Ken Follett - Whiteout

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Whiteout: краткое содержание, описание и аннотация

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Human betrayal, medical terror and a race against time…
Jealousies, distrust, and hidden rivalries uncover dark secrets, then a dozen vials of a deadly virus go missing.
As a blizzard whips out of the north on Christmas Eve, several people converge on a remote family house. Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus. Several others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, head of his security team and recently forced to resign from the police, is betting her career on keeping it safe; an ambitious local television reporter sniffs a story, even if he has to bend the facts to tell it; and a violent trio of thugs is on their way to steal it, with a client already waiting.
As the storm worsens and the group is laid under siege by the elements, the emotional sparks crackle and dark secrets are uncovered threaten to drive Stanley and his family apart for ever.
Filled with startling twists, Whiteout is the ultimate knife-edge drama from an international bestselling author who is in a class by himself.

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Miranda noticed a rectangular bulge in the pocket of the silk robe: Olga never went anywhere without her phone. Miranda was going to turn and tell her father not to bother to put his boots on, but she was arrested by Olga's performance.

Nigel frowned with disapproval, but answered all the same. "We were on our way to Glasgow."

"Where had you been? There's not much north of here."

"A big country house."

"We probably know the owners. Who are they?"

"Name of Robinson."

Miranda watched, waiting for an opportunity to quietly borrow Olga's phone.

"Robinson doesn't ring a bell. Almost as common as Smith and Brown. What was the occasion?"

A party.

Olga raised her dark eyebrows. "You come to Scotland to spend Christmas with your old friend, then you and his daughter go off to a party and leave the poor man alone?"

"He wasn't feeling too well."

Olga turned the spotlight on Daisy. "What sort of a daughter are you, to leave your sick father at home on Christmas Eve?"

Daisy stared back in mute anger. Miranda suddenly feared that Daisy could be violent. Kit seemed to have the same thought, for he said, "Take it easy, Olga."

Olga ignored him, "Well?" she said to Daisy. "Haven't you got anything to say for yourself?"

Daisy picked up her gloves. For some reason, Miranda found that ominous. Daisy put the gloves on then said, "I don't have to answer your questions."

"I think you do." Olga looked back at Nigel. "You're three complete strangers, sitting in my father's kitchen filling yourselves with his food, and the story you tell is highly implausible. I think you need to explain yourselves."

Kit said anxiously, "Olga, is this really necessary? They're just people who got stranded-"

"Are you sure?" she said. She turned her gaze back to Nigel.

Nigel had seemed relaxed, but now anger showed as he said, "I don't like being interrogated."

"If you don't like it, you can leave," Olga said. "But if you want to stay in my father's house, you need to tell a better story than this farrago."

"We can't leave," Elton said indignantly. "Look out the window, it's a fucking blizzard."

"Please don't use that word in this house. My mother always forbade obscenities, except in foreign languages, and we've kept her rule since her death." Olga reached for the coffeepot, then pointed to the burgundy briefcase on the table. "What's this?"

"It's mine," Nigel said.

"Well, we don't keep luggage on the table." She reached out and picked it up. "Not much in it-ow!" She yelled because Nigel had grabbed her arm. "That hurts!" she cried.

Nigel's mask of urbanity had gone. He spoke quietly but distinctly. "Put the case down. Now."

Stanley appeared beside Miranda in a coat, gloves, and boots. "What the hell do you think you're doing?" he said to Nigel. "Take your hands off my daughter!"

Nellie barked loudly. With a quick movement, Elton reached down and grabbed the dog's collar.

Olga stubbornly kept hold of the briefcase.

Kit said, "Put the case down, Olga."

Daisy grabbed the case. Olga tried to keep hold of it, and somehow the case flew open. Polystyrene packing chips scattered all over the kitchen table. Kit gave a shout of fear, and Miranda wondered momentarily what he was so frightened of. Out of the case fell a perfume bottle in two Ziploc bags.

With her free hand, Olga slapped Nigel's face.

Nigel slapped her back. Everyone shouted at once. Stanley gave a grunt of rage, pushed past Miranda, and strode toward Nigel. Miranda shouted: "No-"

Daisy stood in Stanley's way. He tried to push her aside. There was a blur of movement, and Stanley cried out and fell back, bleeding from his mouth.

Then, suddenly, both Nigel and Daisy were holding guns.

Everyone went quiet except Nellie, who was barking frantically. Elton twisted her collar, throttling her, until she shut up. The room was silent.

Olga said, "Who the hell are you people?"

Stanley looked at the perfume spray on the table and said fearfully, "Why is that bottle double-bagged?"

Miranda slipped out through the door.

5:45 AM

KIT stared in fear at the Diablerie bottle on the kitchen table. But the glass had not smashed; the top had not fallen off; the double plastic bags had stayed intact. The lethal fluid remained safely inside its fragile container.

But now that Nigel and Daisy had pulled guns, they could no longer pretend to be innocent victims of the storm. As soon as the news from the laboratory got out, they would be connected with the theft of the virus.

Nigel, Daisy, and Elton might escape, but Kit was in a different position. There was no doubt who he was. Even if he escaped today, he would be a fugitive from justice for the rest of his life.

He thought furiously, trying to devise a way out.

Then, as everyone stood frozen, staring at the vicious little dark gray pistols, Nigel moved his gun a fraction of an inch, mistrustfully pointing it at Kit, and Kit was seized by inspiration.

There was still no reason why the family should suspect him, he realized. He might have been deceived by the three fugitives. His story that they were total strangers still stood up.

But how could he make that clear?

Slowly, he raised his hands in the traditional gesture of surrender.

Everyone looked at him. There was a moment when he thought the gang themselves would betray him. A frown passed over Nigel's brow. Elton looked openly startled. Daisy sneered.

Kit said, "Dad, I'm so sorry I brought these people into the house. I had no idea…"

His father gave him a long look, then nodded. "Not your fault," he said. "You can't turn strangers away in a blizzard. There was no way you could have known"- he turned and gave Nigel a look of scorching contempt-"just what kind of people they are."

Nigel got it immediately and jumped in to back up Kit's pretense. "I'm sorry to return your hospitality this way… Kit, is it? Yes… You saved our lives in the snow, now we're pointing guns at you. This old world never was fair."

Elton's expression cleared as he grasped the deception.

Nigel went on: "If your bossy sister hadn't poked her nose in, we might have left peacefully, and you would never have found out what bad people we are. But she would insist."

Daisy finally understood, and turned away with a scornful expression.

It occurred to Kit that Nigel and the gang might just kill his family. They were willing to steal a virus that would slaughter thousands, why would they hesitate to gun down the Oxenfords? It was different, of course: the notion of killing thousands with a virus was a bit abstract, whereas shooting adults and children in cold blood would be more difficult. But they might do it if they had to. They might kill Kit, too, he realized with a shudder. Fortunately, they still needed him. He knew the way to Luke's cottage and the Toyota Land Cruiser. They would never find it without him. He resolved to remind Nigel of that at the first opportunity.

"What's in that bottle is worth a lot of money, you see," Nigel finished.

To reinforce the simulation, Kit said, "What is it?"

"Never you mind," said Nigel.

Kit's mobile phone rang.

He did not know what to do. The caller was probably Hamish. There must have been some development at the Kremlin that the inside man thought Kit needed to know about. But how could he speak to Hamish without betraying himself to his family? He stood paralyzed, while everyone listened to his ring tone playing Beethoven's ninth symphony.

Nigel solved the problem. "Give me that," he said.

Kit handed over his phone, and Nigel answered it. "Yes, this is Kit," he said, in a fair imitation of a Scots accent.

The person at the other end seemed to believe him, for there was a silence while Nigel listened.

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