Sue Grafton - K Is For Killer

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From Publishers Weekly
The 11th adventure of Santa Teresa, Calif., PI Kinsey Milhone has a dark tone-due in great part to Kinsey's working this case mostly at night. Kinsey agrees to look into the 10-month-old death of Lorna Kepler, a young woman whose decomposed body was discovered in her cabin so long after death that it was impossible to determine the cause. Kinsey's client, Lorna's mother, who works the night shift in a 24-hour diner, suspects murder. So does Kinsey, especially after investigating Lorna's effects and her considerable assets, some unaccounted-for. An anonymously delivered pornographic tape adds to the emerging portrait of the dead woman as an intriguingly self-sufficient, ambitious woman of the evening. In nighttime forays, Kinsey talks to an all-night deejay whom Lorna often visited at his studio; she meets-and befriends-a prostitute who occasionally teamed up with Lorna to party with clients. She also investigates the victim's day job as a part-time receptionist for the water district, where a high-stakes development project is currently raising tempers. A host of suspects includes a porn filmmaker in San Francisco, members of Lorna's family, her landlord, the water district employees and even a smooth-dressing cop, whom Kinsey talks to at night. But lack of sleep dulls Kinsey's perceptions and it takes two more deaths and the surprise appearance of a deus ex limousine to lead her to a solution. Even sleep-deprived, Kinsey shows spunk and appeal, but she is not at her sharpest here. 600,000 first printing; author tour.

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"Actually, Lorna and I never met," I said. "I'm a private investigator looking into her death. You knew she'd been killed?"

"Yes, of course we did. I'm happy to hear you mention it. Russell wasn't looking forward to delivering the bad news about Lorna's death." Her stockings were black mesh, and her three-inch stiletto heels forced her calves into high relief. When we reached the second-floor landing, she unlocked the door to apartment C. She stepped out of her shoes with a little grimace of relief, then padded through the living room in her stocking feet. I thought she'd turn on a table lamp, but apparently she preferred the gloom. "Make yourself comfortable," she said.

"You have any idea what time he'll be home?"

"Any time, I'd imagine. He doesn't like staying out too late." She turned on a light in the kitchen, which was visible through bifold shutters resting on the countertop. She pushed the shutters open. Through the gap, I watched her take out two ice-cube trays, which she cracked and emptied into an acrylic ice bucket. "I'm having a drink. If you want one, speak up. I hate playing hostess, but I'm good for one round. I have a bottle of Chardonnay open, if you're interested. You look like a white wine kind of girl."

"I'd love some. You need help?"

"Don't we all?" she remarked. "You have offices in the city?"

"I'm from Santa Teresa."

She tilted her head, peering through the pass-through at me. "Why would you come all the way up to see Russell? He's not a suspect, I hope."

"Are you his girlfriend?" I thought it was time I posed the questions instead of her.

"I wouldn't say that. We're fond of each other, but we're not exactly an 'item.' He prefers to be thought of as footloose and fancy free. One of those types."

She plunked several ice cubes in a tall glass and splashed Scotch halfway up the side. She squirted in seltzer water, using one of those devices I'd seen in old thirties movies. She took a sip, shuddering slightly, and then set the glass aside while she found a wineglass in the cupboard. She held it up to the light and decided it wasn't clean enough. She rinsed and dried it. She took the Chardonnay out of the refrigerator and filled my glass, then put the bottle in a cooler and left it on the counter. I moved over to the pass-through and took the wineglass she handed me.

"I don't know if you're aware of this, but Russell's very screwed up," she said.

"Really. I've never met him."

"You can take my word for it. You want to know why? Because he's hung like a mule."

I said, "Ah." Having seen him in action, I could attest to that.

Cherie smiled. "I like the 'ah.' It's diplomatic. Come on back to my room and we can talk while I change. If I don't get out of this girdle, I'm going to kill myself very soon."

11

Cherie's bedroom furniture consisted of a fifties "sweet" of blond wood with curving lines. She sat down at a dressing table with a big round mirror in the center and two deep drawers on either side. She turned on a dressing table lamp, leaving the rest of the room shrouded in shadows. She had twin beds with blond-wood headboards, a blond bed table, an old forty-five record player with a fat black spindle, and a black canvas-and-wrought-iron butterfly chair covered with discarded clothing. My only choice for seating was one of the twin beds. I elected to lean against the door frame instead.

Cherie wriggled out of her girdle and panty hose and tossed them on the floor, then turned to study herself in the mirror. She leaned forward, checking the lines near her eyes with a critical gaze. She shook her head in disgust. "Isn't aging the pits? Sometimes I think I should just shoot myself and get it over with."

While I watched, she spread out a clean white towel and took out cold cream, a skin toner, cotton balls, and Q-tips, apparently in preparation for removing her makeup. I've seen dental hygienists who weren't as meticulous in assembling their instruments.

"Did you know Lorna?" I asked.

"I met her. I didn't 'know' her."

"What'd you think of her?"

"I was envious, of course. She was what they call 'a natural beauty.' All so effortless. It's enough to make you sick." Her eyes met mine in the mirror. "You don't wear a lot of makeup, so you probably can't relate to this, but I spend hours on myself, and to what end, I ask? Fifteen minutes on the street and it all evaporates. My lipstick's eaten off. My eye shadow ends up in this crease… look at this. My eyeliner gets transferred to my upper lid. Every time I blow my nose, my foundation comes off on the tissue like paint. Lorna was just the opposite. She never had to do anything at all." She peeled off a false eyelash and placed it in a small box, where it lay like a wink. She peeled off the other lash and placed it beside the first. Now it looked like two eyes closed in sleep. "What I wouldn't have given to have skin like hers," she said. "Oh, well. What's a poor girl to do?" She put a hand to her forehead and lifted off her hair. Under the wig, she wore what looked like a rubber bathing cap. She dropped her voice to its natural baritone, addressing my reflection. "Well! Here's Russell now. Nice to meet you," he said. Like a disappearing act, Cherie vanished, leaving a slightly gawky-looking man in her place. He turned and struck a pose. "Be honest. Which do you prefer?"

I smiled. "I like Cherie."

"So do I," he said. He turned and looked at himself again, squinting closely. "I can't tell you how obnoxious it is waking up every morning to a beard. And a penis? My gawd. Picture that in your lacy little underpants. Like a big old ugly worm. Scares me to death." He began to put cold cream on his face, wiping off foundation in swipes.

I couldn't take my eyes off him. The illusion had been perfect. "Do you do this every day? Dress up in women's clothes?"

"Most days. After work. From nine to five, I'm Russell: tie, sport coat, button-down collar, the whole bit. I don't wear wingtips, but the moral and spiritual equivalent."

"What sort of work do you do?"

"I'm the assistant manager at the local Circuit City, selling stereo systems. Nights, I can relax and do anything I want."

"You don't make a living from the acting?"

"Oh. You saw the film," he said. "I hardly made a dime, and it never went anywhere, which I must say was a relief. Think of the irony of getting famous as Russell, when I'm really Cherie at heart."

"I just talked to Joe Ayers at his place. He says he sold his company."

"Trying to turn respectable, I'd imagine." He raised his eyebrows, smiling slightly. His expression suggested there was no real chance of that. Foundation gone, he took a cotton ball and soaked it with skin toner. He began to wipe off the cold cream and any remaining traces of makeup.

"How many films did you make for him?"

"Just the one."

"Were you disappointed it was never released?"

"I was at the time. I've realized since then that I don't care to capitalize on my 'equipment.' I despise being male. I really hate all the macho posturing and bullshit, all the effort it takes. It's much more fun being female. Sometimes I'm tempted to do away with 'it,' but I can't bear to have myself surgically altered, as endowed as I am. Maybe an organ donor program would be interested," he said. He waved a hand airily. "But enough of my tacky problems. What else can I tell you about Lorna?"

"I'm not sure. I gather you really didn't know her that well."

"That depends on your frame of reference. We spent two days together while the film was being shot. We had an instant rapport and laughed our tiny asses off. She was such a kick. Kinky and fearless, with a wicked sense of humor. We were soul sisters. I mean that. I was heartbroken when I heard that she had died, of all things."

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