Sue Grafton - E Is for Evidence

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From Publishers Weekly
While private detective and former cop Kinsey Millhone ("D" Is for Deadbeat) is investigating a possible case of industrial arson involving a company owned by the family of a former schoolmate, someone tries to make it look as if she's on the take. A mysterious $5000 appears in her bank account. She sets out to clear herself, while two or possibly more cases of murder occur, including one by bombing. A Christmas spent alone and the reappearance of her second ex-husband, Daniel, who had deserted her, add to Kinsey's depression. Grafton has an accurate, wicked eye for California lifestyle and wise-cracking Kinsey is an appealing, nonhackneyed female detective. Particularly illuminating are the descriptions of document searches, which make up much of real detective work today. This fifth entry in the series, however, is not quite up to the standards of its predecessors because the motivation for the crimes seems weak. That caveat notwithstanding, readers will be glad that further letters of the alphabet await Grafton's imagination.

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Andy 's last phone call had been to her, but what did it mean? A tiny jolt of memory shot through me. I saw Olive unlock the front door, her arms loaded with groceries, the package bomb, addressed to Terry, resting on top. As the door swung open, the telephone had rung and that's why she'd tossed the package in such haste. Maybe Andy knew the package was waiting on the doorstep and had called to warn them off.

I closed up Andy 's apartment, got in my car, and headed back to town, detouring en route to wolf down a fast-food lunch. The Kohlers" house was the next logical stop, but as I turned into the lane, I noticed a whisper of anxiety. I had not, of course, been to the house since the bomb went off and I was not eager to live through the trauma again. I parked in front and gingerly stepped through the gap in the hedge where the gate had been. Only the posts remained now, the hardware twisted where the force of the bomb had wrenched the heavy wooden gate from its hinges. In places the blast had left the shrub-bery completely bald.

I approached the house. Plywood sheets and two-by-fours had been nailed across the yawning opening where the front door had been. One of the columns supporting the porch roof had been snapped in two and a clumsy six-by-six had been rigged up in its place. The walkway was scorched, grass sparse and blackened. Sawhorses and warning signs cautioned folks to use the rear. I could still detect the faint briny smell of the cocktail onions that had littered the yard like pearls.

I felt my gaze drawn irresistibly to the spot where Olive had lain in a tumbled, bloody heap. I remembered then how I'd offered to carry the package for her since her arms were loaded with grocery bags. Her casual refusal had saved me. Death sometimes passes us by that way, with a wink, a nod, and an impish promise to return for us at another time. I wondered if Terry felt the same guilt I did that she'd died in our stead.

I was holding my breath, and I shook my arms out like a runner in the middle of a race, moving then toward the rear of the house. I knocked at the back door, cupping my hand against the glass to see if Terry or the housekeeper was home. There was no sign of anyone. I waited, then knocked again. In the lower right-hand corner of the kitchen window there was an alarm-company decal that said "Armed Response" across the bottom. I stepped back so I could scan the area. There was a red light showing on the alarm panel to the right, indicating that the system was armed. If the light was green, any burglar would know it was safe to start work. I took a business card from my handbag and sketched a quick note, asking Terry to call me when he got home. I got in my car again and drove to the Woods'. For all I knew, he was still there.

Early-afternoon sunlight poured down on the house with its dazzling white facade. The grass was newly cut, as short and densely green as wool-pile carpeting. Beyond the bluffs, the ocean was an intense navy blue, the surface feathered with whitecaps that suggested a strong wind coming off the water. The hot desert wind was blowing at my back, and the palms tossed restlessly where the two met. Ash's little red sports car was parked in the circular driveway, along with a BMW. There was no sign of Terry's Mercedes. I walked around the house to the long, low brick porch on the seaward side and rang the bell.

The maid let me in and left me in the foyer while she went to fetch Miss Ebony. I had asked for Ash, but I was willing to take pot luck. I wished fervently that I had a theory, but this was still a fishing expedition. I couldn't be far from understanding the truth, but I had no clear con-cept what the revelation might be. Under the circum-stances, all I knew to do is persist, plowing through. Bass was the only member of the family I was hoping to avoid. Not that it made any difference at that point, but pride is pride. Who wants to make small talk with your ex-spouse's lover? I had to be careful that my sense of injury didn't get in the way of spotting his role in this.

"Hello, Kinsey."

Ebony was standing at the bottom of the stairs, her pale oval face as smooth as an egg, expressionless, com-posed. She was wearing a shirtwaist dress of black silk that emphasized her wide shoulders and slim hips, the long shapely legs. Her red spike heels must have added five inches to her height. Her hair was skinned back from the taut bones of her face. A swath of blusher on each cheek suggested high stress instead of the good health it was meant to convey. In the family mythology, she was the thrill-seeker, addicted to the sort of treacherous hobbies that can spell early death: sky-diving, helicopter skiing, climbing the sheer faces of impossible cliffs. In the family dynamic, maybe she'd been designated to live recklessly, just as Bass lived with vanity, idleness, and self-indulgence.

I said, "I thought we should talk."

"About what?"

"Olive's death. Lyda Case is dead, too."

"Bass told me that."

My smile had a bitter feeling to it. "Ah. Bass. How did he get involved? Somehow I get the feeling you might have put a call through to him in New York."

"That's right."

"Dirty pool, Ebony."

She shrugged, undismayed. "It's your own damn fault."

"My fault?"

"I asked you what was going on and you wouldn't say. It's my family, Kinsey. I have a right to know."

"I see. And who thought about bringing Daniel into it?"

"I did, but Bass was the one who tracked him down. He and Daniel had an affair years ago, until Bass broke it off. There was unfinished business between them. Daniel was more than happy to accommodate him in the hopes of rekindling the fires."

"Selling me out in the process," I said.

She smiled slightly, but her gaze was intent. "You didn't have to agree, you know. You must have had some unfinished business of your own or you wouldn't have been suckered in so easily."

"True," I said. "That was smart. God, he nicked right in there and gave you everything, didn't he?"

"Not quite."

"Oh? Something missing? Some little piece of the scheme incomplete?"

"We still don't know who killed Olive."

"Or Lyda Case," I said, "though the motive was proba-bly not the same. I suspect she somehow figured out what was going on. Maybe she went back through Hugh's pa-pers and came up with something significant."

"Like what?"

"Hey, if I knew that, I'd probably know who killed her, wouldn't I?"

Ebony stirred restlessly. "I have things to do. Why don't you tell me what you want."

"Well, let's see. Just in rambling around town, it occurred to me that it might help to find out who inherits Olive's stock."

"Stock?"

"Her ten voting shares. Surely, those wouldn't be left to someone outside the family. So who'd she leave 'em to?"

For the first time she was genuinely flustered and the color in her cheeks seemed real. "What difference does it make? The bomb was meant for Terry. Olive died by mis-take, didn't she?"

"I don't know. Did she?" I snapped back. "Who stands to benefit? You? Lance?"

"Ash," came the voice. "Olive left all her stock to her sister Ashley." Mrs. Wood had appeared in the upstairs hall. I looked up to see her clinging to the rail, the walker close by, her whole body trembling with exertion.

"Mother, you don't have to concern yourself with this."

"I think I do. Come to my room, Kinsey." Mrs. Wood disappeared.

I glanced at Ebony and then pushed past her and went up the stairs.

24

We sat in her room near French doors that opened onto a balcony facing the sea. Sheer curtains were pulled across the doorway, billowing lazily in a wind that smelled of salt. The bedroom suite was dark and old, a clumsy assortment of pieces she and Woody must have salvaged from their early married years: a dresser with chipped veneer, matching misshapen lamps with dark-red silk shades. I was reminded of thrift-store windows filled with other people's junk. Nothing in the room would qualify as "collectible," much less antique.

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