Sue Grafton - S is for Silence

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Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again.
In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband.
But for the not-quite-seven-year-old daughter Daisy she left behind, Violet's absence has never been explained or forgotten.
Now, thirty-four years later, she wants the solace of closure.
In S is for Silence, Kinsey Millhone's nineteenth excursion into the world of suspense and misadventure, S is for surprises as Sue Grafton takes a whole new approach to telling the tale. And S is for superb: Kinsey and Grafton at their best.

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Through the glass he spotted the car and relief washed over him. The vehicle didn’t appear to be damaged, at least the parts he could see. He went out to the floor, knowing that in no way possible could she afford to buy the coupe. Violet turned as he approached, and he was startled by her vibrancy-the flaming hair, the creamy skin, her eyes a vivid green. He’d never seen her at close range because Livia made a point of crossing the street, tugging him by the arm, if she spotted Violet anywhere in town. She thought Violet was a tramp, wearing those sheer nylon blouses you could see right through. The sundress Violet wore today emphasized the suppleness of her arms, and the flowing skirt showed her legs to advantage. Livia was thick-waisted and narrow-minded, critical of others whose circumstances or beliefs or behaviors were an affront to her own. Chet was irritated by her scathing pronouncements, but he’d kept his mouth shut. From afar, he’d seen Violet’s flirtations with married men, and he’d wondered how it would feel to have her attentions lavished on him.

“Hello, Chet. Sorry I was gone so long.”

He circled the car until he was satisfied no harm had come to it. On impulse, he leaned in and checked the odometer: 257 miles. For a moment he was speechless. She’d turned this beautiful new Bel Air into a piece-of-shit used car. “Come into the office,” he snapped.

Violet caught up with him and tucked a hand through his arm, forcing him to slow his pace. “Are you mad at me, Chet? May I call you ‘Chet’?”

“You can call me ‘Mr. Cramer’ like everyone else. You put two hundred fifty-seven miles on that car? Where the fuck did you go?” He regretted the swear word the minute it was out of his mouth, but Violet didn’t seem to care. As he opened his office door, she passed in front of him and he could smell her cologne.

His heart gave another double thump, this time warming his blood. He moved away from her. “Take a seat.”

“Yes, sir.”

He went around and sat down behind his desk, suddenly conscious of the power he wielded. She had to know she was in the wrong, that he could extract any price he named. Two hundred and fifty-seven miles on a brand-new car? He wondered if she’d set it up that way. Maybe she’d had her eye on him at the same time he’d had his eye on her. She stared at him with interest, apparently undismayed by his rage or the fact that he was ordering her around.

She extracted a pack of cigarettes from her purse. Ever the gentleman, he took out his lighter and fanned the striker. She leaned across the desk, allowing him a glimpse of the swell of her breasts as she accepted his light. There was a bruise on her chin and he knew what that was about. She reclaimed her seat and crossed her legs. He glanced at Kathy, visible in the outer office beyond his glass-enclosed cube. She was watching the back of Violet’s head with her mother’s same spiteful stare, constructing new and better ways to feel superior. When Kathy caught him looking at her, she got up and walked to the water cooler. Fourteen, and she was already as rigid, nasty-minded, and prissy as her mom. She’d taken out a piece of pink notepaper and it sat squarely in the middle of her desk. He could see the heavy black writing on it even at that distance, an angry-looking scrawl that slanted across the page.

He picked up a pencil and tapped on his desk while he rearranged his thoughts. He had no idea how he should play it, but he loved feeling in command. “So what are we going to do about this, Mrs. Sullivan?”

Her smile was slow, smoke drifting from her lips as though she was smoldering at the core. “Well, Mr. Cramer, Sweetie, I can make a suggestion, but I’m not sure you want to talk about it here. Buy me a drink and I’m certain we can work something out.”

Every syllable she spoke was weighted with promise. Her gaze was fixed on his mouth with a hunger he’d never seen in a woman and had certainly never experienced in himself. How could this be happening? She was his for the taking. He knew that as surely as he knew his name. Though he’d never admit it, he was a man of conventional inclinations. He was forty-seven years old, and in fifteen years of marriage, he’d never been unfaithful to his wife, not for lack of opportunity, but for lack-he saw now-of comprehension. After the first few months with Livia, the sex was workaday-pleasurable, and of course a blessed relief, but in no way compelling. Livia might not be wildly attractive, but whatever his ordinary irritations with her, she’d never denied his needs, and she’d never implied that she found sex onerous. While he wasn’t dissatisfied, he’d never understood what all the fuss was about.

In one stroke that had changed.

Here before him, Violet Sullivan, with her insolence and her boldness, had ignited him, sparking a desire so consuming he could barely breathe. He thought maybe this was what it meant to sell your soul to the devil, because he knew in that moment he’d be willing to rot in hell for her.

10

Thursday morning, I went through my usual routine, waking at 6:00 to do my three-mile jog. I prefer to have exercise under my belt before I start my day. In the late afternoon, it’s too easy to think of reasons to sit around on my buns. The morning air had a faint chill to it, and the sky was layered with salmon and amber clouds, overlapping like ribbons sewn on the borders of a bright blue tablecloth. I used the brief walk to the beach as a way of warming up before I eased into a trot. Along the bike path, the palm trees were still, no breeze at all ruffling the fronds. A fifteen-foot expanse of ice plant stretched between the bike path and the beach. Beyond that the ocean tumbled and churned. A man had parked his car in the public lot and he was tossing breadcrumbs in the grass. Gulls were wheeling in from all directions, shrieking with delight. I picked up my pace, feeling my body warm and my muscles become loose. It wasn’t the best run I ever had, but it felt good nonetheless.

Home again, I showered, threw on my jeans, my boots, and a T-shirt, and then ate a bowl of cereal while I cruised through the local paper. I reached the office at 8:30 and spent an hour on the phone, taking care of business unrelated to Violet Sullivan. At 9:30 I locked up, hauled my portable Smith-Corona typewriter out to the car, and drove to Santa Maria for my meeting with Kathy Cramer. I didn’t expect to get much from her. At the time, she’d been too young to qualify as a keen observer of adults, but I figured it was worth a try. You never know when a fragment of information or an offhand remark might fill a blank spot on the canvas I was painting bit by bit.

The Uplands, the golf course subdivision Kathy Cramer had just moved into, was still a work in progress. The course itself was an irregular series of fairways and bright greens that formed an elongated V the length of a shallow valley. A man-made lake sat in the angle between the front and back nine holes. View homes were perched on the ridge that ran along one side of the course while on the opposite hill, I could see the lots laid out and marked with small flags. Many homes had been completed, with sod lawns and an assortment of shrubs and saplings in place. Other houses were under construction, some framed and some consisting solely of the newly poured slabs. Across the low undulating hills, I could see a hundred houses in various phases of completion. Kathy's house was finished, but the landscaping wasn't in. I'd seen its twin or its mirror image replicated up and down the street-buff-colored stucco with a red tile roof. I parked at the curb, where moving boxes had been piled in anticipation of a garbage pickup. I took the walkway to the front door. The shallow porch had already been furnished with a faux-wicker couch, two faux-wicker chairs, and a welcome mat.

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