Sue Grafton - K Is For Killer

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From Publishers Weekly
The 11th adventure of Santa Teresa, Calif., PI Kinsey Milhone has a dark tone-due in great part to Kinsey's working this case mostly at night. Kinsey agrees to look into the 10-month-old death of Lorna Kepler, a young woman whose decomposed body was discovered in her cabin so long after death that it was impossible to determine the cause. Kinsey's client, Lorna's mother, who works the night shift in a 24-hour diner, suspects murder. So does Kinsey, especially after investigating Lorna's effects and her considerable assets, some unaccounted-for. An anonymously delivered pornographic tape adds to the emerging portrait of the dead woman as an intriguingly self-sufficient, ambitious woman of the evening. In nighttime forays, Kinsey talks to an all-night deejay whom Lorna often visited at his studio; she meets-and befriends-a prostitute who occasionally teamed up with Lorna to party with clients. She also investigates the victim's day job as a part-time receptionist for the water district, where a high-stakes development project is currently raising tempers. A host of suspects includes a porn filmmaker in San Francisco, members of Lorna's family, her landlord, the water district employees and even a smooth-dressing cop, whom Kinsey talks to at night. But lack of sleep dulls Kinsey's perceptions and it takes two more deaths and the surprise appearance of a deus ex limousine to lead her to a solution. Even sleep-deprived, Kinsey shows spunk and appeal, but she is not at her sharpest here. 600,000 first printing; author tour.

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Cheney and I pushed our way into the bar, merging with the shoals of inebriated patrons. Music blasted from the dance floor. The damp heat from all the bodies inside was nearly tropical in its nature. The very air smelled briny from the cheap beer on tap. The nautical theme was everywhere apparent. Big fishing nets were draped from the beams across the ceiling, where reflecting bulbs played like sunlight on surface water. Up there, a light show simulated twilight on the ocean, day fading into sunset, followed by the jet black of night. Sometimes the constellations were projected overhead, and sometimes ferocious cracks of lightning formed the apparition of a storm at sea. The walls were painted in a multitude of blues, shades graduating downward from the calm blue of a summer swell to the midnight hues of the deep. Sawdust on the concrete flooring created the illusion of the ocean's sandy bottom. The dance floor itself was defined by what looked like the prow of a sunken ship. So perfect was the fantasy of life beneath the sea that I found myself feeling grateful for every breath I took.

Tables were tucked into alcoves made to look like coral reefs. The lighting was muted, much of it emanating from massive saltwater aquariums in which large, pouty-mouthed groupers undulated endlessly in search of prey. Reproduction antique navigational charts were embedded in polyurethane on every tabletop, and the world they portrayed was one of vast unpopulated oceans with treacherous creatures lurking at the outer edges. Not so different from the patrons themselves.

In the occasional brief lull between cuts, I picked up the faint effects being played through the sound system: ship's bells, the creak of wood, sails flapping, the shriek of seagulls, the tinny warning of the buoys. Most eerie was the nearly undiscernible wails of drowning seamen, as if all of us were caught up in some maritime purgatory, in which alcohol, cigarettes, laughter, and pounding music served to ward off those faint cries creeping into the silence. All the waitresses were dressed in skintight, spangled body suits as shimmering as fish scales. I had to guess most had been hired on the basis of their androgyny: cropped hair, slim hips, and no breasts to speak of. Even the boys were wearing makeup.

Cheney stayed close behind me, his hand placed comfortably in the middle of my back. Once he leaned to say something, but the noise in the place obliterated his voice. He disappeared at one point and came back with a bottle of beer in each hand. We found an expanse of unpopulated wall with a largely unobstructed view of the place. We leaned there, people watching. The volume of the music would necessitate a hearing test later. I could picture all the cilia in my ear canal going flat. I'd once fired a gun from the depths of a garbage bin and ever since had been plagued by an intermittent hissing deep inside my head. These kids were going to need ear trumpets by the age of twenty-five.

Cheney touched my arm and then pointed across the room. His mouth formed the word "Danielle," and I followed his gaze. She was standing near the door, apparently alone, though I had to guess she wouldn't be for long. She was probably in her late teens, lying regularly about her age, else how would she get in here? She had dark hair long enough to sit on and long legs that seemed to go on forever. Even at that distance, I could see slim hips, a flat belly, and the breasts of early adolescence, a body type much admired by the postmenopausal male. She was wearing lime-green satin hot pants and a halter top with a lime-green bomber jacket over it.

We made our way across the room. At a certain point in our progress, she spotted Cheney's approach. He pointed toward the courtyard. She pivoted and went out in advance of us. Outside, the temperature dropped dramatically, and the sudden absence of cigarette smoke made the air smell like freshly cut hay. The chill felt like liquid pouring over my skin. Danielle had turned to face us, hands in her jacket pockets. Up close, I could see the skillful use of cosmetics in the battle she must have fought with her own youthful looks. She could have passed for twelve. Her eyes were the luminous green of certain tropical fish, and her look was insolent.

"We have a car parked around the corner," Cheney said without preamble.

"So?"

"So we could have a little talk. Just the three of us."

"About what?"

"Life in general, Lorna Kepler in particular."

Danielle's eyes were fixed on mine. "Who's she?"

"This is Kinsey. Lorna's mother hired her."

"This is not a bust," she said warily.

"Oh, come on, Danielle. It's not a bust. She's a private investigator looking into Lorna's death."

"Because I'm telling you, Cheney, you set me up for something, you could get me in real trouble."

"It's not a setup. It's a meeting. She'll pay your regular rates."

I gave Cheney a look. I'd have to pay the little twerp?

Danielle's gaze raked the parking lot and then strayed in my direction. "I don't do women," she said sullenly.

I leaned forward and said, "Hey, me neither. In case anybody gives a shit."

Cheney ignored me and addressed himself to her. "What are you afraid of?"

"What am I afraid of?" she said, finger pointing to her own chest. Her nails were bitten to the quick. "I'm afraid of Lester, for one thing. I'm afraid of losing my teeth. I'm afraid Mr. Dickhead's going to flatten my nose again. The guy's a bastard, a real prick…"

"You should have pressed charges. I told you that the last time," Cheney said.

"Oh, right. I should have gone ahead and checked into the morgue, saved myself that messy middle step," she snapped.

"Come on. Help us out," Cheney coaxed.

She thought about it, looking off into the dark. Finally, grudgingly, she said, "I'll talk to her, not to you."

"That's all I'm asking."

"I'm not doing it because you're asking. I'm doing it for Lorna. And just this once. I mean it. I don't want you to set me up like this again."

Cheney grinned seductively. "You're too perfect."

Danielle made a face, mimicking his manner, which she wasn't buying for a minute. She headed off toward the street, talking back across her shoulder. "Let's get it over with before Lester shows up."

Cheney walked us to the car, where we went through the requisite door-wrenching exercise. The ensuing squawk was so loud, a couple halfway down the block stopped necking long enough to see what kind of creature we were torturing. I took the passenger seat and let Danielle take the driver's side in case she needed to make a hasty getaway. Whoever Lester was, I was getting nervous myself.

Cheney leaned toward the wing window. "Back in a bit."

"You see Lester, don't you tell him where I'm at," she warned.

"Trust me," Cheney said.

"Trust him. What a joke," she said to no one in particular.

We watched him through the front windshield as he disappeared into the dark. I sat there hoping her Monday night rates were low. I couldn't remember how much cash I had on me, and I didn't think she'd take my Visa, which was maxed out anyway.

"You can smoke if you want," I said, thinking to ingratiate myself.

"I don't smoke," she said, offended. "Smoking wrecks your health. Know how much we pay in this country for smoking-related illnesses? Fifteen billion a year. My father died of emphysema. It was like walking suffocation every day of his life. Eyes bugging out. He's breathing… he's like this…" She paused to demonstrate, hand on her chest. The sounds she made were a combination of rasping and choking. "And he can't get any air. It's a horrible way to die. Dragging around this old oxygen tank. You better quit while you're ahead."

"I don't smoke. I thought you might. I was being polite."

"Don't be polite on my account," she said. "I hate smoking. It's very bad for you, plus it stinks." Danielle looked around then, regarding the interior of the VW with distaste. "What a pigsty. You could get a disease sitting in this thing."

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