Linda Fairstein - The Bone Vault

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Following the critically acclaimed and top ten Best Seller The Deadhouse, Linda Fairstein now takes us behind the scenes of some of New York's magnificent and mysterious institutions in her most electrifying Alexandra Cooper thriller yet. The Bone Vault begins in the glorious Temple of Dendur at the Metropolitan Museum of Art, where wealthy donors have gathered to hear plans for a controversial new exhibit. An uneasy mix of scholarship and showbiz. The exhibition has raised fierce opposition from some of the museum's elite: IMAX time trips and Rembrandt refrigerator magnets have no place for them at the Met. Assistant DA Alex Cooper, off duty for the evening, observes the proceedings with bemused interest until the Met director suddenly pulls her aside: the body of a young researcher has been found in an ancient Egyptian sarcophagus. Teaming up with cops Mike Chapman and Mercer Wallace, Alex must penetrate the silent sentinels comprising New York's museum society, investigating not only at the Met but also at the Museum of Natural History and the Cloisters, to find a killer. Atmospheric, chilling, and shot through with procedural authenticity.

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Again there was a noise at the door. I poised myself, arm in the air with my weapon aimed at it. The door opened and the light in the hallway reflected off the top of Mike Chapman’s black hair.

“You getting high from these fumes, blondie? I got a box of Krazy Glue I can give you to take home. What the-”

“Somebody locked me in here!”

“Will you get down from there? What are you doing by that window? You can’t kill yourself by jumpingup from the basement to the courtyard. Save your strength.”

“The missing princess-the mummy from the sarcophagus that Katrina was in? She’s in this vat.”

“You afraid she’s gonna walk? That why you’re standing up there, looking like something scared the crap out of you? C’mon, let’s get going. Get off that thing.”

“I can’t.”

“What do you mean you can’t? Let’s go.”

“Look at the floor, Mike.”

“This room’s a mess. Must be some kind of lab. How can you stand it in here with that smell?”

“I broke those jars. It’s not a lab. It wasn’t like that when I got in here.”

“Why’d you do that?”

“I didn’t do it. I didn’t mean to do it. Someone locked me in here.”

“What are you talking about? The door wasn’t locked. It was just tight. I had to lean all my weight against it, but I don’t have a key.”

“Didn’t you hear me screaming the first two times you tried the door? You should have let me know you were there.”

“What first two times? I just came down here looking for you now, ‘cause you weren’t back at the staircase where we said we’d meet. I gave you an extra ten minutes, then just started trying all the doors. This was the last one.”

“I’m telling you that someone closed me in here, then came back and locked the door. I heard them jiggling the handle, I swear to you. I’m not crazy.”

He walked toward me, crunching broken glass and beetle shells on his way. “These creepy crawlies got to you, Coop. It was just your imagination. Zimm and I were the only ones over here.”

“Zimm? We left him in the other building.”

“Yeah, but he decided to catch up with us. See if he could be useful. I sent him back.”

Somebody had been playing with the door when I was locked inside. Why had Zimm followed us here? “It’s not my imagination. I’m not moving till you tell me you believe me.”

Mike stood in front of me, reaching up to grab my legs behind my knees. “I forgot my cape. We’ll do it fireman’s carry and not Sir Walter Raleigh style. Forgive me.”

He lifted me over his shoulder and across the littered floor, my shoes in hand, to the hallway. Then he went back inside and looked into the steel container.

“Egyptian princess. Twelfth Dynasty. That girl just can’t find a quiet place to sleep. C’mon, I need to clean you up before we go upstairs.”

I took Mike’s hand and let him lead me down the corridor. There was a men’s room next to the stairwell and he took me inside.

He ran cold water, soaked a paper towel in it, and began to wipe my face and hands. “It’s a bad night when a broad a couple of thousand years older than you looks better than you do.”

I bent my head toward him and shook it at him. “I’m getting used to that fact. Anything stuck there? Any b-”

“Clean as a whistle.” He handed me his comb and I ran it through my hair.

“I know you think I’m exaggerating, but I’m telling you the truth.”

“Later, kid. We got people waiting for us upstairs. And now I gotta call crime scene and get them working on the mummy. And you,” he said, tugging on a strand of my hair, “you’re not out of my sight for a nanosecond, got it?”

I nodded and walked up the dingy staircase in front of him.

Retracing our path to the fourth floor, I knocked on the door and identified myself to Mercer. He opened it and told me that Mamdouba wanted to talk to me. He had come to ask me a question and expressed his annoyance that I was down in the basement with Mike.

Mike walked to the turret with me and held the door for me to go into Mamdouba’s office. The curatorial director was standing at the window, having pulled himself up to full height and assumed the most clipped, formal version of his manner.

“Inasmuch as I have been gracious enough to be your host, in President Raspen’s absence, and inasmuch as I have cooperated with you in every way possible, I think it is extremely rude-to say the very least-that you have brought Miss Clementine Qisukqut into this museum tonight.”

Mamdouba raised his finger to shake at me. He was furious. “Police business, that I have great respect for. Trusting you and your detectives is one thing. But sneaking in here with a former employee who was discharged from this institution-discharged because of her untrustworthiness, her calumny-well,this, I tell you, Miss Cooper, withthis you have broken every rule. Your little trick on me is over. You’ll have to go. At once.”

My apologies were lame and unsuccessful. I tried to interrupt to tell him that we had just found the mummy from the sarcophagus, but Mamdouba wouldn’t be distracted from his tirade. The more I tried to excuse our ruse, the angrier he became.

“But you even joked about the fact that she was coming to town.”

“To town, perhaps. To my museum, without my permission-no.”

I wanted to know who had blown Clem’s cover. I didn’t think the leak was all that serious, since Clem’s e-mails to some in the museum group had suggested that she might arrive in Manhattan that very night, but Mamdouba’s discovery certainly foiled our plans for the rest of the night. He wouldn’t tell me anything.

“Bring your Trojan horses in here, madam. Now that you’ve made a fool of me, let me tell them what to expect from this point forward.”

I wasn’t sure whether to move.

“Get your friends,” he barked. “It’s almost ten o’clock. I’d like to go home.Get them!”

He stood in the doorway of his anteroom and watched Mike and me walk back the short distance as though it were a gangplank. I opened the door and gave Mercer and Clem the word that someone had spotted her, and that Mamdouba was waiting to rap our knuckles and kick us out into the night.

Clem caught up with me as we walked toward the corner office. “Don’t blame yourself. I’m sure it’s my fault. I was getting a little frisky with those last e-mails. I’ll let you read them. I think I was too excited to exercise much caution. Zimm probably figured out I was already here. He may have thought he had to blow the whistle on me, for his own sake.”

The four of us took our places in the curator’s circular turret. Clem spoke first. “This is not the way I hoped to come back, Mr. Mamdouba. I think you know how much respect I have for this great museum, for the work of my colleagues, for-”

The bantam administrator wanted no explanations. He gave Clem a tongue-lashing for her unauthorized entry into the facility from which she had been banned months ago. I broke in to try to convince him that she had only come at my urging, at my direction. Mike jumped in to defend me, and only Mercer stood with calm reserve, behind Clem’s chair, his powerful hands on her tiny shoulders.

“This will mark the end of your comings and goings, Miss Cooper.” Mamdouba crushed the subpoena and threw it in the wastebasket.

“May I have a moment with you?” I motioned to the anteroom. I did not want to be discussing witnesses and evidence in front of Clem, but I wanted to impress upon the director of curatorial affairs the kind of access we needed from him and why we had taken the chance that we did. Traipsing through his displays in the daytime, with dozens of police officers in the midst of hundreds of schoolchildren, would be far less appealing than our clumsy efforts to operate more discreetly after dark. He also needed to know about our discovery in the basement, which we hadn’t disclosed to Clem.

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