Ken Follett - Whiteout

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Whiteout: краткое содержание, описание и аннотация

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Human betrayal, medical terror and a race against time…
Jealousies, distrust, and hidden rivalries uncover dark secrets, then a dozen vials of a deadly virus go missing.
As a blizzard whips out of the north on Christmas Eve, several people converge on a remote family house. Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus. Several others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, head of his security team and recently forced to resign from the police, is betting her career on keeping it safe; an ambitious local television reporter sniffs a story, even if he has to bend the facts to tell it; and a violent trio of thugs is on their way to steal it, with a client already waiting.
As the storm worsens and the group is laid under siege by the elements, the emotional sparks crackle and dark secrets are uncovered threaten to drive Stanley and his family apart for ever.
Filled with startling twists, Whiteout is the ultimate knife-edge drama from an international bestselling author who is in a class by himself.

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At last he saw a sign that read "Inverburn School of Flying." He turned into an entry. Double wire gates stood open. He drove in. His headlights picked out a hangar and a control tower.

The place appeared deserted. For a moment, Kit half-hoped the others would not show up and he could call off the whole thing. The thought of suddenly ending this terrible tension was so appealing that his spirits sank and he began to feel depressed. Pull yourself together, he thought. Tonight will be the end of all your troubles.

The hangar door stood partly open. Kit drove slowly in. There were no planes inside-the airfield operated only in the summer months-but he immediately saw a light-colored Bentley Continental that he recognized as Nigel Buchanan's. Beside it stood a van marked "Hibernian Telecom."

The others were not in sight, but a faint light came from the stairwell. Carrying his laptop, Kit followed the stairs up to the control tower.

Nigel sat at the desk, wearing a pink roll-neck sweater and a sports jacket, looking calm, holding a mobile phone to his ear. Elton leaned against the wall, dressed in a tan trench coat with the collar turned up. He had a big canvas bag at his feet. Daisy slumped on a chair, heavy boots on the windowsill. She wore tight-fitting gloves of light tan suede that looked incongruously ladylike.

Nigel spoke into the phone in his soft London voice. "It's snowing quite heavily here, but the forecast says the worst of the storm will pass us by… Yeah, you will be able to fly tomorrow morning, no problem… We'll be here well before ten… I'll be in the control tower, I'll talk to you as you come in… There won't be any trouble, so long as you've got the money, all of it, in fifties, as agreed."

The talk of money gave Kit a shiver of excitement. Three hundred thousand pounds, in his hands, in twelve hours and a few minutes. True, he would have to give most of it to Daisy immediately, but he would keep flfty thousand. He wondered how much room fifty grand in fifty-pound notes would take up. Could he keep it in his pockets? He should have brought a briefcase…

"Thank you," Nigel was saying. "Goodbye." He turned around. "What-ho, Kit. You're bang on time."

Kit said, "Who was on the phone-our buyer?"

"His pilot. He'll be arriving by helicopter."

Kit frowned. "What will his flight plan say?"

"That he's taking off from Aberdeen and landing in London. No one will know that he made an unscheduled stop at the Inverburn Flying School."

"Good."

"I'm glad you approve," Nigel said with a touch of sarcasm. Kit constantly questioned him about his areas of responsibility, worried that Nigel, though experienced, was not as educated or as intelligent as he. Nigel answered his questions with an affectation of amusement, obviously feeling that Kit, as an amateur, ought to trust him.

Elton said, "Let's get dragged up, shall we?" He took from his bag four sets of overalls with "Hibernian Telecom" printed on the back. They all climbed into them.

Kit said to Daisy, "The gloves look odd with the overalls."

"Too bad," she said.

Kit stared at her for a few moments, then dropped his gaze. She was trouble, and he wished she were not coming tonight. He was scared of her, but he also hated her, and he was determined to put her down, both to establish his authority and by way of revenge for what she had done to him that morning. There was going to be a clash before long, and he both feared it and longed for it.

Next, Elton handed out faked identity cards that said "Hibernian Telecom Field Maintenance Team." Kit's card bore a photograph of an older man who looked nothing like him. The man in the picture had black hair that grew halfway over his ears in a style that had never been fashionable in Kit's lifetime, plus a heavy Zapata mustache and glasses.

Elton reached into his bag yet again and handed Kit a black wig, a black mustache, and a pair of heavy-framed glasses with tinted lenses. He also gave him a hånd mirror and a small tube of glue. Kit glued the mustache to his upper lip and put on the wig. His own hair was mid-brown and cut fashionably short. Looking in the mirror, he was satisfied that the disguise altered his appearance radically. Elton had done a good job.

Kit trusted Elton. His humor covered a ruthless efficiency. He would do whatever was nccessary to finish the job, Kit thought.

Tonight Kit planned to avoid anyone among the guards who had been employed at the Kremlin when he was there. However, if he had to speak to any of them, he felt confident they would not recognize him. He had taken off his distinctive jewelry, and he would change his voice.

Elton also had disguises for Nigel, Daisy, and himself. They were not known to anyone at the Kremlin, so they were in no danger of being recognized immediately; but later the security guards would describe the intruders to the police, and the disguises would ensure that those descriptions bore no relation to their actual faces.

Nigel also had a wig, Kit saw. Nigel's own hair was sandy-colored and short, but his wig was mid-gray and chin-length, making the casually elegant Londoner look like an aging Beatle. He also had glasses with unfashionably large frames.

Daisy had a long blond wig over her shaved head. Tinted contact lenses turned her eyes from brown to bright blue. She was even more hideous than usual. Kit had often wondered about her sex life. He had once met someone who claimed to have slept with her, but all the man would say about it was "I've still got the bruises." As Kit looked, she removed the steel rings that pierced her eyebrow, her nose, and her lower lip. She looked only a little less weird.

Elton's own disguise was the most subtle. All he had was a set of false teeth that gave him an overbite-but he looked completely different. The handsome dude had gone, and in his place was a nerd.

Finally, he gave them all baseball caps with "Hibernian Telecom" printed on them. "Most of those security cameras are placed high," he explained. "A cap with a long peak will make sure they don't get a good shot of your face."

They were ready. There was a moment of silence while they looked at one another. Then Nigel said, "Showtime."

They left the control tower and went down the stairs to the hangar. Elton got into the driving seat of the van. Daisy jumped in next to him. Nigel took the third seat. There was no more room in the front: Kit would have to sit on the floor in the back with the tools.

As he stared at them, wondering what to do, Daisy edged close to Elton and put a hand on his knee, "Do you fancy blondes?" she said.

He stared ahead expressionlessly. "I'm married."

She moved her hånd up his thigh. "I bet you fancy a white girl, for a change, though, don't you?"

"I'm married to a white girl." He took hold of her wrist and moved her hand off his leg.

Kit decided this was the moment to deal with her. With his heart in his mouth, he said, "Daisy, get in the back of the van."

"Fuck off," she replied.

"I'm not asking you, I'm telling you. Get in the back."

"Try and make me."

"Okay, I will."

"Go ahead," she said with a grin. "I'm looking forward to this."

"The operation is off," Kit said. He was breathing hard, out of fear, but he made his voice calm. "Sorry, Nigel. Good night, all." He walked away from the van on shaky legs.

He got into his own car, started the engine, turned on the headlights, and waited.

He could see into the front of the van. They were arguing. Daisy was waving her arms. After a minute, Nigel got out of the van and held the door. Still Daisy argued. Nigel went around to the back and opened the rear doors, then returned to the front.

At last, Daisy got out. She stood staring malevolently at Kit. Nigel spoke to her again. Finally she got in the back of the van and slammed the doors.

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