Sue Grafton - K Is For Killer

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From Publishers Weekly
The 11th adventure of Santa Teresa, Calif., PI Kinsey Milhone has a dark tone-due in great part to Kinsey's working this case mostly at night. Kinsey agrees to look into the 10-month-old death of Lorna Kepler, a young woman whose decomposed body was discovered in her cabin so long after death that it was impossible to determine the cause. Kinsey's client, Lorna's mother, who works the night shift in a 24-hour diner, suspects murder. So does Kinsey, especially after investigating Lorna's effects and her considerable assets, some unaccounted-for. An anonymously delivered pornographic tape adds to the emerging portrait of the dead woman as an intriguingly self-sufficient, ambitious woman of the evening. In nighttime forays, Kinsey talks to an all-night deejay whom Lorna often visited at his studio; she meets-and befriends-a prostitute who occasionally teamed up with Lorna to party with clients. She also investigates the victim's day job as a part-time receptionist for the water district, where a high-stakes development project is currently raising tempers. A host of suspects includes a porn filmmaker in San Francisco, members of Lorna's family, her landlord, the water district employees and even a smooth-dressing cop, whom Kinsey talks to at night. But lack of sleep dulls Kinsey's perceptions and it takes two more deaths and the surprise appearance of a deus ex limousine to lead her to a solution. Even sleep-deprived, Kinsey shows spunk and appeal, but she is not at her sharpest here. 600,000 first printing; author tour.

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"I'm a private investigator. Lorna's mother stopped by my office earlier this evening and asked if I'd look into her death. She wasn't particularly happy with the police investigation."

"Such as it was," he said. "Did you talk to that guy Phillips? What a prick he was."

"I just talked to him. He's out of homicide and onto vice these days. What'd he do to you?"

"He didn't do anything. It's his attitude. I hate guys like him. Little banty roosters who push their weight around. Hang on a sec." He slid a fat cassette into a slot and depressed a button on the soundboard, leaning forward, his voice as smooth and satiny as fudge. "We've been listening to Phineas Newborn on solo piano, playing a song called The Midnight Sun Will Never Set.' And this is Hector Moreno, casting a little magic here at K-SPELL. Coming up, we have thirty minutes of uninterrupted music, featuring the incomparable voice of Johnny Hartman from a legendary session with the John Coltrane Quartet. Esquire magazine once named this the greatest album ever made. It was recorded March 7, 1963, on the Impulse label with John Coltrane on tenor sax, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums." He punched a button, adjusted the studio volume downward, and turned back to me. "Whatever he said about Lorna, you can take it with a grain of salt."

"He said she had a dark side, but I knew that much. I'm not sure I have the overall picture, but I'm working on that. How long had you known her before she died?"

"Little over two years. Right after I started doing this show. I was in Seattle before that, but the damp got to me. I heard about this job through a friend of a friend."

"Is your background in broadcast?"

"Communications," he said. "Radio and TV production; video to some extent, though it never interested me much. I'm from Cincinnati originally, graduated from the university, but I've worked everywhere. Anyway, I met Lorna when I first got down here. She was a night owl by nature, and she started calling in requests. Between cuts and commercials, we'd sometimes talk for an hour. She began to drop by the studio, maybe once a week at first. Toward the end, she was here just about every night. Two-thirty, three, she'd bring doughnuts and coffee, bones for Beauty if she'd been out to dinner. Sometimes I think it was the dog she cared about. They had some kind of psychic affinity. Lorna used to claim they'd been lovers in another life. Beauty's still waiting for her to come back. Three o'clock, she goes out to the stairs and just stands there, looking up. Makes this little sound in her throat that'd break your heart." He shook his head, waving off the image with curious impatience.

"What was Lorna like?"

"Complicated. I thought she was a beautiful, tortured soul. Restless, disconnected, probably depressed. But that was just one part. She was split, a contradiction. It wasn't all the dark stuff."

"Was she into drugs or alcohol?"

"Not as far as I know. She blew hot and cold. She was nearly hyper sometimes. If you want to get analytical, I'd be tempted to label her manic-depressive, but that doesn't really capture it. It was like a battle she fought, and the down side finally won."

"I guess we all have that in us."

"I do, that's for sure."

"You knew she did a porno film?"

"I heard about that. I never saw it myself, but I guess the word was out.", "When was it shot? Any time close to her death?"

"I don't know much about that. She was out of town a lot on weekends, Los Angeles, Sun Francisco. Could have been one of those trips. I really couldn't say for sure."

"So it was not something you discussed."

He shook his head. "She enjoyed being tight-lipped. I think it made her feel powerful. I learned not to pry into her personal affairs."

"Any idea why she did the film? Was it money?"

"I doubt it. Producer probably cleans up, but the actors get a flat rate. At least from what I've heard," he said. "Maybe she did it for the same reason she did anything. Lorna flirted with disaster every day of her life. If you want my theory, fear was the only real sensation she felt. Danger was like a drug. She had to boost the dose. She couldn't help herself. Didn't seem to matter what anyone said. I used to talk 'til I was blue in the face. It never made any difference as far as I could see. This is just my observation, and I could be all wrong, but you asked and I'm answering. She'd act like she was listening. She'd act like she agreed with every word you said, but then it washed right over her. She went right on doing it, whatever it was. She was like an addict, a junkie. She knew the life wasn't good, but she couldn't make the break."

"Did she trust you?"

"I wouldn't say that. Not really. Lorna didn't trust anyone. She was like Beauty in that respect. She might have trusted me more than most."

"Why was that?"

"I never came on to her, so I wasn't any kind of threat. With no sexual investment, she couldn't lose with me. She couldn't win, either, but that suited us both. With Lorna, you had to keep your distance. She was the kind of woman, the minute you got involved, it was over, pal. That was the end of it. The only way you could hold on to her was to keep her at arm's length. I knew the rule, but I couldn't always manage it. I was hooked myself. I kept wanting to save her, and it couldn't be done."

"Did she tell you what was going on in her life?"

"Some things. Trivia, for the most part. Just the day-to-day stuff.

She never confided anything important. Events, but not feelings. You know what I mean? Even then, I doubt she ever really leveled with me. I knew some things, but not always because she told me."

"How'd you get your information?"

"I have buddies around town. I'd get frustrated with her behavior. She'd swear she was playing straight, but I guess she really couldn't give it up. Next thing you know, she'd be picking up guys. Twosomes, threesomes, anything you want. People would see her and make a point of telling me, worried I was getting in over my head."

"And were you?"

His smile was bitter. "I didn't think so at the time."

"Did the rumors bother you?"

"Hell, yes. What she did was dangerous, and I was worried sick. I didn't like what she was doing, and I didn't like people running in here talking about her behind her back. Tattletales. I hate that. I couldn't get them to quit. With her, I tried to keep my mouth shut. It was none of my business, but I kept getting sucked in. I'd be saying, 'Why, babe? What's the point?' And she'd shake her head. 'You don't want to know, Heck. I promise. It's got nothing to do with you.' The truth is, I don't think she knew. It was a compulsion, like a sneeze. It felt good to do it. If she held off, something tickled until it drove her nuts."

"You have any idea who was in her life besides you?"

"I wasn't in her life. I was on the fringe. Way out here. She had a day job, part-time at the water treatment plant. You might talk to them, see if they can fill you in. Most times, I never even saw her before three a.m. She might've had some other kind of life entirely when the sun was up."

"Ah. Well. Food for thought," I said. "Anything else I should know?"

"Not that I can think of offhand. If something occurs to me, I can get in touch. You have a card?"

I fished one out and placed it on the console. He looked at it briefly and left it where it was.

I said, "Thanks for your time."

"I hope I've been of help. I hate the idea someone got away with murder."

"This is a start, at any rate. I may be back at some point." I hesitated, glancing at the dog still lying there between us. The minute she sensed my look, she rose to her feet, which put her head just about level with the stool where I was perched. She kept her eyes straight ahead, gazing intently at the flesh on my hip, possibly with an eye toward a late evening snack.

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