He easily weaves several ancillary situations into the story line of The Tin Roof Blowdown. These are of interest on their own, but more importantly they serve to expand and add often curious layers to the main show that centers around the eye of mayhem left behind by a pair of hurricanes.
I bring this up since I just finished reading a book by Jeffrey Deaver titled The Cold Moon. The bad guy, a most interesting sociopath called The Watchmaker who is a brilliant killer with machinations of Machiavellian stature, is the author of a poem about a cold moon, so one would suppose that he would figure prominently in the denouement of the novel. He doesn’t. Not at all. He escapes from the cops and vanishes from the book with nearly one-hundred pages left, obviously setting a not-so-subtle stage for a return in another Deaver effort. This strikes me as venal artifice by a writer who certainly has reached a point of financial and critical security where such shenanigans are unnecessary and beneath him.
None of this fakery for Burke. From the first book I read by him years ago, The Neon Rain to others that included Black Cherry Blues, The Lost Get-Back Boogie, Jolie Blon’s Bounce, and now this one, Burke has played it straight telling his stories and making sure loose ends are tied up when the last page is read. And like I said he can write.
I said he smiled. That’s not quite right. Jude shined the world on and slipped its worst punches and in a fight knew how to swallow his blood and never let people know he was hurt. He had his Jewish mother’s narrow eyes and chestnut hair, and he combed it straight back in a hum, like a character in a 1930s movie. Somehow he reassured others that the earth was a good place, that the day was a fine one, and that good things were about to happen to all of us.
Tight, succinct descriptions like the one above or similarly structured vignettes connect and in doing so glide the reader from scene to scene. None of this is as easy as Burke makes it look. That’s called skill. He’s got it in spades.
But this is to be expected of a man who’s written more than twenty-five novels, a man who divides his time between seemingly disparate locations – Missoula, Montana and New Iberia, Louisiana. Living in these two places seems to give him an expanded and sympathetic view of the world and those of us who bump and grind our way through it making his characters and their short comings easily assimilated, allowing the reader to experience sympathy and often empathy.
The setting of The Tin Roof Blowdown is largely post-apocalypse Louisiana following the devastation wrought by first Hurricane Katrina then Rita. The landscape has been reduced to a naturally nuked wasteland where murder, rape and theft are the order of the day perpetrated by both punks run amok and many cops. Iberia Parish Sheriff’s Detective Dave Robicheaux is deployed to New Orleans, the once grand city now reduced to a feudal state without electrical power, clean water, food or any sense of societal order. Bloated bodies – humans, cats, dogs – float in flooded streets or lie tangled in downed, shattered trees. In this chaos Robicheaux must locate two serial rapists, a morphine-addicted priest, and a vigilante who quite possibly is more dangerous than the thugs looting the city and shooting at rescue helicopters overhead. Based on past books, just another day at the office for Robicheaux. Burke’s got so much going on here that it would be easy for him to inadvertently confuse the reader, if not himself, beyond salvation allowing the book to devolve into a miasma of none-related tales – a rag-tag collection of short stories pretending to be a novel.
Again his skill and also confidence as a writer never allows this to happen. Not even close. Each section and chapter advances the drama logically and without undo cliff hangings. A good example is when a killer stalking the detective’s daughter is spotted outside a cabin.
Out among the willows, I saw the solitary fisherman lean down in his boat and pick up something from the bottom. He knocked his hat off his head to give himself better vision and raised the rifle to his shoulder. I could not make out the features of his face, but the moon had started to rise and I saw the light gleam on his bald head inside the shadows.
I was already out the screen door and running down the slope when he let off the first round.
So many mystery writers would then wander off for a chapter or several on another tangent leaving a person wondering what’s going on back at the bayou. Not Burke. He again displays his confidence by moving directly forward with the above scene in the next chapter. He knows that each element in his books can stand on its own and doesn’t need the tired device of leaving the reader up in the air for pages on end to maintain interest in the overall narrative arc.
And Burke slips in sharp, humorous observations on the human condition throughout the book like this one following an argument between Robicheaux and his wife, a former nun.
I just went outside and started the truck, my face hot, my ears ringing with the harshness of our exchange. The yard had fallen into shadow and cicadas were droning in the trees, like a bad headache that won’t go away. Just as I was backing into the street, regretting my words, trying to accept Molly’s anger and hurt feelings, she came out on the gallery and waved good-bye.
That’s what happens when you marry nuns.
For those who’ve not yet read Burke, The Tin Roof Blowdown is a great place to start. For those who are already fans of his, this mystery is merely one more top-notch effort by a most talented author.

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“Look, me and Eddy got a surprise for you. That last house had some money in a wall. We’re gonna give y’all your cut now, in case something go sout’ and some of us get picked up,” Bertrand said.

There was no sound in the room. Andre was seated on a metal desk, drinking from a warm can of Coca-Cola he’d found under a destroyed display rack out front. He had thrown away his soiled LSU T-shirt and in the flashes of heat lightning through the window his skin was the color of dusty leather, his nipples like brown dimes. “How come we just hearing about that now?” he asked.

Bertrand slapped a mosquito on his neck and studied it. “’Cause I didn’t want no complications back there,” he said. “’Cause I don’t be explaining everything as we go. ’Cause you getting cut in on what you ain’t found, Andre, wit’ an equal share for your young relative here, even though you and him ain’t had nothing to do wit’ finding the money. If I was you, I’d show some humbleness and be thankful for what I got.”

“The split’s always been fair, ain’t it?” Eddy said.

“If it ain’t been fair, I wouldn’t have no way of knowing, would I?” Andre said.

But Bertrand no longer cared if Andre believed him and Eddy or not. That house back there on the flooded alley was creaking with cash-ola. Ten more minutes with the ball-peen and the crowbar and he would have had the upstairs walls peeled down to the floor. Bertrand could see stacks of cash tumbling out on his shoe tops.

He looked at his watch. It was one in the morning. He and Eddy could be at the alley in less than a half hour, cut the engine, and hand-pull the boat in from the side street. Nobody would even know they were there. Because they already knew the layout they could probably work inside without flashlights. This was the big score, man. He’d done right by Andre and his nephew and it was time to get back into action. Screw this diplomacy shit.

“Me and Eddy are going back. Y’all stay here,” Bertrand said.

Andre pinched his abs, his eyes empty, his mouth pursed. “How come we get left behind?”

“Let me ax you a better question,” Bertrand said. “How come you always feeling yourself up?”

“Why don’t you lay off me, man? Case you ain’t noticed, the buses and the streetcar ain’t running,” Andre said. “We suppose to carry our loot t’rou town?”

“Andre’s right, man. One for all and all for one. We all going back together,” Eddy said. He lit a cigarette and blew out smoke without removing the cigarette from his lips. He looked at Andre’s nephew. “You up for that, my li’l brother?”

Kevin was seated on the floor, eating a fried pie, his springy hair bright with sweat. He wiped his mouth with his shirt. “I ain’t scared,” he said.

Bertrand wanted to shove Eddy’s head into a commode.

OTIS SLEPT THE sleep of the dead, his wife’s hip nestled against him, the attic fan drawing a breeze across their bodies. He dreamed of his parents and the tiny yellow house he had grown up in. In the spring the grass was always cool in the evening and full of clover, and when his father came home from work at the sawmill, they played a game of pitch-and-catch in the front yard. There were cows and horses in a field behind the house, and a big hackberry tree in the side yard that shaded the roof during the hottest hours of the day. Otis had always loved the house he had grown up in and he had loved his family and had always believed he was loved by them in return.

He believed this right up to the Indian-summer afternoon his father discovered his wife’s infidelity and shot her lover to death on the steps of the Baptist church where he served as pastor, then came home and was shot down and killed by a volunteer constable who had once been his fishing partner.

Otis sat straight up in bed. Then he went into the bathroom and tried to wash his face in the lavatory. The faucet made a loud, squeaking sound, and a pipe vibrated dryly in the wall.

“What was that?” Melanie said from the bed.

“It’s just me. I forgot the water was off.”

“I thought I heard something outside.”

He walked back into the bedroom, his bare feet padding on the carpet. All he could hear was the steady drone of the attic fan and the wind in the trees on the north side of the house. He looked out on the street. The moon had broken out of the clouds and created a black glaze on the surface of the floodwater. A solitary palm frond rustled against the side of a tree trunk on the neutral ground and a trash can turned in an eddy by a plugged storm drain.

“I had a bad dream. I was probably talking in my sleep,” he said.

“Are you sure no one is out there?”

“I never told you how my father died.”

She raised herself on her elbow, her face lined from the pillow. “I thought he had leukemia.”

“He did. But that’s not how he died. He was shot to death by a friend of his, a constable. He was going to kill my mother,” Otis said. He was sitting on the edge of the bed, staring into space, his back to his wife, when he said this.

The room was silent a long time. When he lay back down, Melanie took his hand in hers. “Otis?” she said, looking up into the darkness.

“Yes?”

“We mustn’t ever tell anyone about this. That is not what happened in your family.”

In the glow of moonlight through the window, her face looked as though it had been sculpted in alabaster.

“Say that again?” Otis asked.

“You’re a respected insurance executive in New Orleans. That’s what you will remain. That story you just told me has no application in our lives today.”

“Mel?” he began.

“Please. I’ve told you not to call me that, Otis. It’s not a lot to ask.”

Otis went downstairs to the den and lay down on a black leather couch, a cushion over his head, his ears ringing with a sound like wind in seashells.

картинка 3

BERTRAND COULDN’T give up his resentment toward Eddy all the way back to the house where he’d found the cash and dope and the.38 snub. Eddy loved playing the big shot, handing out favors to people, screwing a cigarette in his mouth, firing it up with a Zippo, snapping the lid back tight, like he was the dude in control. Except Eddy was being generous with what wasn’t his to be generous with, in this case the biggest score of their lives. Andre was sitting backward on the bow of the boat, like he was lookout man, scanning the horizon, some kind of commando about to take down osama bin Laden.

What a pair of jokers. Maybe it was time to cut both of them loose.

But the real reason for Bertrand’s resentment of Eddy and Andre had little to do with the score at the house and he knew it. Every time he looked into their faces he saw his own face, and what he saw there set his stomach on fire again.

Maybe he could get away from Andre and Eddy and start over somewhere else. Forget about what they had done when they were stoned. Yeah, maybe he could even make up for it, write those girls a note and mail it to the newspaper from another city. It hadn’t been his idea anyway. It was Eddy who always had a thing about young white girls, always saying sick stuff when they pulled up to them next to a red light. Andre had been a sex freak ever since he got turned out in the Lafourche Parish Prison. Bertrand never got off hurting people.

But no matter how many times Bertrand went over the assault on the two victims, he could not escape one conclusion about his participation: He had entered into it willingly, and when he saw revulsion in the face of the girl they had taken out of the car with the dead battery, he had done it to her with greater violence than either his brother or Andre.

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