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Tess Gerritsen: The Keepsake

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Tess Gerritsen The Keepsake

The Keepsake: краткое содержание, описание и аннотация

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New York Times bestselling author Tess Gerritsen knows how to expertly dissect a brilliantly suspenseful story, all the while keeping fascinated readers riveted to her side. By turns darkly enthralling and relentlessly surprising, The Keepsake showcases an author at the peak of her storytelling powers. For untold years, the perfectly preserved mummy had lain forgotten in the dusty basement of Boston's Crispin Museum. Now its sudden rediscovery by museum staff is both a major coup and an attention-grabbing mystery. Dubbed 'Madam X,' the mummy-to all appearances, an ancient Egyptian artifact-seems a ghoulish godsend for the financially struggling institution. But medical examiner Maura Isles soon discovers a macabre message hidden within the corpse-horrifying proof that this 'centuries-old' relic is instead a modern-day murder victim. To Maura and Boston homicide detective Jane Rizzoli, the forensic evidence is unmistakable, its implications terrifying. And when the grisly remains of yet another woman are found in the hidden recesses of the museum, it becomes chillingly clear that a maniac is at large-and is now taunting them. Archaeologist Josephine Pulcillo's blood runs cold when the killer's cryptic missives are discovered, and her darkest dread becomes real when the carefully preserved corpse of yet a third victim is left in her car like a gruesome offering-or perhaps a ghastly promise of what's to come. The twisted killer's familiarity with post-mortem rituals suggests to Maura and Jane that he may have scientific expertise in common with Josephine. Only Josephine knows that her stalker shares a knowledge even more personally terrifying: details of a dark secret she had thought forever buried. Now Maura must summon her own dusty knowledge of ancient death traditions to unravel his twisted endgame. And when Josephine vanishes, Maura and Jane have precious little time to derail the Archaeology Killer before he adds another chilling piece to his monstrous collection.

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“Well then, let’s use it tonight. There’s a woman’s face on the mask, but you never know. We can’t be sure of the gender until we scan it.”

“Okay,” said Dr. Brier, the radiologist. “We’re ready to go.”

Dr. Robinson nodded. “Let’s do it.”

They gathered around the computer monitor, waiting for the first images to appear. Through the window, they could see the table feed Madam X’s head into the doughnut-shaped opening, where she was bombarded by X-rays from multiple angles. Computerized tomography was not new medical technology, but its use as an archaeological tool was relatively recent. No one in that room had ever before watched a live CT scan of a mummy, and as they all crowded in, Maura was aware of the TV camera trained on their faces, ready to capture their reactions. Standing beside her, Nicholas Robinson rocked back and forth on the balls of his feet, radiating enough nervous energy to infect everyone in the room. Maura felt her own pulse quicken as she craned for a better view of the monitor. The first image that appeared drew only impatient sighs.

“It’s just the shell of the crate,” said Dr. Brier.

Maura glanced at Robinson and saw that his lips were pressed together in thin lines. Would Madam X turn out to be nothing more than an empty bundle of rags? Dr. Pulcillo stood beside him, looking just as tense, gripping the back of the radiologist’s chair as she stared over his shoulder, awaiting a glimpse of anything recognizably human, anything to confirm that inside those bandages was a cadaver.

The next image changed everything. It was a startlingly bright disk, and the instant it appeared, the observers all took in a sharply simultaneous breath.

Bone.

Dr. Brier said, “That’s the top of the cranium. Congratulations, you’ve definitely got an occupant in there.”

Robinson and Pulcillo gave each other happy claps on the back. “This is what we were waiting for!” he said.

Pulcillo grinned. “Now we can finish building that exhibit.”

“Mummies!” Robinson threw his head back and laughed. “Everyone loves mummies!”

New slices appeared on the screen, and their attention snapped back to the monitor as more of the cranium appeared, its cavity filled not with brain matter but with ropy strands that looked like a knot of worms.

“Those are linen strips,” Dr. Pulcillo murmured in wonder, as though this was the most beautiful sight she’d ever seen.

“There’s no brain matter,” said the CT tech.

“No, the brain was usually evacuated.”

“Is it true they’d stick a hook up through the nose and yank the brain out that way?” the tech asked.

“Almost true. You can’t really yank out the brain, because it’s too soft. They probably used an instrument to whisk it around until it was liquefied. Then they’d tilt the body so the brain would drip out the nose.”

“Oh man, that’s gross,” said the tech. But he was hanging on Pulcillo’s every word.

“They might leave the cranium empty or they might pack it with linen strips, as you see here. And frankincense.”

“What is frankincense, anyway? I’ve always wondered about that.”

“A fragrant resin. It comes from a very special tree in Africa. Valued quite highly in the ancient world.”

“So that’s why one of the three wise men brought it to Bethlehem.”

Dr. Pulcillo nodded. “It would have been a treasured gift.”

“Okay,” Dr. Brier said. “We’ve moved below the level of the orbits. There you can see the upper jaw, and…” He paused, frowning at an unexpected density.

Robinson murmured, “Oh my goodness.”

“It’s something metallic,” said Dr. Brier. “It’s in the oral cavity.”

“It could be gold leaf,” said Pulcillo. “In the Greco-Roman era, they’d sometimes place gold-leaf tongues inside the mouth.”

Robinson turned to the TV camera, which was recording every remark. “There appears to be metal inside the mouth. That would correlate with our presumptive date during the Greco-Roman era-”

“Now what is this?” exclaimed Dr. Brier.

Maura’s gaze shot back to the computer screen. A bright starburst had appeared within the mummy’s lower jaw, an image that stunned Maura because it should not have been present in a corpse that was two thousand years old. She leaned closer, staring at a detail that would scarcely cause comment were this a body that had arrived fresh on the autopsy table. “I know this is impossible,” Maura said softly. “But you know what that looks like?”

The radiologist nodded. “It appears to be a dental filling.”

Maura turned to Dr. Robinson, who appeared just as startled as everyone else in the room. “Has anything like this ever been described in an Egyptian mummy before?” she asked. “Ancient dental repairs that could be mistaken for modern fillings?”

Wide-eyed, he shook his head. “But it doesn’t mean the Egyptians were incapable of it. Their medical care was the most advanced in the ancient world.” He looked at his colleague. “Josephine, what can you tell us about this? It’s your field.”

Dr. Pulcillo struggled for an answer. “There-there are medical papyri from the Old Kingdom,” she said. “They describe how to fix loose teeth and make dental bridges. And there was a healer who was famous as a maker of teeth. So we know they were ingenious when it came to dental care. Far ahead of their time.”

“But did they ever make repairs like that?” said Maura, pointing to the screen.

Dr. Pulcillo’s troubled gaze returned to the image. “If they did,” she said softly, “I’m not aware of it.”

On the monitor, new images appeared in shades of gray, the body viewed in cross section as though sliced through by a bread knife. She could be bombarded by X-rays from every angle, subjected to massive doses of radiation, but this patient was beyond fears of cancer, beyond worries about side effects. As X-rays continued to assault her body, no patient could have been more submissive.

Shaken by the earlier images, Robinson was now arched forward like a tightly strung bow, alert for the next surprise. The first slices of the thorax appeared, the cavity black and vacant.

“It appears that the lungs were removed,” the radiologist said.

“All I see is a shriveled bit of mediastinum in the chest.”

“That’s the heart,” said Pulcillo, her voice steadier now. This, at least, was what she’d expected to see. “They always tried to leave it in situ.”

“Just the heart?”

She nodded. “It was considered the seat of intelligence, so you never separated it from the body. There are three separate spells contained in the Book of the Dead to ensure that the heart remains in place.”

“And the other organs?” asked the CT tech. “I heard those were put in special jars.”

“That was before the Twenty-first Dynasty. After around a thousandBC, the organs were wrapped into four bundles and stuffed back into the body.”

“So we should be able to see that?”

“In a mummy from the Ptolemaic era, yes.”

“I think I can make an educated guess about her age when she died,” said the radiologist. “The wisdom teeth were fully erupted, and the cranial sutures are closed. But I don’t see any degenerative changes in the spine.”

“A young adult,” said Maura.

“Probably under thirty-five.”

“In the era she lived in, thirty-five was well into middle age,” said Robinson.

The scan had moved below the thorax, X-rays slicing through layers of wrappings, through the shell of dried skin and bones, to reveal the abdominal cavity. What Maura saw within was eerily unfamiliar, as strange to her as an alien autopsy. Where she expected to see liver and spleen, stomach and pancreas, instead she saw snake-like coils of linen, an interior landscape that was missing all that should have been recognizable. Only the bright knobs of vertebral bone told her this was indeed a human body, a body that had been hollowed out to a mere shell and stuffed like a rag doll.

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