Sue Grafton - T Is For Trespass

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From Publishers Weekly
Starred Review. The 20th Kinsey Millhone crime novel (after 2005's S Is for Silence), a gripping, if depressing, tale of identify theft and elder abuse, displays bestseller Grafton's storytelling gifts. By default, Millhone, a private investigator in the small Southern California town of Santa Teresa, assumes responsibility for the well-being of an old neighbor, Gus Vronsky, injured in a fall. After Vronsky's great-niece arranges to hire a home aide, Solana Rojas, Millhone begins to suspect that Rojas is not all that she seems. Since the reader knows from the start that an unscrupulous master manipulator has stolen the Rojas persona, the plot focuses not on whodunit but on the battle of wits Millhone wages with an unconventional and formidable adversary. Grafton's mastery of dialogue and her portrayal of the limits of good intentions make this one of the series' high points, even if two violent scenes near the end tidy up the pieces a little too neatly.

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When I got to the third floor, just to be on the safe side, I tapped at Melvin Downs’s door and waited a beat. When no one responded to my knock, I checked the hall in both directions and then opened the door.

I stepped into his room with the same heightened sense of danger I felt every time I found myself someplace I wasn’t supposed to be, which was much of the time these days. I closed my eyes and inhaled. The room smelled of aftershave. I opened them again and did a visual survey. The dimensions were unexpectedly generous, probably sixteen by twenty feet. The closet was large enough to accommodate a wide chest of drawers with two wooden rods for hanging clothes and a shoe rack attached to the back of the door. Above the hanging rods there were empty wood shelves that reached all the way to the ceiling.

The adjacent bathroom was twelve by twelve with an old cast-iron claw-foot tub and a sink with a wide lip, a small glass shelf above. The toilet had a wooden seat and a wall-mounted tank that was operated by a pull-chain. The floors were covered in a parquet pattern of fake-wood linoleum.

In the main room there was a second chest of drawers, a double bed with a white painted iron bedstead, and two mismatched bed tables. The one table lamp was utilitarian-two seventy-five-watt bulbs, a hanging metal chain, and a plain, yellowing shade that looked scorched in places. When I pulled the chain only one bulb came on. The bed had been stripped and the mattress was folded back on itself, revealing the bedsprings. Melvin had made a tidy pile of the linens that would need to be washed: sheets, pillowcases, mattress cover, bedspread, and towels.

Under a bay of windows on the far wall there was a wooden table painted white and two unfinished wooden chairs. I crossed to a length of kitchen counter with a short run of cabinets above. I checked the shelves. A set of dishes, six drinking glasses, two cereal boxes, and an assortment of crackers. Knowing Mrs. Von as I did by then, a hot plate or any other cooking equipment would be strictly forbidden.

I began to search in earnest, though I didn’t see much in the way of hiding places. I pulled each drawer open, looked in and behind, checked the underside, and then closed it and moved on. Nothing in the wastebasket. Nothing under the chest of drawers. I took one of the kitchen chairs and carried it to the closet so I could climb up and get a clear view of the far reaches of the shelves. I pulled the string that controlled the one naked bulb. The light was dull. At first I thought I’d struck out again, but I could see something in one corner against the wall. I stood on my toes, head down, my arm fully extended as I groped blindly across the dusty shelf. My hand closed over the item and I hauled it into view. It was one of those toys with two parallel wooden sticks, which when squeezed makes a small wooden clown do a somersault. I watched the clown do a couple of flips and then climbed down off the chair. I returned the chair to the kitchenette and stuck the toy in my bag before I moved into the bathroom.

The bathroom hadn’t been scrubbed, but neither did it contain anything in the way of information. I did see the cardboard insert from a wine box, folded flat and tucked behind the sink. Melvin Downs had been carrying two wine boxes, one tucked inside the other, when we were introduced. Which meant he was already in the process of packing up his things. Interesting. Something had triggered a hasty departure and I hoped it wasn’t me.

I left the room and closed the door behind me. As I headed toward the stairs, I heard the faint strains of a radio from the room across the hall. I hesitated and then knocked on the door. What did I have to lose?

The man who answered was missing his upper front teeth and had a prickling two-day growth of beard.

“Sorry to bother you, but I’m wondering what happened to Melvin Downs.”

“Don’t know. Don’t care. I didn’t like him and he didn’t like me. Good riddance.”

“Is there anyone else I might talk to?”

“Him and the fellow in 5 watched TV together. Second floor.”

“Is he here?”

He closed the door.

I said, “Thanks.”

I went out to my car and got in, then sat with my hands on the steering wheel while I considered my options. I glanced at my watch. It was close to eleven o’clock. For the moment, there was nothing I could do. I had the Guffeys to contend with, so I turned the key in the ignition and headed for Colgate. If I didn’t get a move on, I’d be late.

24 SOLANA

Sunday morning, Solana stood in the kitchen, breaking up a handful of tablets with a mortar and pestle. The pulverized medication was a new over-the-counter sleep aid she’d purchased the day before. She liked to experiment. The old man was currently sedated and she took the opportunity to place a call to the Other, to whom she hadn’t spoken since before Christmas. Given the press of the holidays and her care of the old man, Solana hadn’t given the Other much thought. She felt safe where she was. She couldn’t see how her past could catch up with her, but it never hurt to keep a finger on the Other’s pulse, as it were.

After the usual banal conversation, the Other said, “I had the oddest thing happen. I was in the neighborhood of Sunrise House and stopped by to see the gang and say hi. There’s a new woman in the administrator’s office and she asked me if I was enjoying my new job. When I said I was in school full-time, she gave me this look. I can’t even tell you how strange it was. I asked what was wrong and she said a private investigator had come in, doing a background check for a private-duty nursing job. I told her she’d made a mistake, that I wasn’t doing private duty.”

Solana closed her eyes, trying to determine what this meant. “She must have made a mistake, thinking you were someone else.”

“That was my reaction, but while I was standing there, she pulled the folder and pointed out the note she’d entered at the time. She even showed me the woman’s business card.”

Solana focused on the information with a curious sense of detachment. “Woman?”

“It wasn’t a name I’d seen before and I can’t remember it now, but I don’t like the idea of someone asking personal questions about me.”

“I have to go. There’s someone at the door. I’ll call you later.”

Solana hung up. She could feel the heat climb her frame like a hot flash. What alarmed Solana was the fact that the young woman from next door was prying into matters that were none of her concern. The revelation was deeply disturbing, but she couldn’t stop and worry about that now. She had other business to take care of. She’d set up an appointment at an art gallery, where she was hoping to off-load the paintings she’d found when she first came to work. She knew nothing about art, but the frames were handsome, and she believed they would bring in a tidy sum. She’d gone through the yellow pages and selected five or six galleries in the fancy-pants part of town. As soon as Tiny helped her load the paintings in the trunk of her car, she’d take off, leaving him to babysit Mr. Vronsky while she was out.

She left the freeway and took the Old Coast Road, which ran through the part of Montebello known as the Lower Village. There was nothing remotely village-like about the area. It was all high-end retail businesses: custom clothing, interior design shops, architects’ offices, real estate offices with color photographs of ten-to fifteen-million-dollar homes in the window. She spotted the gallery in the middle of a line of stores. Parking was at a premium and she circled the block twice before she found a space. She opened the trunk of the convertible and took out two of the six paintings she’d brought. On both, the frames were ornate and she was sure the gold leaf was real.

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