Ken Follett - Whiteout

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Whiteout: краткое содержание, описание и аннотация

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Human betrayal, medical terror and a race against time…
Jealousies, distrust, and hidden rivalries uncover dark secrets, then a dozen vials of a deadly virus go missing.
As a blizzard whips out of the north on Christmas Eve, several people converge on a remote family house. Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus. Several others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, head of his security team and recently forced to resign from the police, is betting her career on keeping it safe; an ambitious local television reporter sniffs a story, even if he has to bend the facts to tell it; and a violent trio of thugs is on their way to steal it, with a client already waiting.
As the storm worsens and the group is laid under siege by the elements, the emotional sparks crackle and dark secrets are uncovered threaten to drive Stanley and his family apart for ever.
Filled with startling twists, Whiteout is the ultimate knife-edge drama from an international bestselling author who is in a class by himself.

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It would not be long before the gang in the house came looking for Toni. She had to get help fast. She reached for her mobile phone.

Then she realized she did not have it.

She shook her clenched fists at the ceiling in frustration. Her phone was in the pocket of the flying jacket, which she had hung up in the hall.

What was she going to do now?

* * *

"WE'VE got to get after her," Nigel said. "She could be on the phone to the police already."

"Wait," Kit said. He stepped across the hall to the hat stand. He was rubbing his left elbow where Toni had kicked him, but he stopped in order to search her jacket. Triumphantly, he produced a phone from one of her pockets. "She can't call the police."

"Thank God for that." Nigel looked around the hall. Daisy had Miranda face down on the floor with her arm bent behind her back. Elton stood in the kitchen doorway. Nigel said, "Elton, get some more rope so Daisy can tie up this fat cow." He turned back to Kit. "Your sisters are a right bloody pair."

"Never mind that," Kit said. "We can get away now, can't we? We don't have to wait for daylight or fetch the four-wheel drive. We can use any car, and take the path cleared by the snowplow."

"Your man said there were coppers in that snowplow."

"The one place they won't look for us is right behind them."

Nigel nodded. "Clever. But the snowplow's not going all the way to… where we need to be. What do we do when it turns off our route?"

Kit suppressed his impatience. They had to get away from Steepfall at any cost, but Nigel had not yet figured that out. "Look out of the window," he said. "The snow has stopped. It will start to thaw soon, the forecast said."

"We could still get stuck."

"We're in worse danger here, now that the road has been cleared. Toni Gallo might not be the only visitor to show up."

Elton returned with a length of electric cable. "Kit's right," he said. "We can easily get there by ten o'clock, barring accidents." He handed the cable to Daisy, who tied Miranda's hands behind her back.

"Okay," Nigel said. "But first we have to round everyone up, including kids, and make sure they can't call for help for the next few hours."

Daisy dragged Miranda through the kitchen and shoved her into the pantry.

Kit said, "Miranda's phone must be in the cottage, otherwise she would have used it by now. Her boyfriend, Ned, is there."

Nigel said, "Elton, go to the cottage."

Kit went on: "There's a phone in the Ferrari. I suggest Daisy goes to the garage to make sure no one is trying to use it."

"What about the barn?"

"Leave it till last. Caroline, Craig, and Tom don't have phones. I'm not sure about Sophie, but she's only fourteen."

"All right," Nigel said. "Let's get it done as fast as possible."

The bathroom door opened and Toni Gallo's mother came out, still wearing her hat.

Kit and Nigel stared at her for a moment. Kit had forgotten she was in there.

Then Nigel said, "Stick her in the pantry with the others."

"Oh, no," the old woman said. "I think I'd rather sit by the Christmas tree." She crossed the hall and went into the living room.

Kit looked at Nigel, who shrugged.

* * *

CRAIG opened the door of the boot cupboard a crack. Peeping out, he saw that the lobby was empty. He was about to step out when one of the gangsters, Elton, came in from the kitchen. Craig pulled the door an inch toward himself and held his breath.

It had been like this for a quarter of an hour.

One of the gang was always in view. The cupboard smelled mustily of damp anoraks and old boots. He worried about Sophie, sitting in Luke's Ford in the garage, getting cold. He tried to wait patiently. His chance would surely come soon.

A few minutes ago Nellie had barked, which must have meant someone at the door. Craig's heart had lifted in hope; but Nigel and Elton had stood inches away from Craig, talking in whispers that he could not quite make out. They must have been hiding from the visitor, Craig decided. He wanted to burst out of the cupboard and run to the door yelling for help, but he knew he would be seized and silenced the instant he revealed himself. It was maddeningly frustrating.

There was a banging from upstairs, as if someone was trying to bash a door down. Then there was a different bang, more like a firework-or a gun going off. It was followed instantly by the sound of breaking glass. Craig was dismayed and frightened. Until this moment, the gang had used guns only to threaten. Now that they had started shooting, where would it end? The family was in terrible danger.

At the gunshot, Nigel and Elton went, but left the door open, and Elton remained in sight at the far end of the kitchen, talking urgently to someone in the hall. Then he returned, but went out the back way, leaving the door wide open.

At last Craig could move without being seen. The others were in the hall. This was his chance. He stepped out of the cupboard.

He flipped open the key box and snatched the Ferrari keys. This time they came off the hook without snagging.

In two strides he was out of the door.

The snow had stopped. Somewhere beyond the clouds dawn was breaking, and he could see in black-and-white. To his left was Elton, trudging through the snow, heading for the guest cottage. Elton's back was turned and he did not see Craig. Craig went the other way and turned the corner, so that the house hid him from Elton.

He was shocked to see Daisy only yards away.

Fortunately she, too, had her back to him. She had obviously come out of the front door and was walking away from him. There was a cleared path, and he realized that a snowplow had been here while he was hiding in the boot cupboard. Daisy was heading for the garage-and Sophie.

He ducked behind his father's Mercedes. Peeping around the wing, he saw Daisy reach the end of the building, leave the cleared path, and turn the corner of the house, disappearing from view.

He went after her. Moving as fast as he could, he went along the front of the house. He passed the dining room, where Nellie stood with her forepaws on the windowsill; then the front door, which was shut; then the living room with its flashing Christmas tree. He was astonished to see an old lady sitting by the tree with a puppy in her lap. He did not pause to wonder who she was.

He reached the corner and looked around. Daisy was heading straight for the side door of the garage. If she went in there, she would find Sophie sitting in Luke's Ford.

She reached into the pocket of her black leather jacket and took out her gun.

Craig watched, helpless, as she opened the door.

7:45 AM

THE pantry was cold.

The Christmas turkey, too large to fit into the kitchen refrigerator, stood in a baking tray on a marble shelf, stuffed and seasoned by Olga, ready for roasting. Miranda wondered dismally if she would live to eat it.

She stood with her father, her sister, and Hugo, the four of them trussed like the turkey and crammed into a space three feet square, surrounded by food: vegetables in racks, a shelf of pasta in jars, boxes of breakfast cereals, cans of tuna and plum tomatoes and baked beans.

Hugo was in the worst state. He seemed to be drifting in and out of consciousness. He was leaning against the wall and Olga was pressing herself to his naked body, trying to keep him warm. Stanley's face looked as if he had been hit by a truck, but he was standing erect and his expression was alert.

Miranda felt helpless and miserable. It was heartbreaking to see her father, such a strong character, wounded and tied up. Hugo was a rotter but he hardly deserved this: he looked as if he might have suffered permanent damage. And Olga was a hero, trying so hard to comfort the husband who had betrayed her.

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