Sue Grafton - I is for Innocent

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From Kirkus Reviews
California's formidable p.i. Kinsey Millhone (``A'' Is for Alibi, etc.), fired from her comfortable berth with Fidelity Insurance, now rents office space from busy Santa Teresa lawyer Lonnie Kingman. His usual outside investigator Morley Shine has died of a heart attack, and he hires Kinsey to take over the case that Morley was working on. It involves the upcoming trial of David Barney, acquitted of the six-year-old murder of his wife, Isabelle, but now being sued for wrongful death in civil court by Isabelle's first husband, Ken Voigt. Voigt, represented by Lonnie Kingman, is sure that Barney killed Isabelle and wants to keep her considerable fortune out of his hands. Lonnie thinks he has a strong case, buoyed by damning new evidence from drifter Curtis McIntyre. But what Kinsey finds as she begins to probe is a surprising number of people with reasons to hate Isabelle-among them Voigt's second wife, Francesca, and Isabelle's business mentor Peter Weidmann and his overprotective wife, Yolanda. She also uncovers curious gaps in Morley's files and begins to question his ``heart attack,'' as Lonnie's seemingly solid case collapses bit by bit, with her own life on the line in the gritty finale. A sober, resolute Kinsey, romanceless at the moment, and a clever, meaty puzzle-for which the publisher plans a 300,000 first printing. Rack up another winner for Grafton.

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"You might not see the relevance, but a jury will. Wait until Herb Foss gets hold of it. He'll play the timing for all it's worth."

"But suppose it was earlier? You can't be sure about what time it was."

"Yes, I can. There's a corroborating witness and I've talked to him."

He wiped his face with one hand, palm resting across his mouth briefly. He said, "Jesus. Lonnie's not going to be happy. Have you talked to him?"

"He'll be back tonight. I can talk to him then."

"You don't know how much I have wrapped up in this. It's cost me thousands of dollars, not to mention all the pain and suffering. You've undone all of that. And for what? Some six-year-old hit-and-run accident?"

"Wait a minute. That pedestrian is just as dead as Isabelle. You think his life doesn't matter just because he was ninety-two? Talk to his son if you want to discuss pain and suffering."

A look of impatience flitted across his face. "I can't believe the police will press charges. Tippy was a juvenile at the time and she's led an exemplary life since. I hate to seem callous, but what's done is done. In Isabelle's case, you're talking cold-blooded murder."

"I don't want to argue. Let's just see what Lonnie says. His point of view may be entirely different. Maybe he'll come up with a whole new strategy."

"You better hope so. Otherwise, David Barney's going to get away with murder."

"You can't very well 'get away with' something if you didn't do it in the first place."

A telephone began to ring in one of the sales offices. Unconsciously, we both paused and looked in that direction, waiting for the machine to pick up. By the fifth ring, Voigt flashed a look of irritation at the rear. "Oh, hell, I must have turned off the answering machine." He got out and crossed the showroom at a quick clip, snatching up the receiver on the seventh or eighth ring. When it was clear that he'd been caught up in another lengthy conversation, I got out of the Rolls and let myself out the side door.

I spent the next hour in a Colgate coffee shop. In theory, I was having breakfast, but in truth, I was hiding. I wanted to feel like the old Kinsey again… talkin' trash and kickin' butt. Being cowed and uncertain was really for the birds.

The Wynington-Blake mortuary in Colgate is a generic sanctuary designed to serve just about any spiritual inclination you might favor in death. I was given a printed program as I entered the chapel. I found a seat at the rear and spent a few minutes contemplating my surroundings. The construction was vaguely churchlike: a faux apse, a faux nave with a big stained-glass window filled with blocks of rich color. Morley's closed coffin was visible up in front, flanked by funeral wreaths. There were no religious symbols-no angels, no crosses, no saints, no images of God, Jesus, Muhammad, Brahma, or any other Supreme Being. Instead of an altar, there was a library table. In lieu of a pulpit, there was a lectern with a mike.

We were seated in pews, but there wasn't any organ music. The hallowed equivalent of Muzak was being piped in, hushed chords vaguely reminiscent of Sunday school. Despite the secular tones of the environment, everybody was dressed up and looking properly subdued. The place was filled to capacity and most of those gathered were unknown to me. I wondered if the etiquette followed that of weddings- the deceased's friends on one side, the survivor's on the other. If Dorothy Shine and her sister were present, they'd be seated in the little family alcove to the right, hidden from public view by a partial wall of glass block.

There was a quiet stirring to my left and I became aware that two gentlemen had just entered the pew from the side aisle. As soon as they'd been seated, I felt a gentle nudge to my elbow. I glanced to my left and experienced a disorienting moment when I caught sight of Henry and William sitting next to me. William was wearing a somber charcoal suit. Henry had forsaken his usual shorts and T-shirt and was quite respectably attired in a white dress shirt, tie, dark sport coat, and chinos. And tennis shoes.

"William wanted you to have support in this your hour of need," Henry murmured to me under his breath.

I leaned forward. Sure enough, William had a mournful eye fixed on me. "Actually, I could use it, but what made him think of it?"

"He loves funerals," Henry was whispering. "This is like Christmas morning for him. He woke up early, all excited-"

William leaned over and put a finger to his lips.

I gave Henry a nudge.

"It's the truth," he said. "I couldn't talk him out of it. He insisted I put on this ridiculous outfit. I think he's hoping for a really tragic cemetery scene, widow flinging herself into the open grave."

There was a rustling sound. At the front of the chapel, a middle-aged man in a white choir robe had appeared at the lectern. Under the robe, you could see he was wearing an electric blue suit that made him look like some kind of television evangelist. He seemed to be organizing his notes in preparation for the service. The microphone was on and the riffling of paper made a great clattering.

Henry crossed his arms. "The Catholics wouldn't do it this way. They'd have some boy in a dress swinging a pot of incense like he had a cat by the tail."

William frowned significantly, cautioning Henry to silence. He managed to behave himself for the next twenty minutes or so while the officiating pastor went through all of the expected sentiments. It was clear he was some kind of rent-a-reverend, brought in for the day. Twice, he referred to Morley as 'Marlon' and some of the virtues he ascribed to him bore no relation to the man I knew. Still, we all tried to be good sports. When you're dead, you're dead, and if you can't have a few lies told about you when you're in your grave, you've just about run out of shots. We stood and we sat. We sang hymns and bowed our heads while prayers were recited. Passages were read from some new version of the Bible with every lyrical image and poetic phrase translated into conversational English.

"The Lord is my counselor. He encourages me to go birding in the fields. He leads me to quiet pools. He restores my soul and takes me along the right pathways of life. Yes, even if I pass by Death's dark wood, I won't be scared…"

Henry sent me a look of consternation.

When we were finally liberated, Henry took me by the elbow and we moved toward the door. William lingered behind, filing with a number of others toward the closed casket, where final respects were being paid. As Henry and I passed into the corridor, I glanced back and saw William engaged in an earnest chat with the minister. We went through the front door to the covered porch that ran the width of the building. The crowd had subdivided, half still in the chapel, the other half lighting up cigarettes in the parking lot. The scent of sulfur matches permeated the air.

This was funeral weather, the morning chilly and gray. By early afternoon, the cloud cover would probably clear, but in the meantime the sky was dreary.

I looked to my right, inadvertently catching sight of a departing mourner with a slight limp. "Simone?"

She turned and looked at me. Now I'm an haute couture ignoramus, but today she was wearing an outfit even I recognized. The two-piece 'ensemble' (to use fashion magazine talk) was the work of a designer who'd amassed a fortune making women look ill-shapen, overdressed, and foolish. She turned away, her body rocking as she hobbled toward her car.

I touched Henry's arm. "I'll be right back."

Simone wasn't actually running, but it was clear she didn't want to talk to me. I pursued her at a hard walk, closing down the distance between us. "Simone, would you wait up?"

She stopped in her tracks, letting me pull abreast.

"What's your hurry?"

She turned on me in cold fury. "I got a call from Rhe Parsons. You're going to ruin Tippy's life. I think you're a shit and I don't want to talk to you."

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