Dean Koontz - Your Heart Belongs To Me

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From the #1 New York Times bestselling master of suspense comes a riveting thriller that probes the deepest terrors of the human psyche – and the ineffable mystery of what truly makes us who we are. Here an innocent man finds himself fighting for his very existence in a battle that starts with the most frightening words of all.
At thirty-four, Internet entrepreneur Ryan Perry seemed to have the world in his pocket – until the first troubling symptoms appeared out of nowhere. Within days, he's diagnosed with incurable cardiomyopathy and finds himself on the waiting list for a heart transplant; it's his only hope, and it's dwindling fast. Ryan is about to lose it all.his health, his girlfriend, Samantha, and his life.
One year later, Ryan has never felt better. Business is good and there's even a chance of getting Samantha back in his life. Then the unmarked gifts begin to arrive in the mail – a heart pendant, a box of Valentine candy hearts. And, most disturbing of all, a graphic heart surgery video accompanied by a chilling message: Your heart belongs to me.
In a heartbeat, the medical miracle that gave Ryan a second chance at life is about to become a curse worse than death. For Ryan is being stalked by a mysterious woman who feels entitled to everything he has. She's the spitting image of the twenty-eight-year-old donor of the heart beating steadily in Ryan's own chest.
And she's come to take it back.

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Moved, he said, “I love you, too.”

“If you knew me as completely as I know you,” she said, “you might not love me.”

“Impossible. What a thing to say.”

“No, it’s true. Human beings are such knotted, desperate pieces of work-it’s a rare thing to know one completely, to the core, and still love him. Or her. I don’t need dessert. Do you?”

She had so riveted him that her change of subject did not at first compute, and he stared at her as though she had switched from English to some obscure Russian dialect.

Then: “Oh. No. I don’t need dessert.”

“Maybe after the wine, a double espresso.”

“That sounds good.”

She said no more about Dr. Hobb or about the knotted, desperate nature of humanity, but spoke of happier things.

Over the espresso, she favored Ryan with an affectionate smile that gladdened him, and as chandelier light danced in her eyes, she said, “See, Winky, you could have taken me to the farthest corner of the room, and even in that privacy, I wouldn’t have scalped you or even boxed your ears.”

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Little more than one day later, on December 14, at home alone, as he awaited the sleep that for hours had eluded him, comforted by the glow of a bedside lamp that he was loath to turn off these days, Ryan suffered a sudden breathing problem.

He inhaled without relief, as if the air he took in were going elsewhere than to his lungs, although his belief that he was drawing full breaths might have been a misperception. An immediate sense of suffocation overcame him, a choking anxiety, and he could not stave off panic.

When he pushed up from the mattress, he was whirled into such a dizziness that the bed seemed to be on a carousel, and he fell back onto his pillows, gasping, soaked in a copious and instant hot sweat.

In that moment, a light-year was defined as the distance between him and the telephone on the adjacent nightstand. He could see it but did not have enough knowledge of Einsteinian physics to be able to make the epic voyage.

The paroxysms lasted only a couple of minutes. But when he could again draw breath easily, air had never tasted sweeter.

For a while, he was reluctant to move, afraid that movement would trigger another event, the same or worse. When at last he sat up, swung his legs off the bed, and stood, he discovered that his ankles were badly swollen.

Although he took his medications faithfully and punctually, he was retaining water.

Standing beside the bed, for the first time in months he heard a tapping, someone gently rapping, rapping at a window or a door.

Panic had subsided, but fear remained. The sweat that sheathed him had gone cold.

Turning, he searched for the source of the sound, cocked his head toward the insistent metronomic tap. He took a few steps in one direction, but then took a few in another, pausing repeatedly to listen.

He moved from the bedroom into the sitting room, into the bedroom once more, and then into the black granite and the gold onyx and the stainless steel and the mirrored walls of his bathroom. In that maze of reflections, the rapping continued, as loud there as everywhere else.

For a moment Ryan believed that the sound came from underfoot, that its ubiquitous nature-always the same volume, the same timbre in room after room-indicated a source beneath the floorboards, one that, incredibly, was mobile and tracking him.

But then he recalled that the floors were lightweight concrete, which had been specified for the very purpose of sound suppression. No floorboards existed to be torn up. No hollow space lay underfoot, through which the source of the sound could pursue him.

He looked at the ceiling, the only other plane universal to these third-floor rooms, and he thought of the attic overhead. He entertained the possibly lunatic, certainly antic image of a stalker above him, some phantom who had traded opera-house cellars for higher haunting grounds, electronically monitoring Ryan’s position for the purpose of tormenting him with the rapping, the soft rapping, the soft rap-rap-rapping, only this and nothing more.

That absurd speculation lasted mere seconds, for abruptly Ryan realized that the sound arose from within him. Although it was not the classic lub-dub of the blood pump, it was associated with those rhythms. It was an ominous throb born of his heart’s malfunction, not a gloved knuckle against a door, not a fat moth against a windowpane, but a blood-and-muscle sound, and if it failed to fade away this time, as it had faded before, if the rapping kept on long enough, it would be answered, not by Ryan, but by Death.

He took a shower, as hot as he could endure, hoping to chase the cold from his bones. The quiet rap came and went and came again, but he did not wipe the steam from the glass door in expectation of an intruder’s grinning face.

In his closet, which was as large as a room, as he dressed, the rapping might have come from behind any cabinet door, from within any drawer, from behind any pane of the three-sided mirror, but Ryan no longer needed to search for the source.

The scheduled superstretch from the limousine service arrived at eight o’clock. The driver called himself Naraka, though Ryan didn’t know if that was his first name or his last.

As they pulled away from the house, the internal knocking fell silent and never once resumed all the way from Newport Coast into distant Beverly Hills.

Two days previously, prior to dinner with Samantha, Ryan had secured an emergency appointment with Dr. Dougal Hobb. Following Sam’s disapproval, he considered canceling it, but left the final decision for the last minute, for this morning.

Considering the frightening problem with his breathing in the night and the belated realization that the occasional knocking was a muffled internal sound, he believed that a conversation with Hobb would be prudent.

Ryan did not inform Dr. Gupta or Forry Stafford of his decision. He did not even tell Samantha.

His only consultation was with his instinct for survival, which told him that meeting Hobb was not merely advisable but as essential to the preservation of his life as a flame-free stairway would be indispensable to a man trapped in the inferno of a burning high-rise.

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Dr. Dougal Hobb did not maintain his offices in one of the gleaming skyscrapers that lined Wilshire Boulevard, as did many other physicians. His practice occupied an entire three-story building on a quiet street on the edge of the Beverly Hills business district.

This elegant neoclassic structure-white with a black slate roof, embraced by old magnolia trees that fanned their giant spade-leaf shadows onto its walls-looked more like a private residence than like a place of business. Only a discreet brass plaque beside the front door identified the premises: D. HOBB, M.D.

Three doors opened off the foyer, and the one on the right was labeled APPOINTMENTS.

This proved to be a waiting room with a Santos mahogany floor on which floated an antique Persian carpet, a nineteenth-century Tabriz, which glowed as if woven from gold. The comfortable chairs and stylish end tables suggested that patients here were treated like guests.

Ryan could not identify the classical music that played at low volume, but he found it soothing.

The receptionist, an attractive woman in her forties, was not wearing the surgical scrubs or the shapeless exercise suits that were all but standard in most medical offices these days, but a beige knit suit of designer quality.

Both the receptionist and the nurse, Laura, who took Ryan’s preliminary medical history in a small conference room, were well-spoken, professional, efficient, and warm in their manner.

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