Sue Grafton - I is for Innocent

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From Kirkus Reviews
California's formidable p.i. Kinsey Millhone (``A'' Is for Alibi, etc.), fired from her comfortable berth with Fidelity Insurance, now rents office space from busy Santa Teresa lawyer Lonnie Kingman. His usual outside investigator Morley Shine has died of a heart attack, and he hires Kinsey to take over the case that Morley was working on. It involves the upcoming trial of David Barney, acquitted of the six-year-old murder of his wife, Isabelle, but now being sued for wrongful death in civil court by Isabelle's first husband, Ken Voigt. Voigt, represented by Lonnie Kingman, is sure that Barney killed Isabelle and wants to keep her considerable fortune out of his hands. Lonnie thinks he has a strong case, buoyed by damning new evidence from drifter Curtis McIntyre. But what Kinsey finds as she begins to probe is a surprising number of people with reasons to hate Isabelle-among them Voigt's second wife, Francesca, and Isabelle's business mentor Peter Weidmann and his overprotective wife, Yolanda. She also uncovers curious gaps in Morley's files and begins to question his ``heart attack,'' as Lonnie's seemingly solid case collapses bit by bit, with her own life on the line in the gritty finale. A sober, resolute Kinsey, romanceless at the moment, and a clever, meaty puzzle-for which the publisher plans a 300,000 first printing. Rack up another winner for Grafton.

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The Kingman building is a three-story stucco structure, with parking tucked in at ground level and two floors of offices above. Across the facade, there are six pairs of floor-to-ceiling French doors that open inward for ventilation, each flanked by tall wooden shutters painted the soft verdigris of a greening copper roof. A shallow wrought-iron bracket is secured across the lower half of each set of doors. The effect is largely decorative, but in a pinch might prevent a suicidal dog or a client's sulky child from flinging itself out the window in a fit of pique. The building straddles the property and has a driveway that passes through an arch on the right, opening up into a tiny parking lot in the rear. The one drawback is the parsimonious assignment of parking spaces. There are six permanent tenants and twelve parking spots. Since Lonnie owns the building, his law firm had been allotted four: one for John, one for Martin, one for Lonnie, and one for Lonnie's secretary, Ida Ruth. The remaining eight places were parceled out according to the individual leases. The rest of us had a choice of street parking or one of the public lots three blocks away. The local rates are absurdly cheap, given big-city standards, but on my limited budget the tab mounts up. Street parking downtown isn't metered, but it's restricted to ninety minutes and the meter maids are quick to ticket you if you cheat by so much as a minute. As a consequence, I spent a lot of time either moving my car or cruising the area trying to ferret out a spot that was both close by and free. Happily, this exasperating situation only extends until 6:00 p.m.

It was then 6:15 and the third-floor windows along the front were dark, suggesting that everyone had already gone home for the day. When I drove through the arch, I saw Lonnie's car was still in its slot. Ida Ruth's Toyota was gone so I eased my car into her space, next to his Mercedes. An unfamiliar pale blue Jaguar sedan was parked in John's slot. I hung my head out the car window and craned my neck. Lonnie's office lights were on, two oblongs of pale yellow against the slanting shadows from the roof. He was probably with a client.

The days were getting steadily shorter, and a gloom settled over the town at that hour. Something in the air generated a longing for a wood fire, companionship, and the kind of cocktail that looks elegant in the print ads and tastes like liniment. I told myself I had work to do, but in truth it was just a way to postpone going home.

I locked my car and headed for the stairwell, which was tucked into a hollow core that extended up the center of the building like a chimney flue. The stairs were inky, and I had to use my little keychain flashlight to break up the darkness. The third-floor corridor was in shadow, but I could see lights in the reception area through the frosted glass in the front door. By day, the whole third-floor complex was cheerful and well lighted, with white walls, burnt orange carpeting, a forest of greenhouse plants, Scandinavian furniture, and original artwork in bright crayon tones. The office I was renting had served as a combination conference room and kitchen, and was outfitted now with my desk and swivel chair, file cabinets, a small flop-out couch that could double as a bed in an emergency, a telephone, and my answering machine. I was still listed in the yellow pages under Investigators, and people calling the old number were advised of the new. In the weeks since the move, while some business had trickled in, I'd been forced to resort to process serving to make ends meet. At twenty bucks a pop, I was never going to get rich, but on a good day I could sometimes pick up an extra hundred bucks. Not bad, if I could sandwich it in with other investigative work.

I let myself in quietly, not wanting to disturb Lonnie if he was in the middle of a conference. His office door was open and I glanced in automatically as I went past. He was chatting with a client, but when he caught sight of me, he raised his hand and beckoned. "Kinsey, could you spare a minute? There's someone here I want you to meet."

I backtracked to his doorway. Lonnie's client was seated in the black leather wing chair, with his back to me. As Lonnie stood up, his client stood, too, turning to look at me as we were introduced. His aura was dark, if you buy that kind of talk.

"Kenneth Voigt," Lonnie said. "This is Kinsey Millhone, the private investigator I was telling you about."

We shook hands, going through the usual litany of greetings while we checked each other out. He was in his early fifties with dark hair and dark brown eyes, his brows separated by deep indentations that had been set there by a scowl. His face was blunt, his wide forehead softened by a tongue of thinning hair that was brushed to one side. He smiled politely at me, but his face didn't brighten much. A pale sheen of perspiration seemed to glimmer on his forehead. While he was on his feet, he shed his sport coat and tossed it on the couch. The shirt he wore under it was dark gray, a short-sleeved Polo with a three-button placket open at the neck. Dark hair curled from his shirt collar and a mat of dark hair covered his arms. He was narrow through the shoulders and the muscles in his arms were stringy and undeveloped. He should have worked out at a gym, for his stress levels, if nothing else. He took out a handkerchief, dabbing at his forehead and his upper lip.

"I want her to hear this," Lonnie was saying to Voigt. "She can go through the files tonight and start first thing in the morning."

"Fine with me," Voigt said.

The two sat down again. I folded myself into one corner of the couch and pulled my legs up under me, considerably cheered by the prospects of a paycheck. One advantage in the work for Lonnie is he screens out all the deadbeats.

Lonnie offered me a word of explanation before the conversation continued. "The P.I. we were using just dropped dead of a heart attack. Morley Shine, you know him?"

"Of course," I said, startled. "Morley died? When was this?"

"Last night about eight. I was gone over the weekend and didn't get back till after midnight so I didn't hear about it myself until this morning when Dorothy called me."

Morley Shine had been around ever since I could remember, not a close friend, but certainly a man I could count on if I found myself in a pinch. He and the fellow who'd trained me as a P.I. had been partners for years. At some point, they'd had a falling-out and each had gone into business for himself. Morley was in his late sixties, tall and slump-shouldered, probably eighty pounds overweight, with a round, dimpled face, wheezing laugh, and fingers yellowed from all the cigarettes he smoked. He had access to snitches and informants in every correctional facility in the state, plus contacts in all the relevant local information pools. I'd have to quiz Lonnie later about the circumstances of Morley's death. For the time being, I concentrated on Kenneth Voigt, who had backed up his narrative so he could get a running start.

He stared down at the floor, hands clasped loosely in his lap. "My ex-wife was murdered six years ago. Isabelle Barney. You remember the case?"

The name meant nothing. "I don't think so," I said.

"Someone unscrewed the fisheye in the middle of the front door. He knocked, and when she flipped on the porch light and peered out, he fired a thirty-eight through the spyhole. She died instantly."

My memory kicked in with a jolt. "That was her? I do remember that much. I can't believe it's been six years." I nearly added my only other recollection, that the guy alleged to have killed her was her estranged husband. Apparently not Kenneth Voigt, but who?

I made eye contact with Lonnie, who interjected a comment, picking up on my question as if with ESP. "The guy's name is David Barney. He was acquitted, in case you're curious."

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