Ken Follett - Whiteout

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Whiteout: краткое содержание, описание и аннотация

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Human betrayal, medical terror and a race against time…
Jealousies, distrust, and hidden rivalries uncover dark secrets, then a dozen vials of a deadly virus go missing.
As a blizzard whips out of the north on Christmas Eve, several people converge on a remote family house. Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus. Several others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, head of his security team and recently forced to resign from the police, is betting her career on keeping it safe; an ambitious local television reporter sniffs a story, even if he has to bend the facts to tell it; and a violent trio of thugs is on their way to steal it, with a client already waiting.
As the storm worsens and the group is laid under siege by the elements, the emotional sparks crackle and dark secrets are uncovered threaten to drive Stanley and his family apart for ever.
Filled with startling twists, Whiteout is the ultimate knife-edge drama from an international bestselling author who is in a class by himself.

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"Someone else, then?"

"I'm not seeing anyone."

"But you're interested in someone. It's not the old professor, is it?"

"Don't be ridiculous," Toni said.

"You're not blushing, are you?"

"I hope not, though any woman subjected to this kind of interrogation would be entitled to blush."

"My God, you fancy Stanley Oxenford." Carl was not good at taking rejection, and his face became ugly with resentment. "Of course, Stanley's a widower, isn't he? Children grown up. All that money, and just the two of you to spend it."

"This is really offensive, Carl."

"The truth so often is. You really like high flyers, don't you? First Frank, the fastest-rising detective in the history of the Scottish police. And now a millionaire scientific entrepreneur. You're a starfucker, Toni!"

She had to end this before she lost her temper. "Thank you for coming to the press conference," she said. She held out her hand, and he shook it automatically. "Goodbye." She turned and walked away.

She was shaking with anger. He had made her deepest emotions seem unworthy. She wanted to strangle him, not go out with him. She tried to make herself calm. She had a major professional crisis to deal with, and she could not let her feelings get in the way.

She went to the reception desk near the door and spoke to the supervisor of the security guards, Steve Tremlett. "Stay here until they've all left, and make sure none of them tries to take an unofficial tour." A determined snoop might try to enter high-security areas by "tailgating"- waiting for someone with a pass then going through the door right behind.

"Leave it to me," Steve said.

Toni began to feel calmer. She put on her coat and went outside. The snow was falling more heavily, but she could see the demonstration. She walked to the guard booth at the gate. Three canteen staff were handing out hot drinks. The protestors had temporarily stopped chanting and waving their banners, and were smiling and chatting instead.

And all the cameras were photographing them.

Everything had gone perfectly, Toni thought. So why did she feel depressed?

She returned to her office. She closed the door and stood still, grateful to be alone for a minute. She had controlled the press conference well, she thought. She had protected her boss from Osborne. And the idea of giving hot drinks to the demonstrators had worked like a charm. It would be unwise to celebrate before seeing the actual coverage, of course, but she felt that every decision she had made had been right.

So why did she feel so down?

Partly it was Osborne. Any encounter with him could leave a person feeling low. But mainly, she realized, it was Stanley. After all she had done for him this morning, he had slipped away with barely a word of thanks. That was what it meant to be the boss, she supposed. And she had long known how important his family was to him. She, by contrast, was just a colleague: valued, liked, respected-but not loved.

The phone rang. She looked at it for a moment, resenting its cheerful warble, not wanting to talk. Then she picked it up.

It was Stanley, calling from his car. "Why don't you drop in at the house in an hour or so? We could watch the news, and learn our fate together."

Her mood lifted instantly. She felt as if the sun had come out. "Of course," she said. "I'd be delighted."

"We might as well be crucified side by side," he said.

"I would consider it an honor."

12 NOON

THE snow became heavier as Miranda drove north. Big white flakes swooped onto the windshield of the Toyota Previa, to be swept aside by the long wipers. She had to slow down as visibility diminished. The snow seemed to soundproof the car, and there was no more than a background swish of tires to compete with the classical music from the radio.

The atmosphere inside was subdued. In the back, Sophie was listening to her own music on headphones, while Tom was lost in the beeping world of Game Boy. Ned was quiet, occasionally conducting the orchestra with one waving forefinger. As he gazed into the snow and listened to Elgar's cello concerto, Miranda watched his tranquil, bearded face, and realized that he had no idea how badly he had let her down.

He sensed her discontent. "I'm sorry about Jennifer's outburst," he said.

Miranda looked in the rearview mirror and saw that Sophie was nodding her head in time to the music from her iPod. Satisfied that the girl could not hear her, Miranda said, "Jennifer was bloody rude."

"I'm sorry," he said again. He obviously felt no need to explain or apologize for his own role.

She had to destroy his comfortable illusion. "It's not Jennifer's behavior that bothers me," she said. "It's yours."

"I realize it was a mistake to invite you in without warning her."

"It's not that. We all make mistakes."

He looked puzzled and annoyed. "What, then?"

"Oh, Ned! You didn't defend me!"

"I thought you were well able to defend yourself."

"That's not the point! Of course I can look after myself. I don't need mothering. But you should be my champion."

"A knight in shining armor."

"Yes!"

"I thought it was more important to get things calmed down."

"Well, you thought wrong. When the world turns hostile, I don't want you to take a judicious view of the situation-I want you to be on my side."

"I'm afraid I'm not the combative type."

"I know," she said, and they both fell silent.

They were on a narrow road that followed the shore of a sea loch. They passed small farms with a few horses in winter blankets cropping the grass, and drove through villages with white-painted churches and rows of houses along the waterfront. Miranda felt depressed. Even if her family embraced Ned as she had asked them to, did she want to marry such a passive man? She had longed for someone gentle and cultured and bright, but she now realized that she also wanted him to be strong. Was it too much to expect? She thought of her father. He was always kind, rarely angry, never quarrelsome-but no one had ever thought him weak.

Her mood lifted as they approached Steepfall. The house was reached by a long lane that wound through woods. Emerging from the trees, the drive swept around a headland with a sheer drop to the sea.

The garage came into view first. Standing sideways-on to the drive, it was an old cowshed that had been renovated and given three up-and-over doors. Miranda drove past it and along the front of the house.

Seeing the old farmhouse overlooking the beach, its thick stone walls with their small windows and the steep slate roof, she was overwhelmed by a sense of her childhood. She had first come here at the age of five, and every time she returned she became, for a few moments, a little girl in white socks, sitting on the granite doorstep in the sun, playing teacher to a class of three dolls, two guinea pigs in a cage, and a sleepy old dog. The sensation was intense, but fleeting: suddenly she remembered exactly how it had felt to be herself at five, but trying to hold on to the memory was like grabbing at smoke.

Her father's dark blue Ferrari was at the front of the house, where he always left it for Luke, the handyman, to put away. The car was dangerously fast, obscenely curvaceous, and ludicrously expensive for his daily five-mile commute to the laboratory. Parked here on a bleak Scottish cliff top, it was as out of place as a high-heeled courtesan in a muddy farmyard. But he had no yacht, no wine cellar, no racehorse; he did not go skiing in Gstaad or gambling in Monte Carlo. The Ferrari was his only indulgence.

Miranda parked the Toyota. Tom rushed in. Sophie followed more slowly: she had not been here before, though she had met Stanley once, at Olga's birthday party a few months back. Miranda decided to forget about Jennifer for now. She took Ned's hand and they went in together.

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