Stephen White - Cold Case

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Cold Case: краткое содержание, описание и аннотация

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An elite club of quirky criminologists asks psychologist Alan Gregory and his pregnant wife, Assistant District Attorney Lauren Crowder, to help solve a ten-year-old case.
Whites shrewd mystery, the eighth and best in the series since Remote Control (1997), doubles as an engrossing catalogue of lonely misfits and aging oddballs for whom the murder of two teenaged girls becomes a metaphor for their own inability to put their pasts behind them. The girls disappear one night in 1988 after visiting the ranch of Boulder, Colorado, psychotherapist and talk-radio host Raymond Welle.
Several months later, their mutilated corpses are discovered many miles away in a melting snowdrift. Sheriff Phil Barrett attributes their death to an unknown psycho, and the bodies are buried. In the subsequent decade, Dr. Welle becomes a national celebrity when an apparently disgruntled former patient takes Welle's wife hostage, then kills her shortly before Sheriff Barrett's sharpshooters blow him away. Welle writes a best selling self-help book and gets elected to the US Congress, taking Barrett along as his chief of staff. The area near the ranch, targeted for development by a Japanese group, is now a tourist trap owned and funded by local businessmen who may have made suspicious contributions to Welle's campaign. Locard, a weird Washington, D.C., group that specializes in solving old crimes, draws in Gregory and Crowder (whose first husband was the brother of Welle's deceased wife) but insists that they remain discrete.
In a matter of days, brassy Washington Post reporter Dorothy Levin begins investigating Welle's finances, the congressman ducks an assassination attempt, and Gregory finds the list of patients who may have slept with the charismatic therapist getting longer and longer. Superbly insightful, with delightful minor characters (including a feisty one-eyed forensic investigator with designer eye- patches) and a plot that races along, falling flat only at the end when far too many gun-toting villains talk… and talk… and talk

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"It could be something more benign; it may just be that the treatment file is really thin and he wants a chance to explain why he takes such sparse notes."

Flynn again: "He couldn't do that over the phone?"

"He obviously didn't want to."

Flynn told me, "Try to get the original file. I can get a documents guy to look at them and see if anything's been forged or tampered with."

"I doubt if he'll give me the originals. I wouldn't if I was in his shoes."

"Never hurts to ask." Lauren asked, "So it sounds like you're going to go?" I said, "I'm not sure I have much choice. You working tomorrow? Can you come with me? "

"Sorry, I'm too busy."

"Well, if I have to go, I'm going to go up early. I want to be back before dark." I looked at Russ, then Flynn.

"You want to ride up there with me, or do you want to take your own car?"

Russ looked at Flynn and said, "We'll caravan. I do best when I have my own wheels."

"He does," Flynn agreed, smiling at him.

I went back to the bedroom and phoned Phil Barrett to confirm an eleven a.m. meeting with Raymond Welle. Barrett offered directions to the Silky Road Ranch.

I accepted the directions; I didn't want to admit that I already knew my way around the Elk River Valley. My final telephone call of the evening was to the Sheraton in Steamboat Springs. Dorothy Levin didn't answer her phone. I left a message on her voice mail and asked her to meet me in the lobby for lunch at one o'clock.

Flynn and Russ accepted an invitation to spend the night at our house. They somehow negotiated a way to share the double bed in the downstairs guest room.

I admit I was curious about the details. But neither of them offered any clues.

Our little convoy was on its way into the mountains by seven the next morning.

We arrived in Steamboat at 10:05. Flynn and Russ drove straight to the police station to find Percy Smith. I continued on to the Sheraton to try to confirm my lunch with Dorothy Levin.

The base-area village for the ski resort is a couple of miles from the town of Steamboat, and the Sheraton is the dominant structure in the village. Even I didn't get lost. I tried Dorothy's room from the house phone in the lobby. She didn't answer. As I left yet another message on her voice mail I noticed a freshly printed sign hung on a banner above the entrance to the bar off the lobby. It read, "Welcome home, Joey. Way to go in Augusta." I returned to my car, and made my way out of town to the Silky Road Ranch. Over the course of the drive I went back and forth a half dozen times about whether or not I should try to interview Joey Franklin while I was in town.

Despite the fact that Welle was in temporary residence at the ranch, there was no visible change in appearance at the entry gate. I left the engine of my car running as I walked up to the microphone and identified myself. A voice told me to stand back five feet. I did. Thirty seconds later, the voice told me to get in my car and wait for the gate to open. I did that, too.

My mind wandered as I slowly drove the dirt lane into the heart of the ranch.

My only real context for this huge property had been through the lenses of the news cameras that had recorded the aftermath of the brutal deaths of Gloria Welle and Brian Sample years earlier. As I approached the big ranch house, my eye sought the landmarks that I associated with that day. I identified the spot where the sheriff's vehicles had circled together like pioneer wagons. I decided which window it was that Brian Sample had busted out in order to fire at the deputies.

I spotted the cedar deck that led from the master bedroom to the woods. I knew which garage bay Gloria Welle had used to park her green Range Rover.

Pork chop Phil Barrett was waiting for my arrival. He almost filled an Adirondack chair on the front porch. I didn't consider it auspicious that the mug of coffee in his hand was adorned with the smiling face of Rush Limbaugh.

"Doctor" he boomed, calling to me as though I might have somehow missed the fact that he was sitting there.

I waved.

"You're early," he said.

"Didn't know how long it would take me to find you," I said as I stepped up onto the porch.

"That's a lie, Doctor." Phil smiled broadly as he accused me.

"I think you've been out this way before. Matter of fact, I know you have."

I immediately decided that I would neither confirm the earlier visit nor defend my untruth.

"If I arrived at an inconvenient time, I'm happy to wait in the car.

Or even go back out to the road."

"No. No. Sit right down here next to me. I have some coffee coming for you. How do you take it?"

"Black."

"I guessed that right. Look at this day." He opened his arms to the expanse of the valley.

"Now aren't you glad you decided to come up here and spend another day in all this beauty?"

The horseshoe of peaks surrounding the ranch was stunning in its summer splendor. The green trees played off the distant granite, and the pastures and cultivated fields glistened in the light breeze.

"It is beautiful," I acknowledged.

"But the reason I came is because I had to. You know that. My being up here has inconvenienced a lot of people."

He shrugged; he wasn't moved. Inconveniencing strangers cost Phil Barrett no sleep whatsoever.

I sat next to him on a chair identical to his. An athletic young woman in jeans and a pale green polo shirt brought coffee. She smiled at me with a look that I interpreted as sympathy. I thanked her while trying to convey the same sentiment back to her. I was relieved that my mug wasn't adorned with Rush Limbaughs face.

It was decorated with Dilbert's.

I decided to try some small talk.

"Until now, I've only seen this house on the news."

Barrett immediately knew what I was referring to.

"That was a day. Let me tell you. I was here, you know. I was the commanding officer who gave the order to fire on the rascal."

The rascal?

"Yes," I said.

"I do recall that."

"Only three rounds were fired by the guys in the white hats that morning. First two of them hit him. Either of the two would have been kill shots. My boys did good work. I only have one regret, one wish. Only wish we'd made it out here before he got to Gloria."

"Yes." I paused.

"He didn't really give you a chance though, did he? Didn't he shoot her before you got here?"

"Actually, right after we pulled up is when we heard the three shots come from inside the house. Didn't know he was shooting Gloria right then, but the possibility certainly crossed my mind at the time." He turned his mug upside down and let the last few drops of his coffee drip onto the porch.

"Been over that day a thousand times. I wouldn't play it any different if it happened here today. You know, I mean, now. All in all, though, quite a shame.

Quite a shame."

I couldn't think of a way to respond.

"Yes, a tragedy."

"Crazy men do crazy things."

I nodded, but quickly decided that I didn't want to discuss Brian Sample's mental health with Phil Barrett. I asked, "Where's the original house, Phil?"

He pointed down the hill.

"Can't see if from here."

"And the stable and bunkhouse? I understand Gloria built some truly special buildings. Where are they?"

He'd been sliding his coffee mug on the wooden arm of the Adirondack chair. He stopped the motion and said, "Huh?"

"I heard that Gloria had a pretty impressive bunkhouse. Nice digs for her ranch hands. That's not exactly true?"

"Oh, oh. Those? Ray doesn't use them except for some storage. I don't think about them much." He stood and pointed toward the southeast. I had to stand, too, just to gaze past him to look where he was pointing.

"Follow that dirt lane with your eyes. You can see the stable and part of the corral poking out from behind that stand of aspen. See it?"

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